共享资源:全景自由/美洲
此頁面提供了美洲不同國家或地區的全景規則自由概述。它是從各個頁面部分嵌入的，給出了每個地區的規則。
美洲国家
COM:FOP Argentina
阿根廷
Argentina has no "freedom of panorama" provision in its copyright law. At least some think there is de facto freedom of panorama in Argentina regarding buildings:
- It is uncontroversially accepted that buildings can be reproduced by paintings or photographs, without this reproduction infringing copyright.
- Se ha admitido pacificamente que los edificios puedan ser reproducidos mediante pinturas o fotografías, sin estimarse que esta reproducción lesione los derechos de autor. - Dr. Emery, Miguel Angel (professor of Intellectual property law in Argentina)[1]
可以 适用于建筑物 {{FoP-Argentina}}
不可以 用于雕塑和其他作品
As recent as 2022, this de facto freedom of panorama for Argentine architecture is brought to some skepticism, see these relevant discussions from December 2022 and from September 2023.
Infojustice.org tells of a proposal in 2017 to add more limitations/exceptions for Law No. 11.723, one of which would have been a freedom of panorama provision. Instead, most of the suggested exceptions were abolished, and the only surviving exception to be passed concerns free uses of works for persons with disabilities (PWDs), as proven by the resulting amendment law, Law No. 27.588 of November 11, 2020, on Amendments to Law No. 11.723 (WIPO copy).
可以 - for buildings, sculptures and works of artistic craftsmanship.
With buildings; sculptures, models of buildings and works of artistic craftsmanship, if permanently situated in a public place or in premises open to the public, the copyright in such work is not infringed by making graphic work representing it; making a photograph or film of it; or broadcasting or including in a cable programme service a visual image of it.[22/2003 Section 74(2)] The copyright of such a work is not infringed by the issue to the public of copies, or the broadcasting or inclusion in a cable programme service, of anything whose making was, by virtue of this section, not an infringement of copyright.[22/2003 Section 74(3)]
COM:FOP Barbados
巴巴多斯
可以 for 3D works and works of artistic craftsmanship, 不可以 for 2D artwork. Use {{FoP-Barbados}} for images of compliant public artistic works of Barbados.
Under the Copyright Act 1998 revised up to 2006, copyright in a work is not infringed by its incidental inclusion in an artistic work, sound recording, film, broadcast or cable programme.[Cap.300/2006 Section 54(a)]
This section [73] applies to buildings; sculptures, models of buildings and works of artistic craftsmanship, if permanently situated in a public place or on premises open to the public.[Cap.300/2006 Section 73(1)] The copyright in a work referred to in subsection (1) is not infringed by making a graphic work representing it; making a photograph or film of it; broadcasting or including in a cable programme service a visual image of it; or issuing to the public copies, or the broadcasting or including in a cable programme service anything whose making was, by virtue of this section, not an infringement of copyright.[Cap.300/2006 Section 73(2)]
Barbadian law is modelled on UK law, and in the absence of any specific case law to the contrary it is reasonable to assume that the rules will be similar. See the COM:FOP United Kingdom for more details.
COM:FOP Bahamas
巴哈馬
可以. The Bahamas has freedom of panorama for architecture, and 2D and 3D artistic works on display in places or premises open to the public.
According to the 2010 version of Statute Law of The Bahamas - Chapter 323,
- The copyright in an architectural work that has been constructed does not include the right to prevent the making, distributing or public display of pictures, paintings, photographs or other pictorial representations of the work, if the building in which the work is embodied is located in or is ordinarily visible from a public place.[Cap 323/2010 Sec.78 (1)]
- The copyright in an artistic work does not include the right to prevent the making, distributing or public display of pictures, paintings, photographs or other pictorial representations of the work if the work is located in or ordinarily visible from a public place.[Cap 323/2010 Sec.79 (1)] This section applies to (a) buildings; (b) sculptures, models of buildings and artistic works, if permanently situated in a public place or in premises open to the public. [Cap 323/2010 Sec.78 (2)]
- In this Act... “artistic works” include two-dimensional and three dimensional work of fine, graphic and applied art, photographs, prints and art reproductions, maps, globes, charts, diagrams, models, architectural plans and technical drawings;"[Cap 323/2010 Sec.2 (1)]
COM:FOP Paraguay
巴拉圭
可以 {{FoP-Paraguay}} The following is permitted without authorization by the author or payment of remuneration in relation to works already disclosed:
- Reproduction of a work of art on permanent display in streets, squares or other public places, or on the outer walls of buildings, where the artistic medium used is different from that used for the making of the original, provided that the name of the author and the title of the work, if known, and the place in which it is located are mentioned.[1328/1998 Article 39.4]
- Where the work is used as a sign, emblem or distinctive mark of a political party or non-profit-making civil association or entity.[1328/1998 Article 39.7]
"Reproductions admitted in this article will be permitted only if they do not cross the normal exploitation of the work or cause an unjustifiable damage to the legitimate interests of the author".[1328/1998 Article 39]
COM:FOP Panama
巴拿馬
可以; in regard to buildings, for the outer façade only. {{FoP-Panama}}
Under the Law No. 64 of October 10, 2012, reproduction, broadcasting or public transmission by cable of the image of an architectural work, of a work of the fine arts, of a photographic work or of a work of applied arts that is located permanently in a place open to the public is allowed. With buildings, this is limited to the exterior façade.[64/2012 Article 69(3)]
COM:FOP Brazil
巴西
可以, {{FoP-Brazil}} with caveats. Freedom of panorama is allowed in Brazil, including commercial use, to some extent. According to the Copyright Law 9.610 as of 2013,
- Works permanently located in public places may be freely represented by painting, drawing, photography and audiovisual processes.[9.610/2013 Article 48]
Representation is allowed, but reproduction is forbidden. Works of art placed in locations with access to the public can be freely represented by photography, painting, drawing and audiovisual means, to the extent that it does not reproduce the artwork. Commercial use is allowed, as long as the artist's work is properly attributed and the representation does not consist of a reproduction. The existing jurisprudence consistently allows commercial use of artworks under freedom of panorama, as long as the artwork is accessory, and is not detached from its surrounding elements, and therefore not unfairly used to produce revenue that by law belongs to the artist.
