User:Lilipond/Klaviernoten/Czerny337-2

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Carl Czerny, Tägliche Übungen Op.337, №2
 

Komplettscore

[edit]
\version "2.19.80"

\language "deutsch"
#(set-global-staff-size 18)

\paper {
  myStaffSize = #18
  % define music font in addition to global font
  #(define fonts
     (set-global-fonts
      #:music "ross"
      #:brace "gonville"
      #:roman "Minion Pro"
      #:factor (/ staff-height pt 20)
      ))
  #(add-music-fonts fonts 'emm "emmentaler" "emmentaler"
     feta-design-size-mapping (/ staff-height pt 20))
}

\layout {

  \context {
    \Staff
    \override StaffSymbol.thickness = #0.6 %Standardwert = 1
    \override DynamicLineSpanner.staff-padding = #3
    beamExceptions = #'()
    \override BreathingSign.text =
    \markup { \musicglyph #"scripts.lvarcomma" }
    \consists "Mark_engraver"
    \consists "Staff_collecting_engraver"
    \override RehearsalMark.self-alignment-X = #LEFT
    %\override RehearsalMark.outside-staff-priority = #'()
    \override SustainPedal.font-family = #'emm
  }

  \context {
    \Staff
    \name BarNumberStaff
    %% Staff with Bar Numbers
    \alias Staff
    \consists "Bar_number_engraver"
    \override BarNumber.break-visibility =#end-of-line-invisible
    \override BarNumber.color = #grey
    \override BarNumber.layer = #-200
    %\override BarNumber.break-visibility =#begin-of-line-visible  %#end-of-line-invisible
    \override BarNumber.outside-staff-priority =#'()
    \override BarNumber.padding = #1
    \override BarNumber.font-size = #1
    \override BarNumber.self-alignment-X = #0
    %\override StaffSymbol.thickness = #0.5 %0.3=optimaler wert
    \override DynamicLineSpanner.staff-padding = #3
  }

  \context {
    \PianoStaff
    \accepts BarNumberStaff
  }

  \context {
    \Dynamics
    \override DynamicText.whiteout = ##t
  }

  \context {
    \Score
    \accepts BarNumberStaff
    \remove "Bar_number_engraver"
    \remove "Mark_engraver"
    \remove "Staff_collecting_engraver"
    \override FootnoteItem.annotation-line = ##f
    \override Timing.beamExceptions = #'()
    \override BarLine.thick-thickness = 5
    %4.5 %% dass die Barlines nicht zu fett werden
    \override MetronomeMark.font-size = #1
    %\override MetronomeMark.font-series = #'bold
    \override MetronomeMark.font-shape = #'caps
    \override BreakAlignment.break-align-orders =
    ##((left-edge ambitus breathing-sign clef staff-bar
         key-cancellation key-signature time-signature custos)
       (left-edge ambitus breathing-sign clef key-cancellation
         staff-bar key-signature time-signature custos)
       (left-edge ambitus breathing-sign clef key-cancellation
         key-signature staff-bar time-signature custos))
  }
}

myTitel = "Czerny, Tägliche Übungen Op.337"

cd={
  \change Staff="down"
}
cdv = { \cd \voiceOne }

cu = {
  \change Staff="up"
}
cuv = { \cu \oneVoice }

sed = { s16-1 s-3 s-1 s-3 }
see = { s-1 s-3 }
sez = { s-1 s-2 }
sdze = { s-3 s-2 s-1 }
eivi = { s-1 s s s-4 }
viei = { s-4 s s s-1 }

eineOktaveHoch = {
  f16 fis g gis a b h c cis d dis e
}

eineOktaverunter = {
  f e es d des c h b a as g ges
}

raufrunter= {
  \eineOktaveHoch \eineOktaveHoch \eineOktaveHoch
  \eineOktaverunter \eineOktaverunter \eineOktaverunter
}

Fu = { \override Fingering.direction = #UP }
Fd = { \override Fingering.direction = #DOWN }
Fn = { \revert Fingering.direction }

TeilIIrauf = { f g gis a a b h c c d e f }
TeilIIrunter = { f, g gis a c, d e f a, b h c }

TeilIIIrauf = { f,, a c e f a c e f a c e }
TeilIIIrunter = { f c a f c a f c a c b g }

Dyn= {
  s1\f
}

Struktur =
{
  \override Score.NonMusicalPaperColumn.page-break-permission = ##f
  \override Score.NonMusicalPaperColumn.line-break-permission = ##f
  \repeat unfold 3 { s2. * 3 \break }
  s \pageBreak
  \repeat unfold 3 { s2. * 3 \break }
}

