Commons:Featured picture candidates/File:Super moon over City of London from Tate Modern 2018-01-31 6.jpg

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Voting period is over. Please don't add any new votes.Voting period ends on 18 Feb 2018 at 19:38:12 (UTC)
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Super moon over City of London from Tate Modern
  • "Paste a moon"? After this? If we suggest such things we're no better than Peter Lik. Exposure bracketing is one thing and it doesn't work here since the moon is moving too fast, but pasting sounds a bit too rich for me in a photo like this. --cart-Talk 11:34, 10 February 2018 (UTC)[reply]
If there are several elements in an image requiring a different exposure for a natural impression, it is not fake to compose these elements in a differentiated way. I´m sure that pure eyes got another impression here then presented. --Milseburg (talk) 11:51, 10 February 2018 (UTC)[reply]
  • Milseburg, the moon wasn't over-exposed wrt brightness -- there was plenty headroom in the raw file and no clipping. A shorter exposure might be marginally sharper because the moon is moving and the atmosphere this close to the ground makes it especially wobbly. I have another with half the exposure time (though twice the iso) that is not sharper. You aren't really going to get a sharp image of the moon this close to the horizon and any moon you see that is sharp and near the horizon is a fake. Peter Lik's stupid image not only has clouds impossibly behind the moon, but has the moon super sharp and crisp -- something that can only be achieved on the clearest day with the moon high and by merging many dozens of frames and applying special sharpening techniques. And then of course upper-sky moon is the wrong colour and the wrong brightness for low-sky. The moon is the brightest element in this scene and I wanted to retain that, to have it glow on your monitor rather than looking like someone had stuck on a circular piece of paper. When one photographs the moon higher in the black sky, like File:Moon 2017-02-17 UK.jpg, one can arrange for it to be any brightness you like, though that is far less bright than it was to the eye. The moon close to the ground, in the blue hour, can be photographed with one exposure quite satisfactorily and realistically. Once it gets higher up, it is as bright as the daylight on sand, and that's when one has to play tricks like pasting in another exposure if you need to preserve the exposure on a dark land. -- Colin (talk) 14:19, 10 February 2018 (UTC)[reply]
  • I don´t think that your moon is blown out, but i´ts too bright in my eyes. Structures on the lunar surface such as the lunar mare are slightly outshone and less recognizable than I know from observations with own eyes. This image some supermoons before over another capital city is showing the moon more detailed and naturaly, without beeing a fake. --Milseburg (talk) 11:15, 11 February 2018 (UTC)[reply]
Confirmed results:
Result: 27 support, 1 oppose, 1 neutral → featured. /Basile Morin (talk) 00:31, 19 February 2018 (UTC)[reply]
This image will be added to the FP gallery: Astronomy#Natural satellites