According to the available jurisprudence, and the ongoing debate about Article 48 in Brazil, "Public places" means "places available to the public", including private property and building interiors. Lawyer Marcelo Frullani Lopes says on the question of commercial use of representations of the Rio de Janeiro iconic landmark Christ the Redeemer: "although the area is privately owned, public access to the site is not restricted. One cannot ignore, also, that the Christ Redeemer is part of the landscape of Rio de Janeiro. From this point of view, the place where the work is located must be considered a public place."
Examples of public places quoted in a 2017 court case include squares, gardens, sidewalks, parks, avenues, streets, museums, cultural entities.
Article 48 of Law nº 9.610 of February 19, 1998 must be interpreted with other articles of the law, as established by case law.
- Article 5 of Federal Constitution of Brazil states: XXVII – the exclusive right of use, publication or reproduction of works rests with their authors and is transmissible to their heirs for the time the law shall establish.
- Under the Copyright Law as of 2013, unless otherwise agreed, the author of a work of art, when disposing of the object in which it materializes, transmits the right to exhibit it, but does not transmit to the acquirer the right to reproduce it.[9.610/2013 Article 77] Authorization to reproduce a work of art in any form must be in writing and is assumed to be costly (se presume onerosa).[9.610/2013 Article 78]
全景自由的法院案例
- In Frederico George Barros Day vs. Edipress (2016): A mural in a public alley was represented by photography in a commercial publication, deformed and without attribution. The court considered the artwork was not being used in a way that took away revenue from the artist, even by being in a commercial publication. However, it considered that the artist's moral rights were violated due to lack of attribution and misrepresentation of the work in an improper way (deformed mural), causing damage to his reputation. An indemnization was granted.
- In a more recent case involving the same artist, Frederico George Barros Day (graffiter) vs. Editora Abril (2017), the artwork was reproduced on magazine covers, without attribution and with clear commercial intent, due to freedom of panorama being confused with Public Domain. An indemnization was granted.
- In Ricardo Fernandez Costa (artist) vs. Leo Burnett Publicidade Ltda (2017): Use of mural graffiti placed in a public alley in publicity campaign for shopping center, the court considered there was no breach of moral or material rights of the author, and that the use was allowed under Article 48.
- Cleir Ávila Ferreira Júnior (artist) vs. Confederação Brasileira de Futebol - CBF & Outplan Sistemas (2017) concerned representation of the artist's sculpture "Araras" in tickets sold for a soccer game. Commercial use of the representation was considered by the court to be covered by freedom of panorama as it was not detached from its landscape.
- This differs from Sival Floriano Veloso (sculptor) vs. Telemar Norte Leste SA, where a statue was detached from its surroundings on commercialized phone cards.
- In Frederico George Barros Day (graffiter) vd. Edições Globo Conde Nast, commercial use of a representation of the mural in a fashion presentation was deemed to be correct under Article 48, as it was contained within the street landscape.
- In the Panda / Mochilheira case (2015), commercial use of a representation of a mural in a fashion presentation was deemed to be correct under Article 48. Use of the "Panda" mural as background for the Mochilheira fashion show was deemed by the court to be accessory, and therefore covered by Article 48.
- In Camila Pavanelli & others (mural artists/graffiters) vs. Lew’lara/TBWA Publicidade Propaganda, casual presence of artwork in a commercial spot was not in breach of the law under Article 48.
- In a much quoted 2011 court case, Sival Floriano Veloso (sculptor) vs. Telemar Norte Leste SA, commercial use of representations of sculptures in a public place was deemed to be unlawful in court. On the phone cards being sold, the sculptures had been detached from their surrounding elements, which was considered to be in breach of Article 48. The court case lasted from 2007 to 2011, dealing with use of representations of sculptures placed in a public place in phone cards sold by the phone operator. The sculptures had been detached from their surrounding elements, which was considered to violate the spirit of Article 48. Of the three judges that voted on the final sentence, two considered that Article 48 does not cover commercial use of representations of artworks, when that representation was only about the artwork. The third judge considered that commercial use was allowed by Article 48, even when the only represented subject was the artwork.
- Compare the above with Cleir Ávila Ferreira Júnior (artist) vs. Confederação Brasileira de Futebol, where the commercial use of an image of an artwork under copyright was considered to be covered by Article 48, as unlike this case, it had not been detached from its surrounding elements.
- The situation was repeated in 2016, when a representation of a house on a commercial product was detached from its surrounding elements and used commercially by a paint manufacturer without consent by the architect, and without proper attribution.
- Other cases, in particular related to Rio de Janeiro's iconic Christ the Redeemer which has been widely used commercially, have been quoted in court and in technical opinions to support the notion that Article 48 does indeed allow for free and unrestricted representation of works of art in public places.
- In a 2017 juridical technical opinion, statues in public squares used in selling products were presented as an example of what is covered by Article 48. Recent jurisprudence related to Article 48 reinforces the notion that freedom of panorama in Brazil cannot be used in any way that provenly takes or diverts revenue that by right would belong to the artist.
- In 2016, a controversial court case arose about a paint brand who used the representation of a copyrighted architectural work (house) to sell the paints, without attributing the work, and under the payment of a fee to the house owners (not the copyright holders). While the court considered the commercial use of the artwork representation unlawful, and granted compensation to the copyright holder, it based its sentence on the fact that there was payment for the use of the specific artwork to someone who was not the copyright holder of the work, thus taking away revenue from the artist and damaging his rights. The court also emphasized the architect's moral rights violation, from commercializing his work without properly attributing it, and said this fact alone was enough to warrant compensation.
- Use of the above decision to imply an interpretation of Article 48 as forbidding commercial use in general is disputed and contradicted by other evidence.