RH= \relative c {
  \time 3/4
  \key f \major
  \tempo "Molto allegro" 2.=66
  \raufrunter
  \repeat volta 2 {
    \TeilIIrauf \TeilIIrauf
    \relative c''' { \TeilIIrunter \TeilIIrunter }
  }
  \repeat volta 2 {
    \TeilIIIrauf \TeilIIIrunter
  }
  \repeat volta 2 {
    a b h c d c h b a c f a
    e f fis g a g fis f e g c e
    a, b h c d c a' g f e d c
    b a g f e f g f e d c b
  }
  \repeat volta 2 {
    a b h c cis d es e f fis g as
    a b h c cis d es e f fis g as
    a b h c h b a as g ges f e
    es d des c h c d c b g e b
  }
  \repeat volta 2 {
    a c f a c, f a c b, e g b
  }
  \mark "Coda"
  a, c f a c, f a c e, g c e
  a, c f a c, f a c e, g c e
  f, a f' c a f c a f c a r
  R2.
  \bar "|."
}

RHs = {
  \cdv
  \sed \see \sez \cuv \sed
  s16-2 s-3 \sed s-1 s s \see s-1
  s s \sed s-1 s s \sez s-3
  s-4 \sdze \sdze s-3 \see s-1 \sdze
  s-3 s-1 \sdze s-3 \sed
  s-2 \see s-1 \cdv \sdze s-3 \sed
  \repeat unfold 2 \eivi \cu \eivi
  \repeat unfold 6 \eivi
  \repeat unfold 2 { s-1 s s s } \cd s-1 s s s
  \voiceOne
  s-1 s-2 s-3 \cuv s-4 s-1 s-2 s s-4 s-1 s-2 s s-4
  s-5 s-3 s-2 s-1 s-3 s-2 s-1 s-3 \cdv s-2 s-5 s-4 s-2
  s-1 s s s-4 s-5 s s s \stemUp s-1 \cu s-2 s-4 s-5
  \oneVoice
  s-1 s s s-4 s-5 s s s s-1 s-2 s-4 s-5
  s-1 s s s-4 s-5 s-1 s-5 s s s s-1 s-4
  s s s s-4 s-3 s s s s s s-1 s-2
  \Fd
  s-1 s-3 s-1 s-2 s-3 s-1 s-3 s-1 s-2 s-3 s-1 s-3
  \Fu
  s-1 s-3 s-1 s-2 s-3 s-1 s-2 s-1 s-2 s-3 s-1 s-3
  s-1 s-3 s-4 s-5 s-3 s s-1 s-3 s-1 s-3 s-2 s-1
  s-3 s-1 s-3 s-2 s-1 s-4 s-5 s-4 s-3 s-2 s-1 s-2
  \repeat unfold 3 { s-1 s-2 s-4 s-5 }
  s2 s16-1 s-2 s-4 s-5  s2.
  s16-1 s-2 s-5 s-3 s-2 s-1 s-3 s-2 s-1 s-3 s-2
}

LH = \relative c, {
  \clef bass
  \key f \major
  %\voiceTwo
  \repeat volta 2 {
    \raufrunter
  }
  \TeilIIrauf \TeilIIrauf
  \relative c'' { \TeilIIrunter \TeilIIrunter }
  \TeilIIIrauf \TeilIIIrunter
  f16 g gis a b a gis g f a  c f
  c d dis e f e dis d c e g c
  f, g gis a b a f' e d c b a
  g f e d c d e d c b a g
  f g gis a b h c cis d es e f
  fis g gis a b h c cis d es e f
  fis f gis a gis g fis f e es d cis
  c h b a gis a b a g[ r c,] r
  f, a c f a, c f a g, c e g
  f, a c f a, c f a c, e g b
  f a c f a, c f a c, e g b
  < a f >8 r r4 r8. f16
  f,8 r r4 r
}

