Commons:Featured picture candidates/File:Albin Egger-Lienz, Die Namenlosen (1916), Heeresgeschichtliches Museum, Wien 0594-Bearbeitet.jpg

File:Albin Egger-Lienz, Die Namenlosen (1916), Heeresgeschichtliches Museum, Wien 0594-Bearbeitet.jpg, featured

Voting period is over. Please don't add any new votes.Voting period ends on 24 Nov 2015 at 10:26:12 (UTC)
Visit the nomination page to add or modify image notes.

Featured picture candidates/File:Albin Egger-Lienz, Die Namenlosen (1916), Heeresgeschichtliches Museum, Wien 0594-Bearbeitet.jpg Commons:Featured picture candidates/File:Albin Egger-Lienz, Die Namenlosen (1916), Heeresgeschichtliches Museum, Wien 0594-Bearbeitet.jpg

324

267

275

243

4452

2428

View into the exhibition room with this painting.

• Category: Commons:Featured pictures/Objects
•  Info All by Hubertl -- Hubertl 10:26, 15 November 2015 (UTC)
•  Info The monumental painting "Die Namenlosen" (The Nameless) by Albin Egger-Lienz, Vienna, Museum of Military History, 1916, Tempera on canvas, 476 x 245 cm.
•  Support -- Hubertl 10:26, 15 November 2015 (UTC)
•  Support 😄 ArionEstar 😜 (talk) 10:38, 15 November 2015 (UTC)
•  Question the image should be cropped to remove the frame that may be copyrighted is not it? --Medium⁶₉ ^{You wanted talk to me?} 12:36, 15 November 2015 (UTC)

   Comment Why should a golden painted or gilded wooden frame have any inherent copyrights at all? --Hubertl 13:58, 15 November 2015 (UTC)

  I thought that part was not free. It was a simple question. --Medium⁶₉ ^{You wanted talk to me?} 15:28, 15 November 2015 (UTC)

•  Support --Medium⁶₉ ^{You wanted talk to me?} 15:28, 15 November 2015 (UTC)
•  Oppose Would support a cropped version without the frame. Regards, Christoph Braun (talk) 22:28, 15 November 2015 (UTC)
•  Support although losing the frame wouldn't bother me. Daniel Case (talk) 04:45, 16 November 2015 (UTC)

   Comment In this very special case, the frame is important for the understandig of Egger-Lienz´ work, because the painting itself has no border. There are so many pictures, also cropped ones (with poor quality) in the web, there exists a smaller, original version (Oil on canvas, not Tempera) in Paris, named Northern France 1916 (119cm). It´s important to show the crop of the men on the left and right side, and far more at the bottom, as Egger-Lienz made by himself. BTW: This image needed no perspective correction to get it straight. --Hubertl 09:19, 16 November 2015 (UTC)

•  Support Impressed by this painting since ever --Wolfgang Moroder (talk) 05:17, 16 November 2015 (UTC)
•  Support LivioAndronico ^(talk) 08:58, 16 November 2015 (UTC)
•  Support --Uoaei1 (talk) 10:12, 16 November 2015 (UTC)
•  Support --Σπάρτακος (talk) 21:00, 16 November 2015 (UTC)
•  Support -- --Isasza (talk) 21:33, 16 November 2015 (UTC)
•  Support Unique. --Johann Jaritz (talk) Johann Jaritz 12:24, 17 November 2015 (UTC)
•  Support --Tremonist (talk) 14:50, 17 November 2015 (UTC)
•  Support --Famberhorst (talk) 19:06, 17 November 2015 (UTC)
•  Support --Tomascastelazo (talk) 02:28, 20 November 2015 (UTC)

Confirmed results:

Result: 13 support, 1 oppose, 0 neutral → featured. /Yann (talk) 14:20, 24 November 2015 (UTC)

This image will be added to the FP gallery: Non-photographic_media#Others

The chosen alternative is: File:Albin Egger-Lienz, Die Namenlosen (1916), Heeresgeschichtliches Museum, Wien 0594-Bearbeitet.jpg