- Also, in this case, the image of the house on the commercialized product was detached from its surrounding elements.
- The Superior Court has written, "The point is not merely representation of the surroundings of the architectural work, but of representation of the architectural work solely for the purpose of profit."
- In any case, the ongoing debate on Brazilian jurisprudence over Article 48 is limited to the resulting financial damage to the artist, which has to be consistently demonstrated by palpable proof, and not to the use of artwork representations.
- More recently, in June 2018, a 2nd instance Brazilian court affirmed the a hospital had the right to commercially use the image of the Rio de Janeiro Monument of the Redeemer even without any landscape context. "Article 48 of Law 9.610/98 in its literal sense authorizes the free representation of works located permanently in public places, and does not require maintenance of the landscape context."
COM:FOP Peru
秘鲁
可以 {{FoP-Peru}}
Based on the 1996 law,
- The following shall be permitted without the author’s consent: ... the reproduction of a work of art on permanent display in a street, square or other public place, or that of the outer façade of a building, where it is done in an art form different from that used for the making of the original, provided that the name of the author, if known, the title of the work, if any, and the place in which it is located are specified.[822/1996 Art.43(e)]
- In all the cases specified in this Article, any use of works that competes with the author's exclusive right to exploit their work shall be equivalent to unlawful use.[822/1996 Art.43 (endnote)] Outside the copyright law, is illegal use to take economic advantage for others or not to attribute the author of the work.[29263/2003 Art.1(218)]
備註：
- Resolutions No 0372-2006-TPI-INDECOPI and 0760-2010-TPI-INDECOPI (El Comercio v APSAV) specifies the situations in which the work may be legitimately reproduced for acts of exhibition. A "public place" (like MVCS: "bien de dominio público", with exceptions for "dominio privado estatal", see Works by the Peruvian Government)[29151/1991, updated in D.S. 008-2021-VIVIENDA Art. 3.3.2][25] is an internal or external location that is permanently available to the public including museums. The freedom of panorama applies even to artistic works: the "permanent" status is not lost to works that have been relocated from one public place to another public place or that are in the process of temporary closure for maintenance. The places declared as cultural heritage, even if they were abandoned or never discovered, are property of the Peruvian State and match the definitions previously mentioned.[28296/2008 Title I, Art. 2, 5 and 11]
- Previously, the 1961 law allowed the freedom of panorama for artistic and architectural works, regardless of their legal validity, in public places. There is no mention if the work must be "permanently accessible".[13714/1961 Art. 72 and 74] During the government of Alberto Fujimori, the concept of "public spaces" expands in heavy attended interiors from public institutions, free areas in private institutions and mass transport.[25357/1991 Art.2] In the case of museums, the audiovisual reproduction in newspapers, television channels and movies of works acquired inside the place is also allowed. But, should be noted that these reproductions are "copies of a work" with name of its author, for the copyrighted work itself cannot be used for trade.[13714/1961 Art. 73]
- Copyright protection of architectural works expire 70 p.m.a of their original designer. However, for clarification, if the architectural work was inaugurated before 1960 and never attributed by any author, this lacks coverage by recent copyright laws to protect it because limitations from 1849 law that buildings are not designate as works of art.[13714/1961 Art. 7(ll) and 153] The freedom of panorama is applied in Art. 37 and 38 of the Intellectual Property Code of the Peruvian Association of Architects with condition that "the works are open to the public", even indoors unless strictly reserved by their author.[26]
COM:FOP Bolivia
玻利維亞
Law No.1322 of April 13, 1992, on Copyright does not give a freedom of panorama provision. However, Decision 351 of the Andean Community of Nations (of which Bolivia is part of) provides for a freedom of panorama provision.
COM:FOP Belize
伯利兹
可以 {{FoP-Belize}}
The Belize Copyright Act of 2000 states that photographs, films, or graphic works depicting a building, sculpture, or work of artistic craftsmanship, if permanently situated in a public place or in premises open to the public, do not infringe the copyright of the original work.[Cap.252/2000 Section 78]
Prior to 2000, freedom of panorama was granted by the Copyright Act 1956 of the United Kingdom.
COM:FOP Colombia
哥伦比亚
- It shall be permissible to reproduce, by painting, drawing, photography or cinematography, works that are permanently located on public highways, streets or squares, and to distribute such reproductions or works and communicate them to the public. With regard to works of architecture, this provision shall be applicable solely to outward views.[23/1982–2018 Art 39]
- Notable cases
- Case 044-IP-2013 - an example of the commercial use of a property broadcast in a mass media, requiring explicit mention of its author and its publication is for "good commercial practice" (quoted as "buena fe comercial"). Otherwise, as its unlawful appropriation, this is considered as lucrative exploitation. A crucial passage at the last paragraph (P.39 Noveno) of the said ruling reads "Se advierte que las anteriores previsiones consagradas en la norma comunitaria, al ser tan generales en materia de procedimiento, dejan abierto un gran margen para que el ordenamiento interno de los Países Miembros regule los procedimientos y procesos con base en la norma comunitaria, de conformidad con el principio de complemento indispensable." Translated as: "It is noted that the previous provisions enshrined in the community standard, being so general in terms of procedure, leave open a great margin for the internal regulations of the Member Countries to regulate the procedures and processes based on the community standard, in accordance with the principle of indispensable complement." Interpreting from this, this means the FoP exception of the Decision 351 is binding in all member states, but the member states have the right to regulate or restrict the exception as being applied to them.
COM:FOP Costa Rica
哥斯达黎加
不可以: Non-commercial use of public art and architecture only. ({{NoFoP-Costa Rica}}) According to Law Nº 6683 as amended up to 2021:
- It is lawful to make photographic reproductions or other pictorial processes, when this reproduction is without commercial purpose, of statues, monuments and other works of art protected by copyright, acquired by the public authority, exhibited in the streets, gardens and museums.[6683/2021 Article 71]
This non-commercial restriction is identical to the 2010 version of the law; in any case, image files of copyrighted Costa Rican architecture and public art are not allowed on Wikimedia Commons and must be nominated for deletion; such content does not conform to Commons:Licensing which requires commercial uses.