LHs = \relative c {
  \voiceTwo
  s16-\markup \override #'(baseline-skip . 1) \center-column { \finger "1" "-" \finger "4" }
  s-3 \see s-1 \sdze s-3 s-1 \sdze \oneVoice
  \Fd
  s-3 \sed s s \clef treble s-3 s-1 s-3 s-2
  \sed \Fn s-1 s-3 s s s-3 s-1 s-3 s-2
  s-1 s s s-1 s-3 s-1 s-2 s-3 s-1 s-3 s-1 s-3
  s-1 s s s-1 \clef bass s-3 s-1 s s s-1 s-3 s-1 s-3
  s-1 s s s-1 \voiceTwo s-3 s-1 s-2 s-3 s-1 s-3 s-1 s-2
  \repeat unfold 4 \viei \cu
  \repeat unfold 5 \viei \cd
  \repeat unfold 3 { s-4 s s s }
  s-5 s-4 s-3 s-2 \oneVoice s-1 s-4 s s-2 \clef treble s-1 s-4 s s-2
  s-1 s-2 s-4 s-1 \clef bass s-2 s-4 s-1 s-2
  \voiceTwo s-4 s-1 s-2 s-4
  s-5 s-4 s-3 s-1 s-2 s-1 s-3 s-4 s-5 s-4 s-2 s-1
  \Fu
  s-5 s s s-2 s-1 s s s-4 s-5 s-4 s s
  s-5 s-4 s-3 s-1 s-3 s-5 s-1 s s s-1 s-2 s-3
  s s-1 s s s-4 s s s \oneVoice \Fd s-1 s s s-4
  s-5 s-3 s-2 s-1 s-3 s-2 s-1 s-3 \Fu s-1 s-3 s-2 s-1
  s-3 s-1 s-3 s-1 s-3 s-2 s-1 s-3 \clef treble s-1 s-3 s-2 s-1
  s-3 s-1 s-2 s-1 s-3 s-1 s-3 s-1 s-2 s-3 s-1 s-3
  \clef bass
  \override TextScript.self-alignment-X = #-0.3
  s-1 s-2 s-3 s-1 s-3 s-1 s-2 s-1 s-2 s s^\markup { \finger 4 \hspace #-0.5 ( \hspace #-0.5 \finger 3 \hspace #-0.5 ) } s
  s-5 s-4 s-2 s-1 s-5 s-4 s-2 s-1 s-5 s-3 s-2 s-1
  s2 s16-5 s-3 s-2 s-1
  s-5 s-4 s8 \clef treble \Fd s4 s16-5 s-3 s-2 s-1 s8-2-4 s \clef bass s4 s8. \Fu s16-1
}

\bookpart {
  \paper {
    print-all-headers = ##f
    ragged-bottom = ##f
    ragged-last-bottom = ##f
    last-bottom-spacing.padding = #15
    top-margin = 20\mm
    ragged-right = ##f
    ragged-last = ##f
    ragged-bottom = ##f
    ragged-last-bottom = ##f
    bottom-margin = 10\mm
    indent = 10\mm
    line-width = 170\mm
    print-all-headers = ##f
    print-first-page-number = ##f
    #(include-special-characters)
    footnote-separator-markup = \markup \null
  }
  \header {
    title = \myTitel
    subtitle = \markup \fontsize #2 { "№ 2" }
    subsubtitle = \markup \fontsize #2 { "Jede Repetition" \fontsize #-3 \number 20 "mal" }
    poet = ##f
    composer = "Carl Czerny (1791-1857)"
    piece = ##f
    opus = ##f
  }
  \score
  {
    \new PianoStaff="leadsheet" \with {
      instrumentName = ""
      shortInstrumentName = ""
    }
    <<
      \new BarNumberStaff="up"
      <<
        \new Voice \RH
        \context Voice \RHs
      >>
      \new Dynamics \Dyn
      \new Staff="down"
      <<
        \new Voice \LH
        \context Voice \LHs
        \new NullVoice \Struktur
      >>
    >>
    \layout {
      \context {
        \PianoStaff
        \override VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 13))
      }
    }
  }
}

Unterseiten

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Unterseiten von User:Lilipond/Klaviernoten/Czerny337-2
WikiText der Seite User:Lilipond/Klaviernoten/Czerny337-2
{{User:Wirklich/notitle|Carl Czerny, Tägliche Übungen Op.337, &#8470;2}}

{{User:ɞɞ/Bearbeiten}} <div style="margin-top:1em>&nbsp;</div> {{User:Wirklich/Bildausschnitt|bild=Czerny Op337 Nr2.svg}} == Komplettscore == <includeonly><onlyinclude>{{User:Lilipond/Klaviernoten/layout}} {{User:Lilipond/Klaviernoten/Czerny337-2/variable}} {{User:Lilipond/Klaviernoten/Czerny337-2/RH}} {{User:Lilipond/Klaviernoten/Czerny337-2/LH}} {{User:Lilipond/Klaviernoten/Czerny337-2/bookpart}}</onlyinclude></includeonly> {{User:Wirklich/coco|code={{:{{FULLPAGENAME}}}}}} == Unterseiten == {{User:Wirklich/ShowSub|nouse=1}} {{User:Wirklich/ShowMe}} [[Category:LilyPond_SourceCode]]