File:NLC416-05jh001223-788 比較文學論.pdf

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search
Go to page
next page →
next page →
next page →

Original file(1,239 × 1,754 pixels, file size: 8.86 MB, MIME type: application/pdf, 261 pages)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
比較文學論   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
提格亨(P. van Tieghem)著
image of artwork listed in title parameter on this page
Title
比較文學論
Publisher
商務印書館[發行] ([上海])
Description

分三部分,論述比較文學的形成與發展,並介紹比較文學的方法和成績,兼論一般文學問題

目錄
導言 文學批評——文學史——比較文學
認識書籍的階段:閱讀,批評,文學史。
文學史的形式和任務
影響:本國的,古代的,近代外國的,比較文學。
第一部 比較文學之形成與發展
第一章 原始
「比較文學」的名稱;它的別稱;它的意義。
原始,至十九世紀止
浪漫主義的超國界論和比較文學的最初的論文。
有利的或有害的影響。由於書籍和由於教學而獲得的進步。
第二章 進步與論爭
新來推動。戴克斯特。
倍茲;目錄學,考據和論爭。
文學史的革新;朗松:巴爾登斯貝爾易,他的事業和他的任務。
反對和答覆。
第三章 今日與明日
比較文學在外國教育界。
比較文學在法國教育界。
比較文學家的工具。
第二部 比較文學之方法與成績
第一章 一般的原則與方法
語學與文學的疆界。放送者,接受者,傳遞者。
原本的探討和研究。
比較文學家的必備之具:各種語言,各國文學。
比較文學之各種不同的領域。
第二章 文體和作風
藝術形式和文體之重要性。
散文體。
詩歌體。
戲曲。
詩法的影響。
作風的影響。
第三章 題材典型與傳說
文學呢,民俗學呢?反對與爭論。
局面與傳統的題材。
實有的或空想的文學典型。
傳說與傳說的人物。
第四章 思想與情感
這種交換的重要。它的太被忽視的直接研究。
宗教的和哲學的思想。
道德的思想。
美學的和文學的思想。
情感。影響,時尚,典型,情感的常套。
第五章 成功與總括的影響
一片墾熟的領域。它的區分。一般方法。
一般的關係和集團的影響。
一位作者對於另一位作者,對於一個集團或一個派別之影響。
一位作家在外國的際遇和影響。
傳播,模仿,成功,真正的影響。
影響種類之分類法。
第六章 源流
源流之探討。印象;口傳的源流;筆述的源流。
孤立的源流:題材,細部,思想。
集體的源流。一位作家的源流之圓形的研究。
第七章 媒介
個人。
社會環境。
批評;報章和雜誌。
譯本和翻譯者。
第三部 一般文學
第一章 一般文學之原則與任務
限於二元關係的比較文學之不足。
一般文學;它的原則。
一般文學的領域。它的任務與它的長處。
反對和答覆。
第二章 一般文學之命題與方法
放射的影響。
文學時尚和國際潮流。
沒有影響的類似。它們的可能的原由。
探討之方法。
陳述的方法。
第三章 向國際文學史去的路
到現在為止已出版的一般文學史。
真正的國際文學史之內容和計劃。
真正的國際文學史之種種關係。

Language Chinese
Publication date [1937]
Source
institution QS:P195,Q732353
(民國時期文獻 民國圖書)
館藏信息
InfoField
819/299
主題
InfoField
比較文學
中圖分類
InfoField
I0-03
拼音題名
InfoField
bi jiao wen xue lun
載體形態
InfoField
253頁

Licensing

[edit]
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
This image is now in the public domain in China because its term of copyright has expired.

According to copyright laws of the People's Republic of China (with legal jurisdiction in the mainland only, excluding Hong Kong and Macao), amended November 11, 2020, Works of legal persons or organizations without legal personality, or service works, or audiovisual works, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation. For photography works of natural persons whose copyright protection period expires before June 1, 2021 belong to the public domain. All other works of natural persons enter the public domain 50 years after the death of the creator.
According to copyright laws of Republic of China (currently with jurisdiction in Taiwan, Penghu, Kinmen, Matsu, etc.), all photographs and cinematographic works, and all works whose copyright holder is a juristic person, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation, and all other applicable works enter the public domain 50 years after the death of the creator.

Important note: Works of foreign (non-U.S.) origin must be out of copyright or freely licensed in both their home country and the United States in order to be accepted on Commons. Works of Chinese origin that have entered the public domain in the U.S. due to certain circumstances (such as publication in noncompliance with U.S. copyright formalities) may have had their U.S. copyright restored under the Uruguay Round Agreements Act (URAA) if the work was under copyright in its country of origin on the date that the URAA took effect in that country. (For the People's Republic of China, the URAA took effect on January 1, 1996. For the Republic of China (ROC), the URAA took effect on January 1, 2002.[1])
To uploader: Please provide where the image was first published and who created it or held its copyright.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that this work might not be in the public domain in countries that do not apply the rule of the shorter term and have copyright terms longer than life of the author plus 50 years. In particular, Mexico is 100 years, Jamaica is 95 years, Colombia is 80 years, Guatemala and Samoa are 75 years, Switzerland and the United States are 70 years, and Venezuela is 60 years.


čeština  Deutsch  English  português  română  slovenščina  Tagalog  Tiếng Việt  македонски  русский  മലയാളം  ไทย  한국어  日本語  简体中文‎  繁體中文  +/−



This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.


Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current15:06, 10 June 2023Thumbnail for version as of 15:06, 10 June 20231,239 × 1,754, 261 pages (8.86 MB)PencakeBot (talk | contribs)Upload 比較文學論 (1/1) by 提格亨(P. van Tieghem)著 (batch task; nlc:data_416,05jh001223,788; 民國圖書.2; 比較文學論)

The following page uses this file:

Metadata