Original Spanish text:
Es lícita la reproducción fotográfica o por otros procesos pictóricos, cuando esta reproducción sea sin fines comerciales, de las estatuas, monumentos y otras obras de arte protegidas por derechos de autor, adquiridos por el poder público, expuestos en las calles, los jardines y los museos.
COM:FOP Cuba
古巴
可以 {{FoP-Cuba}}
According to Law No. 14 of December 28, 1977 as amended up to 1994, it is permissible, without the author's consent and without remuneration, but with obligatory reference to his name and provided the work is public knowledge and respectful of the artist's specific values: ... to reproduce by any means, except those involving direct contact with its surface, a work of art of any type on permanent display in a public place, except those in exhibitions and museums;[14/1977-1994 Article 38(c)]
The reproduction, distribution and communication to the public of news of the day and other information relating to facts or events in the news that have been publicly disseminated by the press or by means of broadcasting shall be lawful. It shall also be lawful to reproduce and make accessible to the public, in connection with the reporting of current events by means of photography, broadcasting or communication to the public by cable or other analogous means, works seen or heard in the course of such events, to the extent justified by the informatory purpose.[65-00/2000 Article 34]
Works permanently located on public thoroughfares, streets or squares may be reproduced by means of painting, drawing, photography or audiovisual fixations, and such reproductions may be distributed and communicated publicly. With regard to works of architecture, this provision shall apply only to their external aspect.[65-00/2000 Article 39]
COM:FOP Dominica
多米尼克
不可以. The only reference in the 2003 Copyright Act appears to be
- The following acts shall be permitted ... for the purpose of reporting current events, the reproduction and the broadcasting or other communication to the public of short excerpts of a work seen or heard in the course of such events, to the extent justified by the purpose.[2003 Section 69(b)]
COM:FOP Ecuador
厄瓜多尔
According to Intellectual Property Law (Codification No. 2006-13), "Provided that fair use is respected and normal exploitation of the work is not adversely affected or injury caused to the right holder, exclusively the following acts ... shall be lawful: (f) the reproduction, communication and distribution of works that are permanently located in public places, by means of photography, painting, drawing or any audiovisual process, provided that the name of the author of the original work and the place where it is located are specified, and that the purpose is strictly to disseminate art, science and culture".[2006-13 Art.83(f)]
Decision 351 of the Andean Community of Nations, which is binding on Ecuador, provides for freedom of panorama as follows: "Without prejudice to that put forth in the Chapter 5 and in the previous article, it will be legal to realize, without authorization from the author and without the payment of any remuneration, the following acts:...h) undertake the reproduction, transmission by broadcasting or cable distribution to the public of the image of an architectural work, work of fine art, photographic work or work of applied art located permanently in a place open to the public".[351/1993 Article 22(h)]
COM:FOP Grenada
格瑞那達
可以. Under the Copyright Act (Cap. 67, Act No. 21 of 2011),
- Copyright is a property right which subsists in literary and artistic works.[21/2011 Section 5(1)] This includes works of architecture.[21/2011 Section 5(1)(g)]
- The inclusion of an artistic work in a work, broadcast or communication to the public shall not be considered an infringement if the artistic work (a) is permanently situated in a public place or in premises open to the public; or (b) is included in the work, broadcast or communication to the public by way only of background or as incidental to the essential matters represented.[21/2011 Section 19]
COM:FOP Guyana
圭亚那
可以 for buildings, sculpture and applied art, not for paintings, drawings, engravings or photographs.
- The copyright of a sculpture or work of artistic craftsmanship other than a painting, drawing, engraving or photograph which is permanently situated in a public place, or in premises open to the public, is not infringed by the making of a painting, drawing, engraving or photograph of the work, or the inclusion of the work in a cinematograph film or in a television broadcast.[74/1956 Section 9(3)]
- The copyright in a work of architecture is not infringed by the making of a painting, drawing, engraving or photograph of the work, or the inclusion of the work in a cinematograph film or in a television broadcast.[74/1956 Section 9(4)]
- Without prejudice to the two last preceding subsections, the copyright in an artistic work is not infringed by the inclusion of the work in a cinematograph film or in a television broadcast, if its inclusion therein is only by way of background or is otherwise only incidental to the principal matters represented in the film or broadcast.[74/1956 Section 9(5)]
COM:FOP Haiti
海地
- 不可以 - noncommercial only (but noncommercial licensing is not compatible to Commons:Licensing).
- 可以 if the work is not the main subject (in other words, de minimis).
According to Article 15 on page 9 the Décret du 12 Octobre 2005 sur les Droits d'Auteur, a reproduction of an architectural work of art, a fine arts work, a photographic work of art or an applied arts work that is situated in permanence in a location open to the public is allowed, except if the work of art is the primary subject of said reproduction and said reproduction is used for commercial purposes.[2005 Article 15]
Nonobstant les dispositions de l'article 7, il est permis, sans l'autorisation de l'auteur et sans paiement d'une rémunération, de reproduire, de radiodiffuser ou de communiquer par câble au public une image d'une oeuvre d'architecture, d'une oeuvre des beaux-arts, d'une oeuvre photographique et d'une oeuvre des arts appliqués qui est située en permanence dans un endroit ouvert au public, sauf si l'image de l'oeuvre est le sujet principal d'une teIle reproduction, radiodiffusion ou communication si elle est utilisée à des fins commerciales.
— in: 2005 Article 15
Notwithstanding the dispositions of article 7, it is permitted, without the authorisation of the author and without payment of a remuneration, to reproduce, broadcast over radio or communicate via cable to the public an image of an work of architectural art, a work of fine arts, a work of photographic art or a work of applied arts if it is situated in permanence in a location open to the public, except if the work of art is the primary subject of said image, radiodiffusion or communication if it is used for commercial purposes.
