File:The East Indiamen 'Minerva', 'Scaleby Castle' and 'Charles Grant' RMG BHC3492.tiff

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Captions

Captions

Charles Grant (1810), Minerva (1813), Scaleby Castle (1798)

Summary[edit]

Thomas Whitcombe: The East Indiamen 'Minerva', 'Scaleby Castle' and 'Charles Grant'  wikidata:Q50879765 reasonator:Q50879765
Artist
Thomas Whitcombe  (1763–1824)  wikidata:Q2676635
 
Description British painter
Date of birth/death circa 19 May 1763
date QS:P,+1763-05-19T00:00:00Z/11,P1480,Q5727902
circa 1824
date QS:P,+1824-00-00T00:00:00Z/9,P1480,Q5727902
Location of birth/death London unknown
Work location
Bristol, Wales, Devon, Plymouth, etc.
Authority file
artist QS:P170,Q2676635
image of artwork listed in title parameter on this page
Title
The East Indiamen 'Minerva', 'Scaleby Castle' and 'Charles Grant' Edit this at Wikidata
title QS:P1476,en:"The East Indiamen 'Minerva', 'Scaleby Castle' and 'Charles Grant' Edit this at Wikidata"
label QS:Len,"The East Indiamen 'Minerva', 'Scaleby Castle' and 'Charles Grant' Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Description
English: The East Indiamen 'Minerva', 'Scaleby Castle' and 'Charles Grant'

A group of ships belonging to the East India Company are shown in fair weather with Table Mountain, Cape Town, in the background on the right. The ship on the right is shown in starboard and stern view with men in the rigging preparing to lower her sails. The one in the centre is in starboard-broadside view. She flies the red ensign from the peak and signal flags and pennants from her three mastheads. She is firing a salute to indicate that the small fleet is preparing to enter Cape Town. The one on the left, painted as a two-decker warship, is shown in starboard-bow view and also flies the red ensign. Another can be seen beyond her. The basis for the identification of the ships derives from the painting's received title and it is currently unclear. The one in the centre is presumed to be the 'Scaleby Castle' and that on the right the 'Charles Grant'. The 'two-decker' may in fact be a Royal Naval vessel, as it appears, with the 'Minerva' beyond.

The first of the named vessels to enter service with the East India Company in 1806 was the 1,242 ton 'Scaleby Castle' which was built in Bombay in 1798. She had 26 guns and sailed on her maiden voyage with some 15 European officers and 115 Indian crew. Constructed of teak, the vessel undertook a record number of 14 voyages before completing its Company service in 1832. In October 1834, it was sold to Henry Templer for £6,900 and repaired, provisioned and made ready for sea, before being sold to James Walkinshaw for £13,500. The 1,246 ton 'Charles Grant' was also built of teak in Bombay and entered service with the Company in 1810. The vessel undertook 11 voyages to the East before completing its service in 1831. In 1834, it was sold for £8,500 to Messrs Hyde and Lennox.

The 'Minerva', 976 tons, was built in Bombay in 1813 and undertook ten voyages for the Company between 1814 and 1831. In August of that year, the vessel was purchased by Henry Templer who paid £9,400 for the ship and £2,400 for the captain's stores at sea. The three vessels did not sail together before 1829. In 1820, the date of the painting, the vessels may have been together at sea but were more likely to have passed in the Bay of Biscay during May rather than off the Cape, since the 'Scaleby Castle' was actually outward bound for China, while the other two were on the return leg of a voyage that had commenced in early 1819. It is also unlikely that the artist ever visited Cape Town. The scene is therefore almost certainly fictional and the painting was probably commissioned in England to demonstrate three of the Company's most successful vessels at the height of their activities, possibly by someone with a commercial interest or otherwise connected with them.

Whitcombe exhibited several paintings with Cape Town as the background between 1789 and 1818. He was born in London in about 1752 and painted ship portraits, battle scenes, harbour views and ships in storms. Although his output was vast, little is known about him. He produced a large number of subjects from the French Revolutionary and Napoleonic Wars, 1793-1815, and exhibited at the Royal Academy between 1783 and 1824. His depiction of ships implies specific knowledge of life at sea, although he probably spent most of his career in London. Many of his works were engraved and they included 50 plates to James Jenkins's account of 'The Naval Achievements of Great Britain', published in 1817. This painting is signed and dated 'Th. Whitcombe 1820'. The National Maritime Museum also holds a full-hull ship model of the 'Charles Grant'.

The East Indiamen 'Minerva', 'Scaleby Castle' and 'Charles Grant'
Date 1820
date QS:P571,+1820-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions Frame: 942 x 1346 x 78 mm;Painting: 813 mm x 1245 mm;Weight: 23 kg
institution QS:P195,Q7374509
Current location
Accession number
BHC3492
Notes Signed and dated 1820.
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/14965
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: 1927-76
id number: BHC3492
Collection
InfoField
Oil paintings

Licensing[edit]

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1824, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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current11:16, 14 September 2017Thumbnail for version as of 11:16, 14 September 20174,020 × 2,706 (31.12 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1820), http://collections.rmg.co.uk/collections/objects/14965 #612

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