File:NLC416-09jh002256-23362 近代戲劇藝術.pdf

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近代戲劇藝術   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
莫德威(H. K. Moderwell)著
image of artwork listed in title parameter on this page
Title
近代戲劇藝術
Publisher
劇藝出版社[發行者]
Description

分12章,論述舞台藝術、燈光照明、戲曲家、戲曲派別等

目錄
第一章 綜合的藝術
十九世紀底劇院與近代戲劇
近代劇的綜合性
綜合性之萌芽
科學家進入近代劇
藝術家進入近代劇
音樂家進入近代劇
思想家進入近代劇
第二章 舞台工具之改進
機械師變為藝術家
轉台
滾台
滑台
德萊斯登宮庭劇院
天幕
弗尼照明法
布景搭設
機械運用之問題
第三章 舞台藝術
舞台藝術
舊式舞台布景之崩潰
演出者
新的布景藝術
其實踐基礎與靈感
布景設計之動機;藝術美,戲劇性着重點,與主題的真實
現代布景之發展
三個原動力:阿披亞、福赫斯與戈登克雷
第四章 抽象的設計
抽象化底價值
藝術中之抽象的設計
抽象的設計之原素:線條與圖塊
抽象的設計之應用
絕對美與戲劇中的暗示
抽象設計之權威
第五章 舞台色彩
舊式劇場中底色彩
色彩對照底原則
裝飾的與象徵的彩色
巴克斯特
舞台上運用色彩之實際問題;烏邦與皮維爾
第六章 燈光照明
舞台的燈光照明
舊式照明方法之缺陷
近代舞台照明之原則;弗琴尼方法
近代舞台照明之實踐
程序的與自然的燈光照明
第七章 風格化
風格的意義
戈登克雷對於「風格」的解釋
風格的動機與方法
戈登克雷
萊因哈特
史擔尼斯拉夫斯基與莫斯科藝術劇院
風格化的種種問題
第八章 近代劇的哲學
作為近代劇哲學底表現之近代劇
藝術中底定律觀念
近代劇中底科學精神
第九章 法蘭西及意大利戲曲家
近代法國戲曲所受的影響
近代法國戲曲以前的傳統
問題劇與自由劇場
時髦的作家們
有思想的作家們
意大利寫實派作家
第十章 俄羅斯戲曲家
俄國文學之特殊發展:社會生活對文學表現之影響
近代俄國戲劇底巳往
俄國歷史劇,a。托爾斯泰
l·托爾斯泰及其作品
「靜」的戲曲家:契訶夫及高爾基
安德烈夫
第十一章 英德各國底戲曲
英德各國新戲劇底成長
斯干狄那維亞底戲劇家
德國底狀況
奧國戲曲家
海伊曼
近代英國戲曲
美國戲劇家
第十二章 非寫實派的戲曲
近代劇中底寫實與幻想
意大利作家
法國作家
德國詩劇作家
莫爾納及韋德金
後記

Language Chinese
Publication date 民國30[1941]
Source
institution QS:P195,Q732353
(民國時期文獻 民國圖書)
主題
InfoField
戲劇史
中圖分類
InfoField
J809
載體形態
InfoField
181頁

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current23:08, 10 June 2023Thumbnail for version as of 23:08, 10 June 20231,239 × 1,754, 190 pages (7.95 MB)PencakeBot (talk | contribs)Upload 近代戲劇藝術 (1/1) by 莫德威(H. K. Moderwell)著 (batch task; nlc:data_416,09jh002256,23362; 民國圖書.4; 近代戲劇藝術)

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