— Translation of Article 15
The "Article 7" being referenced is simply a list of a copyright holder's exclusive rights. It says that "With the exception of the dispositions of articles 8 to 19, the author of a work of art has the exclusive right to perform or authorize the following acts (...)".
COM:FOP Honduras
洪都拉斯
不可以 仅允许个人使用，使用与原始媒体不同的媒体。
The 2006 revision of the Law on Copyright and Related Rights, article 52, states:
- It is lawful, for personal use, to reproduce a work of art permanently exhibited in the streets, squares or other public places, by means of an art different from that used for making the original. With respect to buildings, this is limited to the exterior façade.[16-2006 Article 52]
COM:FOP Canada
加拿大
可以 对于3D作品：{{FoP-Canada}}
不可以 通常对于2D作品
根據1985年加拿大版權法第32.2 (1)(b)條，對於任何在繪畫、素描、版畫、照片或電影作品中復制的人……
(i) 建築作品（定義為“任何建築物或結構或建築物或結構的任何模型”）；
- (ii) “永久位於公共場所或建築物中的雕塑或藝術工藝作品，或雕塑或藝術工藝作品的鑄件或模型”。
加拿大法律最初源自英國的概念，因此某些共享资源:各地著作权法规/英国 可能具有相關性，尤其是“藝術工藝作品”的有限法律含義。一些非雕塑作品可以根據此條款獲得加拿大FOP，例如Body Shop Yonge.jpg。引用部分提供的自由“不”適用於典型的二維作品，如繪畫、壁畫、廣告牌、地圖、海報或標誌。即使它們永久位於公共場所，未經版權所有者許可，這些內容也不能上傳到Commons，除非它們屬於公共領域。
OK仅限建筑物{{FoP-US}}
根據17 USC 102(a)(8)自com/news/ae/11151054.html 《建築作品版權保護法》於1990年通過。它適用於1990年12月1日之後竣工的所有建築物，即使在此之前開工，或在此之後發布了計劃那個日期。
但是，美國聯邦版權法在17 USC 120(a)。任何人都可以在公共場所繪畫、繪畫或拍攝建築物。這包括大廳、禮堂等內部公共空間。創作者擁有此類圖像的專有版權（建築師或建築物的所有者沒有任何發言權），並且可以以任何方式發布圖像。17 USC 120僅適用於建築作品，不適用於其他視覺藝術作品，例如雕像或雕塑。
這意味著對於1990年12月1日之前完成的建築物，有完整的FoP，不考慮建築物是否從公共場所可見，因為建築物是公共領域，計劃除外。對於此類建築物的照片，可以使用許可證標籤{{PD-US-architecture}}（以及照片的許可證標籤。）對於1990年12月1日之後完工的建築物，只能自由拍攝此類建築物建築。這包括風格元素，如石像鬼和柱子，它們只能防止3D複製（萊斯特訴華納兄弟）。
請注意，版權僅適用於建築物。
- "建築物一詞是指可供人類居住並旨在永久和固定的結構，例如房屋和辦公樓，以及為人類居住而設計的其他永久和固定結構，包括但不限於教堂、博物館、涼亭 和花園涼亭。"
所有此類作品均受版權保護，因此只有在公共場所可見的情況下才適用FOP豁免。
- "根據建築作品的定義，橋樑、立交桥、水壩、高速公路或人行道不是‘建築物’。"
在美國，此類作品沒有版權，因此可以自由拍照，無論是否在公共場所。对于这些作品的照片，可以使用{{PD-structure|USA}}。但它们在其他许多國家擁有版權。
建筑物的原创性要求
這種討論必須符合美國法律的要求，即作品（包括衍生作品）必須表現出原創性才能受到版權法的保護。參見英文維基百科中的“Feist Publications, Inc., v. Rural Telephone Service Co.”。更具體地說，在衍生作品的情況下，它已在 Durham Industries, Inc. v. Tomy Corp.[27] 和更早的 L. Batlin & Son, Inc. v. Snyder.[28]衍生作品相對於其所基於的基礎作品而言必須是原創的。否則，它不能享受版權保護，複製它不會侵犯衍生作品本身的任何版權（儘管複製它可能會侵犯衍生作品所基於的基礎作品的版權，如果有的話）。有關此問題的進一步討論，請參閱維基百科文章Derivative work。
有關法律討論，請參閱Wikilegal/Pictorial Representations Architectural Works。
艺术品和雕塑
Not OK. {{NoFoP-US}} (category-only template)
注意：請標記美囯no-FoP公共藝術刪除請求：<noinclude>[[Category:United States FOP cases/pending]]</noinclude>
對於藝術品，即使永久安裝在公共場所，美國版權法也沒有類似的例外，因此任何受版權保護的藝術品圖像的發布都需要獲得藝術品版權所有者的批准。但是，在1929之前安裝的公共藝術品被視為公共領域，可以自由拍照。此外，任何沒有版權聲明而安裝的before 1978也屬於公共領域除非版權所有者主動阻止任何人復製或拍攝直到1978年的工作。在這些情況下，請盡可能多地記錄安裝日期和圖片作品的創作者雕刻家。查找有關美國雕塑的信息的一個很好的資源是Smithsonian Art Inventories Catalog。
適用模板：
- 對於在1929之前安裝的公共藝術品，請使用{{PD-US}}或{{PD-US-expired}}
- 對於在1929和1977之間安裝的公共藝術品，使用{{PD-US-no notice}}或{{PD-US-not renewed}}。
聯邦索賠法院明確駁回了大型雕塑或紀念碑是建築物並因此受FOP豁免的論點（Gaylord v. The United States，2008 年），該法院指出建築豁免對《建築作品版權保護法》(AWCPA) 並未擴展到朝鮮戰爭退伍軍人紀念碑中的柱子雕塑，因為版權局在建築物定義中使用的結構旨在容納個人；無論是為了提供庇護所或其他目的，例如宗教服務。[1]雖然法院根據合理使用的理由後來被推翻，有利於原告；該照片被視為衍生作品。法院還爭辯說，如果國會打算將 AWCPA 擴展到紀念碑和紀念館，那麼首先起草的法律就會反映這一點。
有關進一步的法律討論，請參閱Wikilegal/Copyright of Images of Memorials in the US。
示例
Charging Bull
- Arts, Briefly; Sculptor Files Lawsuit Against Wal-Mart (September 23, 2006 article by New York Times)
- Suit Alleges Illegal Use of 'Charging Bull' Image (September 22, 2006 article by Los Angeles Times)
- Artist sues Random House in NYC over book cover (August 4, 2009 article by Auction Central News)
Cloud Gate
- Kapoor v. NRA: A Fair Use Analysis (by Creative Law Center)
Korean War Veterans Memorial
- Korea memorial sculptor wins copyright case (September 20, 2013 article by USA Today)
