File:NLC416-06jh006999-1665 戲劇技法講話.pdf

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search
Go to page
next page →
next page →
next page →

Original file ‎(1,239 × 1,754 pixels, file size: 6.02 MB, MIME type: application/pdf, 242 pages)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
戲劇技法講話   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
李朴園著
image of artwork listed in title parameter on this page
Title
戲劇技法講話
Publisher
正中書局[發行] (上海)
Description

包括戲劇藝術概觀、編劇術、導演術、演員底修養、發音術、表情術、動作術、化裝術等9章

目錄
自序
第一章 戲劇藝術概觀
第一節 小引
第二節 何謂戲劇
第三節 戲劇底分類
第四節 綜合藝術
第五節 戲劇底起源
第六節 戲劇底演變
第二章 編劇術
第一節 小引
第二節 劇本所需的故事
第三節 故事底結構
第四節 主旨與事件
第五節 幕底作用
第六節 三一律
第七節 劇中人物
第八節 劇本底限制
第九節 舞台話
第十節 當你想的時候
第十一節 當你寫的時候
第三章 導演術
第一節 小引
第二節 導演及其責任
第三節 導演底修養
第四節 導演與劇本
第五節 導演與演員
第六節 排練前的預備
第七節 首次排練
第八節 分幕排練
第九節 最後的排練
第十節 預演
第十一節 後台動作及後台習慣
第四章 舞台裝置術
第一節 小引
第二節 舞台裝置解
第三節 舞台裝置底演變
第四節 舞台裝置之我見
第五節 舞台
第六節 布景
第七節 燈光
第八節 服裝與導具
第五章 演員底修養
第一節 小引
第二節 演員底服從
第三節 演員底創造
第四節 熱烈的感情
第五節 冷靜的頭腦
第六節 藝術的興趣
第七節 堅苦的努力
第六章 發音術
第一節 小引
第二節 聲音底美
第三節 聲音練習法
第四節 聲調表情
第五節 語言底表情
第六節 國語與方言
第七節 對話底聯接
第八節 觀察與體驗
第九節 一個發音練習的進程表
第七章 表情術
第一節 小引
第二節 面部肌肉
第三節 眉部表情
第四節 眼部表情
第五節 鼻部表情
第六節 口部表情
第七節 聯合的表情
第八節 表情練習法
第九節 表情字典
第八章 動作術
第一節 小引
第二節 動作與健康
第三節 動作與呼吸
第四節 論路線
第五節 論腳
第六節 論腿
第七節 論軀幹
第八節 論手同臂
第九節 論頭
第十節 動作術練習法
第十一節 小動作論
第九章 化裝術
第一節 小引
第二節 化裝與生理
第三節 化裝與病態
第四節 化裝與光色
第五節 色的補救
第六節 化裝品
第七節 化裝品製造法
第八節 化裝手續
第九節 化裝方法各論

Language Chinese
Publication date 民國25[1936]
Source
institution QS:P195,Q732353
(民國時期文獻 民國圖書)
館藏信息
InfoField
992.3/286
主題
InfoField
戲劇-藝術理論 藝術理論-戲劇
中圖分類
InfoField
J80
拼音題名
InfoField
xi ju ji fa jiang hua
載體形態
InfoField
230頁

Licensing

[edit]
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
This image is now in the public domain in China because its term of copyright has expired.

According to copyright laws of the People's Republic of China (with legal jurisdiction in the mainland only, excluding Hong Kong and Macao), amended November 11, 2020, Works of legal persons or organizations without legal personality, or service works, or audiovisual works, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation. For photography works of natural persons whose copyright protection period expires before June 1, 2021 belong to the public domain. All other works of natural persons enter the public domain 50 years after the death of the creator.
According to copyright laws of Republic of China (currently with jurisdiction in Taiwan, Penghu, Kinmen, Matsu, etc.), all photographs and cinematographic works, and all works whose copyright holder is a juristic person, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation, and all other applicable works enter the public domain 50 years after the death of the creator.

Important note: Works of foreign (non-U.S.) origin must be out of copyright or freely licensed in both their home country and the United States in order to be accepted on Commons. Works of Chinese origin that have entered the public domain in the U.S. due to certain circumstances (such as publication in noncompliance with U.S. copyright formalities) may have had their U.S. copyright restored under the Uruguay Round Agreements Act (URAA) if the work was under copyright in its country of origin on the date that the URAA took effect in that country. (For the People's Republic of China, the URAA took effect on January 1, 1996. For the Republic of China (ROC), the URAA took effect on January 1, 2002.[1])
To uploader: Please provide where the image was first published and who created it or held its copyright.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that this work might not be in the public domain in countries that do not apply the rule of the shorter term and have copyright terms longer than life of the author plus 50 years. In particular, Mexico is 100 years, Jamaica is 95 years, Colombia is 80 years, Guatemala and Samoa are 75 years, Switzerland and the United States are 70 years, and Venezuela is 60 years.

čeština ∙ Deutsch ∙ English ∙ português ∙ română ∙ slovenščina ∙ Tagalog ∙ Tiếng Việt ∙ македонски ∙ русский ∙ മലയാളം ∙ ไทย ∙ 한국어 ∙ 日本語 ∙ 简体中文‎ ∙ 繁體中文 ∙ +/−


This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.

Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag.
This image contains digital watermarking or credits in the image itself. The usage of visible watermarks is discouraged. If a non-watermarked version of the image is available, please upload it under the same file name and then remove this template. Ensure that removed information is present in the image description page and replace this template with {{Metadata from image}} or {{Attribution metadata from licensed image}}.

Caution: Before removing a watermark from a copyrighted image, please read the WMF's analysis of the legal ramifications of doing so, as well as Commons' proposed policy regarding watermarks.

If the old version is still useful, for example if removing the watermark damages the image significantly, upload the new version under a different title so that both can be used. After uploading the non-watermarked version, replace this template with {{Superseded|new filename|version without watermarks}}.
Bahasa Indonesia ∙ italiano ∙ eesti ∙ sicilianu ∙ Deutsch ∙ català ∙ magyar ∙ čeština ∙ română ∙ español ∙ português ∙ English ∙ hrvatski ∙ Plattdüütsch ∙ français ∙ Nederlands ∙ polski ∙ galego ∙ slovenščina ∙ suomi ∙ svenska ∙ Ελληνικά ∙ беларуская (тарашкевіца)‎ ∙ български ∙ македонски ∙ русский ∙ українська ∙ മലയാളം ∙ ไทย ∙ 日本語 ∙ 中文 ∙ 中文（简体）‎ ∙ 中文（繁體）‎ ∙ עברית ∙ العربية ∙ فارسی ∙ +/−

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current18:56, 10 June 2023Thumbnail for version as of 18:56, 10 June 20231,239 × 1,754, 242 pages (6.02 MB)PencakeBot (talk | contribs)Upload 戲劇技法講話 (1/1) by 李朴園著 (batch task; nlc:data_416,06jh006999,1665; 民國圖書.2; 戲劇技法講話)

You cannot overwrite this file.

The following page uses this file:

Metadata

This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.

Retrieved from "https://commons.wikimedia.org/w/index.php?title=File:NLC416-06jh006999-1665_戲劇技法講話.pdf&oldid=773657891"