File:NLC416-09jh002371-23176 繪畫的理論與實際.pdf

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繪畫的理論與實際   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
史岩著
image of artwork listed in title parameter on this page
Title
繪畫的理論與實際
Publisher
商務印書館[發行者]
Description

內分油畫水彩畫與素描的剖說、活用的繪畫理論、寫生的實際知識等三部分

目錄
上 油畫水彩畫與素描的剖說
素描的意義與價值
彩畫的種類
一 水彩畫與鉛筆畫的概況
水彩畫的能力與其發達史
基本的鉛筆畫的修習
鉛畫的需用品與使用上應注意之點
鉛畫的技巧與修習的程序
水彩顏料的出產地與品質選擇
各種主要顏料的特性與其才能
必要色推篇
畫紙的選擇與水貼法
畫筆的種類與其功用
調色板上顏料的排列
野外寫生的必要用具
畫室的布置
二 油畫與木炭畫的概況
油畫的發明與改良的略史
油畫在繪畫上的地位
木炭畫的價值與其特徵
應用品的說明及選擇
石膏模型寫生與人體寫生
素描技巧
油畫顏料的品質選擇
赤色類顏料之成分與其性質
黃與橙色類顏料之成分與其性質
綠色類顏料之成分與其性質
青色類顏料之成分與其性質
紫與褐色類顏料之成分與其性質
白與黑色類顏料之成分與其性質
顏料之耐久性問題
學者的必要色研究
固定油與發散油
油畫的保存與艷油
畫布的品質選擇
畫布手製法
畫布的撐張與畫撐的黃金律
鏡框的配置
調色板與其附屬品
畫筆與其使用上應注意的事
畫箱及其他必要工具
三 pastel的種種
過去的生世
她的價值
其材料與其工具
描寫的技巧
中 活用的繪畫理論
理論與實際
一 物體形相的透視畫理
繪畫上透視學理之重要
透視畫上的規約釋義
點的平行透視原理
線的平行透視原理
正方形的透視原理
圓形的透視原理
立方體的透視原理
圓柱體的透視原理
二 物體的陰影畫法
陰與影的區別
各種形體的明暗現象
影的變化與其現象
陰影的濃淡表現
三 色彩的研究
物色的來歷
光線的原色與余色
顏料的原色與余色
第二次色與第三次色
亮度的變化與色度的強弱
色彩與感情
色彩的配合
色彩的對照
四 畫面構圖的根本原理
線的對照與組合
形的均衡配合
明暗的對照與均衡
色彩的對照與均衡
多樣統一
下 寫生的實際知識
寫生與技巧
一 輪廓的描寫與調子的塗襯
輪廓描寫的程序
輪廓的實測
線的性質與描寫
平塗與暈渲與線描
二 靜物寫生的技巧與知識
靜物寫生與初學者
室內寫生的時間
模型物與其背景的關係
花卉與果品
物體性質的表現
寫生練習的程序
三 風景寫生的技巧與知識
野外寫生的趣志與其過去歷史
初學者與野外寫生
景物的截取與寫生的時間
寫生的技巧與心得
空氣與日光的表現
節季變化的景象與其表現
空間變化的景象與其表現
日夜變化的景象與其表現
草木的描寫研究
山嶽的描寫研究
水的描寫研究
建築物的描寫研究
四 寫生人物與動物的技巧與知識
裸體畫之起源與人體美之研究
living model 的選擇標準與其姿勢的採取
人體輪廓的勾描
人體寫生技巧上應注意之點
描寫着衣人物的必要知識
肖像畫的必要知識
sketch與初學者
寫生動物的必要知識
歷史畫宗教畫等之研究

Language Chinese
Publication date 民國24[1935]
Source
institution QS:P195,Q732353
(民國時期文獻 民國圖書)
主題
InfoField
西洋畫-繪畫理論
中圖分類
InfoField
J21
載體形態
InfoField
342頁

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current23:19, 10 June 2023Thumbnail for version as of 23:19, 10 June 20231,239 × 1,754, 381 pages (11.69 MB)PencakeBot (talk | contribs)Upload 繪畫的理論與實際 (1/1) by 史岩著 (batch task; nlc:data_416,09jh002371,23176; 民國圖書.4; 繪畫的理論與實際)

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