- Gaylord v. United States, 595 F.3d 1364 (Fed. Cir. 2010) (by US Copyright Office)
- FRANK GAYLORD v. UNITED STATES, No. 06-539C (by United States Court of Federal Claims)
Portlandia
- So Sue Us – Why the Portlandia statue failed to become an icon (September 9, 2014 article by Willamette Week archived on November 27, 2022)
Statue of Liberty replica, New York-New York Hotel & Casino, Las Vegas
- The United States v Davidson—Copyright infringement of a Replica Statue of Liberty. Copyright for creative copycats? (by Infusion Lawyers)
- Judge Eric Bruggink's opinion (by United States Court of Federal Claims)
Three Servicemen or Three Soldiers
- THE THREE SERVICEMAN STATUE USE REQUEST (by Vietnam Veterans Memorial Fund)
- Unusual Arrangement Gives Royalties to Sculptor of Vietnam Vets Statue (1987 article by The Associated Press)
如需更多信息，請參閱Commons:Public art and copyrights in the US和以下資源：
- 17 USC 120(a)
- 版權法中出版的功能定義
- 旅遊攝影與法律
- 來自 photostop.istep.com 的信息
- 美國媒體攝影協會關於全景自由 (檔案)
- www.sculpture.org 中關於雕塑照片的文章
對於根據美國法律考慮的外國作品：
來自具有相關全景自由的國家/地區的外國作品可能因美國境內的版權問題而受美國法律管轄。根據法律選擇原則lex loci protectionis，美國法院在此類案件中可能適用美國全景自由標準，而不是來源標準國家。然而，在實踐中，這種方法是否以及如何應用於涉及全景元素自由的現實世界美國法律案件尚不確定。
請參閱{{Not-free-US-FOP}}和Commons:Requests for comment/Non-US Freedom of Panorama under US copyright law。
COM:FOP Mexico
墨西哥
可以 {{FoP-Mexico}}
墨西哥的聯邦版權法第148條允許在某些情況下無償複製：
- 已公開的文學藝術作品，在不影響作品正常使用的前提下，僅可在以下情況下使用，無需經濟權利人同意，且不收取任何報酬 總是提到來源，並且沒有對作品進行任何改動：[1996-2018 Art.148]
- 通過繪畫、繪畫、照片和視聽過程對公共場所可見的作品進行複制、傳播和分發（“lugares publicos”）。[1996-2018 Art.148(VII)]
術語lugares publicos被解釋為包括內部和外部公共場所。圖書館、市場、公園和公共花園等國有場所對全景自由沒有限制。 然而，由於文章的含糊不清，在某些情況下，墨西哥城地鐵（政府所有的系統）等一些場所要求用戶申請在設施內拍攝或拍照的許可。聯邦電信和廣播法也使用“公共場所”一詞。它將公共場所定義為：“......那些負責聯邦、州或市政實體的附屬機構，或在政府三個命令中的任何一個的公共計劃下......”根據該法（第 7 頁）的公共場所將包括：
- 學校、大學和各種用於教育的建築；
- 診所、醫院和各種用於醫療保健的建築物；
- 各類政府機關；
- 社區中心；
- 免費入場和開放場所，如公園、綠地和體育中心
- 在公共聯邦計劃中合作的地方。
COM:FOP Nicaragua
尼加拉瓜
不可以 {{NoFoP-Nicaragua}} As per Nicaragua Law No. 577 on Amendments and Additions to Law No. 312 on Copyright and Related Rights, "Works located permanently in parks, streets, squares or other thoroughfares may be reproduced, without the author’s authorization, by means of painting, sketching, photographs and audiovisual recordings for personal use. In respect of works of architecture, the previous article shall only apply to their external aspect.[77/2006 Article 43]
This article had previously read, "Works permanently located in parks, streets, squares or other public roads can be reproduced, without the author's authorization, by means of painting, drawing, photography and audiovisual recordings. As for architectural works, the previous article will only apply to its external appearance.[312/1999 Article 43]
COM:FOP El Salvador
薩爾瓦多
可以 for exterior architecture and most types of public art. {{FoP-El Salvador}}
- "The following shall be allowed without the consent of the author or remuneration: . . . the reproduction of a work of art on permanent display in a street, square or other public place in an artistic medium different from that used for the making of the original; with regard to buildings, this right shall be limited to the exterior façade".[2017 Article 45 (f)]
Spanish text:
Respecto de las obras ya divulgadas lícitamente, es permitida sin autorización del autor ni remuneración: . . . La reproducción de una obra de arte expuesta permanentemente en las calles, plazas u otros lugares públicos, por medio de un arte diverso al empleado para la elaboración del original. Respecto de los edificios, dicha facultad se limita a la fachada exterior.
可以 for 3D works. According to the Chapter 18.08 Copyright Act of 2002,
- Representation of artistic works on public display: This section shall apply to (a) buildings; and (b) sculptures, models of buildings and works of artistic craftsmanship, if permanently situated in a public place or in premises open to the public.[18.08/2000 Section 74(1)]
- The copyright in the work referred to in section 74(1) shall not be infringed by (a) making a graphic work representing it; (b) making a photograph or film of it; (c) broadcasting or including in a cable programme service a visual image of it; or (d) the issue to the public of copies, or the broadcasting or inclusion in a cable programme service, of anything whose making was, by virtue of this section, not an infringement of copyright.[18.08/2000 Section 74(2)]
COM:FOP Saint Lucia
圣卢西亚
可以. For 2D copies of 3D works. According to the Copyright Act 1995 (Act No. 10 of 1995),
- This section applies to (a) buildings; (b) sculptures, models of buildings and works of artistic craftsmanship, if permanently situated in a public place or in premises open to the public.[10/1995 Section 81(1)]
- The copyright in such a work is not infringed by (a) making a graphic work representing it; (b) making a photograph or film of it; or (c) broadcasting or including in a cable programme service a visual image of it.[10/1995 Section 81(2)]
- The copyright in such a work is not infringed by the issue to the public of copies, or the broadcasting or inclusion in a cable programme service, of anything whose making was, by virtue of this section, not an infringement of copyright.[10/1995 Section 81(3)]
可以 for 2D copies of 3D works. Unclear whether 2D works may be copied, but assume 不可以 as the clause follows the the United Kingdom freedom of panorama model. According to the Copyright Act 2003 (Act No. 21 of 2003), Issue 1/2009,
- When an artistic work is on public display, including buildings; sculptures, models of buildings and works of artistic craftsmanship, if permanently situated in a public place or in premises open to the public, the copyright in such a work is not infringed by making a graphic work representing it; making a photograph or film of it; or broadcasting or including in a cable programme service a visual image of it.[1/2009 Section 75]
COM:FOP Suriname
蘇利南
可以. Under the Law of 1913, as amended up to the act of 17 April 2015,
- There is no infringement by a report that records, reproduces and publicly communicates a limited portion of a work of literature, science or art insofar as this is necessary to show the event that is the actual subject matter of the report.[23/1981 Article 16bis]
- There is no infringement of copyright in reproduction of a work that is permanently displayed or visible from a public road if the reproduction by its size or by the method in which it is made is clearly different from the original work. With buildings, this is limited to the exterior.[23/1981 Article 18]
可以 {{FoP-Trinidad and Tobago}}
The 2008 Copyright Act states, "Notwithstanding the provisions of sections 8(1) and 16, the inclusion of an artistic work in a work, broadcast or communication to the public shall not be considered an infringement if the artistic work (a) is permanently situated in a public place or in premises open to the public; or (b) is included in the work, broadcast or communication to the public by way only of background or as incidental to the essential matters represented.[5/2008 Section 17]
COM:FOP Guatemala
危地马拉
Section 64 of Guatemala's copyright law as of 2006 says:
"With respect to already published works, is permitted, without the author's consent, besides what is set forth in article 32: [...]
d) The reproduction for personal use of a work of art permanently exhibited in public places or on the exterior façade of buildings, made by means of an art different from that used in the making of the original, provided that the name of the author, if known, the title of the work, if it has one, and the place it is located are indicated".[33-98/2006 Art.64(d)]
Original language (Spanish) text:
ARTÍCULO 64. Respecto de las obras ya divulgadas también es permitida, sin autorización del autor, además de lo dispuesto en el artículo 32: [...]
d) La reproducción para uso personal de una obra de arte expuesta en forma permanente en lugares públicos o en la fachada exterior de edificios, ejecutada por medio de un arte que sea distinto al empleado para la elaboración del original, siempre que se indique el nombre del autor, si se conociere, así como el título de la obra, si lo tiene, y el lugar donde se encuentra.
COM:FOP Venezuela
委內瑞拉
可以. {{FoP-Venezuela}} Under the 1993 Law on Copyright,
- The following shall be considered lawful reproductions: ... the reproduction of a work of art permanently displayed in a street, square or other public place by means of a technique different from that used for the making of the original; with respect to buildings, the said right shall be limited to the external elevations.[1993 Article 44(9)]
COM:FOP Uruguay
烏拉圭
可以 {{FoP-Uruguay}} Reproduction is not unlawful: ... The photographic reproduction of paintings, monuments, or allegorical figures exhibited in museums, parks or public promenades, provided that the works in question are considered to be outside the private domain.[18.046/2019 Article 45.8]
Uruguayan freedom of panorama is applicable to images of copyrighted architecture, monuments, and public art found in public spaces as well as within museums, provided that the said works are dedicated for public view and not confined to a particular private owner ("dominio privado").
See also Commons talk:Freedom of panorama/Archive 7#Statues images for the discussion on the Uruguayan FoP.
See also: Category:Uruguayan FOP cases。
COM:FOP Jamaica
牙買加
- This section applies to buildings; sculptures, models of buildings and works of artistic craftsmanship, if permanently situated in a public place or in premises open to the public.[13/2015 Section 74(1)]
- The copyright in such a work is not infringed by making a graphic work representing it; making a photograph or film of it; or broadcasting or including in a cable programme service a visual image of it.[13/2015 Section 74(2)]
- The copyright of such a work is not infringed by the issue to the public of copies, or the broadcasting or inclusion in a cable programme service, of anything whose making was, by virtue of this section, not an infringement of copyright.[13/2015 Section 74(3)]
COM:FOP Chile
智利
- 可以 for most works permanently located in "squares, avenues and public places." {{FoP-Chile}}
- 不可以 for copyrighted literary works, as such works are in a separate category – Article 3(1) and (2) – as opposed to lithography (Article 3(7)), finished architectural projects (Article 3(9)), two-dimensional works (Article 3(11)), and three-dimensional works (Article 3(12)).
The Chilean copyright law 17336 provides freedom of panorama for architectural and artistic works:
- The reproduction of architectural works by means of photography, film, television and any other analogous procedure, as well as the publication of the corresponding photographs in newspapers, magazines and books and texts intended for education, is free and is not subject to to remuneration, provided that it is not in a separate, complete or partial collection, without authorization of the author.[17.336/2017 Art.71F]
- Art. 1 Nº 8 Likewise, reproduction through photography.[17.336/2017 Art.71F]
- Drawing or any other procedure, of monuments, statues and, in general, artistic works that permanently adorn squares, avenues and public places, is free and is not subject to remuneration, the publication and sale of the reproductions being lawful.[17.336/2017 Art.71F]
其他地区
COM:FOP Aruba
阿魯巴
可以 There is no infringement of copyright in copies of a work that is permanently displayed in public where the size of the copy and the way in which it is made are clearly different from the original work, and in the case of buildings is limited to the exterior.[2003 Article 18]
COM:FOP Anguilla
安圭拉
不可以 2002年法律中没有关于全景自由的规定。
Under Section 7, subsection (1), a single reproduced copy of a published work is permitted without permission from the author or copyright holder, if the reproduction is done privately by a natural person for personal purposes only.[C120-2002 Sec.7(1)]
COM:FOP Bermuda
百慕大
可以 for 2D copies of 3D works. Under section 86 of the Copyright and Designs Act 2004,
- This section applies to (a) buildings; and (b) sculptures, models for buildings and works of artistic craftsmanship, if permanently situated in a public place or in premises open to the public.[2004 Sec.86(1)]
- The copyright in such a work is not infringed by (a) making a graphic work representing it; (b) making a photograph or film of it; or (c) broadcasting or including in a cable programme service a visual image of it.[2004 Sec.86(2)]
- Nor is the copyright infringed by the issue to the public of copies, or the broadcasting or inclusion in a cable programme service, of anything whose making was, by virtue of this section, not an infringement of the copyright.[2004 Sec.86(3)]
COM:FOP Puerto Rico
波多黎各
参见: 共享资源:各地著作权法规/法国#FOP
参见: 共享资源:各地著作权法规/法国#FOP
不可以。1956年版权法案不包含有关全景自由的规定。
The Copyright Act 1956 c. 74 provides freedom of panorama at Section 9, General exceptions from protection of artistic works.
- The copyright in a work to which this subsection applies which is permanently situated in a public place, or in premises open to the public, is not infringed by the making of a painting, drawing, engraving or photograph of the work, or the inclusion of the work in a cinematograph film or in a television broadcast.[1956 Sec.9(3)]
- (This subsection [Sec.9(3)] applies to sculptures, and to such works of artistic craftsmanship as are mentioned in paragraph (c) of subsection (1) of section three of this Act.)
- The copyright in a work of architecture is not infringed by the making of a painting, drawing, engraving or photograph of the work, or the inclusion of the work in a cinematograph film or in a television broadcast.[1956 Sec.9(4)]
- Without prejudice to the two last preceding subsections, the copyright in an artistic work is not infringed by the inclusion of the work in a cinematograph film or in a television broadcast, if its inclusion therein is only by way of background or is otherwise only incidental to the principal matters represented in the film or broadcast.[1956 Sec.9(5)] (de minimis inclusion of works not permanently situated in public spaces only in television and films)
- The copyright in an artistic work is not infringed by the publication of a painting, drawing, engraving, photograph or cinematograph film, if by virtue of any of the three last preceding subsections the making of that painting, drawing, engraving, photograph or film did not constitute an infringement of the copyright.[1956 Sec.9(6)]
COM:FOP Greenland
格陵兰
Greenlandic freedom of panorama, found at Section 24 (2 and 3) is identical to the Danish freedom of panorama. 可以 for buildings, and 不可以 for any public art still in copyright (for noncommercial only, incompatible with Commons:Licensing).
COM:FOP Guadeloupe
瓜德羅普
无可用信息
可以 for buildings and most 2D and 3D artwork
不可以 for photographs, maps, applied art, industrial design, and models
Under the Author's Regulation of 1913 as amended 2006,
- Reproduction or publication of pictures made in order to be put on permanent display in public places, of a work such as is normally found in such places, or of a work relating to architecture, will not be regarded as an infringement of the copyright of the author.[1913–2006 Art.18]
- 可以用於3D作品
- 可以用於二維"藝術工藝作品"
- 不可以用於2D"圖形作品"{{FoP-UK}}
相關法律是英國《1988年版權、設計和專利法》第62條。[29] “2015年版權（開曼群島）令”和“2016年版權（開曼群島）（修訂）令”不修改本節。
COM:FOP Curaçao
库拉索
可以
According to the Auteursverordening 1913 - article 18, Freedom of Panorama is allowed as long as the reproduction is clearly different from the original work by its size or the way in which it was made, and in the case of buildings only the exterior is shown.[30]
COM:FOP Martinique
馬提尼克
参见: 共享资源:各地著作权法规/美国#FOP
COM:FOP Montserrat
蒙塞拉特島
不可以。1956年版权法案不包含有关全景自由的规定。
参见: 共享资源:各地著作权法规/福克兰群岛#FOP
参见: 共享资源:各地著作权法规/法国#FOP
参见: 共享资源:各地著作权法规/法国#FOP
可以 適用於建築、雕塑和藝術工藝品。 不可以 適用於其他類型的藝術作品。
Under the Copyright Act 1911,
- The following acts shall not constitute an infringement of copyright ... The making or publishing of paintings, drawings, engravings, or photographs of a work of sculpture or artistic craftsmanship, if permanently situate in a public place or building, or the making or publishing of paintings, drawings, engravings, or photographs (which are not in the nature of architectural drawings or plans) of any architectural work of art.[1911 Sec.2(iii)]
可以 for architecture, sculptures, and works of artistic craftsmanship. 不可以 for other types of artistic works. The Copyright Act 1956 contains freedom of panorama provisions at Section 9, subsections 3–6, with similar rules as those of the United Kingdom freedom of panorama.
| Some citation text may not have been transcluded |
|---|
|