File:NLC404-01JF3122-3335 文物周刊 1947年第四十一期至八十期.pdf

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文物周刊   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
上海博物館研究室
image of artwork listed in title parameter on this page
Title
文物周刊
Volume 1947年第四十一期至八十期
Publisher
該室
Description

通論
怎樣研究中國繪畫史
論推展我國社會教育必須推展博物館事業
充實內容與建設館舍
實物史料與文獻史料
陳列品的徵集
中國畫的欣賞
銅器
釋超殷「取征五寽」
釋牧殷「取征五寽」
釋哉殷「取征五寽」
釋谷殷「取征十寽」
跋陳逆二器銘
釋番生殷「取征廿寽」
讀春秋邾國彝銘因論邾之盛衰
釋毛公鼎「取征卅寽」
邾公牼鍾銘「玄鏐膚呂」解
邾公釛鍾
兩周金文辭大系吳彝考釋質疑
補論合用職屋二韻銘文的銅鏡
楚王□章鍾銘「西□」解
瓷器
宋龍泉窯的青瓷
略論瓷器花繪的鑑別
我國瓷器的起源問題
明器
本館所藏之明代明器群
考明器中的四神
十二支神像補考
宋代的明器制度
元明的明器制度
記館藏漢代陶俑
近代的明器制度
從館藏六朝陶俑說到六朝陶俑的作風
漢唐明器中的木馬
戰國漢唐明器中的木俑
館藏的唐代崑崙奴俑
略論明器的辨偽方法
石刻
讀秦詛楚文後
駁唐蘭「石鼓刻於秦靈公三年考」
評唐蘭先生「石鼓文刻於秦靈公三年考」
石鼓文時代考
論石鼓文的時代再質唐蘭先生
因唐童二先生的辨論而記及石鼓文「殹」字的讀解
書畫
龔賢與西洋畫
汪建新手臨書譜
董其昌畫學的淵源
略論敦煌壁畫的臨摹方法
董其昌畫學的批判
近人對於顧愷之女史箴圖真偽之爭論
晉顧愷之女史箴圖研究
山水畫中的「皴法」
古代的唐草文圖案
辨惲南田先畫山水後改畫花卉之說
服飾
幞頭的演變
「襪」的演變
「袍」的起源
唐代的胡式女袍
唐代婦女的圍巾「披帛」考
唐代婦女的西裝胡服式半袖裙襦考
唐代婦女髻發譜(一)墜馬髻
唐代婦女「紅妝」考
唐代婦女髻發譜(二)高髻
唐代婦女髻發譜(三)假髻
唐代的舞與胡式女舞衣
唐代婦女髻發譜(四)雙髻
辨中國古代女子蔽面的風俗
中國古史籍中的高勾麗服飾與通溝出土墓壁畫中的高勾麗服飾
古代的袴
唐代婦女髻發譜(五)蟬□
唐代婦女髻發譜之討論
步搖考
唐代婦女髻發譜(六)椎髻
唐代婦女髻發譜(七)雜髻發
建築
漢代的闕
漢代的多層建築
漢代門闕前的「罘□」
漢代的井幹
貨幣
丁仲祐先生捐贈本館之晴韻館古錢
中國金屬貨幣起源考
雜類
唐代的玩偶——新婦子
團扇和摺扇的源流
遐庵重修越中先塋記
釋「槃」「案」
剪刀小記
綜論漢代尺度
雨傘的起源
管子之版本源流
江山航頭髮見之明萬曆御前密驗關防考
證董其昌為上海人
六博考
餅的起源
春秋郢都的築城時代
評徐中舒先生的「委蛇」論
春秋戰國間種田工具的演進及其影響
神話中的一種怪蛇——「委蛇」
紙鳶
胡床
遺蹟研究
論長沙楚墓的年代
松江戚家墩的文化遺址
海鹽秦山灘的文化遺址
上海文獻
袁祖德與郁松年手扎
趙陸卿子「考槃集」
許自俊手稿「潛壺集」
趙左倣黃子久淺色山水卷
明婁堅書軸
明王勝時手錄「陳子自述年譜」
郭璞注方言(宋刊本)
宋懋晉剡溪圖軸
魚水緣傳奇
宋賓王鈔校「周益公集」
朱掄英輯「國朝三槎風雅」
高層雲書畫冊
莫如忠詩翰軸
莫如忠「崇蘭館集」
沈樹鏞山水冊幅
王廣心畫像
明陳瑚陸世儀等廿七家壽龔母王太夫人詩冊
明戚繼光等題詠「鳳笙明月圖詠卷」
明沈藻張房楊珙張璧等四家畫冊
上海縣城隍神秦裕伯事跡考實
明曾鯨繪侯峒曾畫像
錢大昕刻竹臂閣
明正德華亭縣誌
明華亭比丘自正刊本「楞嚴經」
明嘉靖上海縣誌
消息
介紹何敘甫先生畫像
上海市立博物館藏印鈐印本即將出版
歷代明器展覽會的舉辦
第三陳列室開放
小統計
國內博物館消息
國際博物館協會首屆常會即將召開
原始瓷器的發現

Language Chinese
Publication date 1946-1948
Source
institution QS:P195,Q732353
(民國時期文獻 民國期刊)
館藏信息
InfoField
790.5

Licensing

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Public domain
This image is now in the public domain in China because its term of copyright has expired.

According to copyright laws of the People's Republic of China (with legal jurisdiction in the mainland only, excluding Hong Kong and Macao), amended November 11, 2020, Works of legal persons or organizations without legal personality, or service works, or audiovisual works, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation. For photography works of natural persons whose copyright protection period expires before June 1, 2021 belong to the public domain. All other works of natural persons enter the public domain 50 years after the death of the creator.
According to copyright laws of Republic of China (currently with jurisdiction in Taiwan, Penghu, Kinmen, Matsu, etc.), all photographs and cinematographic works, and all works whose copyright holder is a juristic person, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation, and all other applicable works enter the public domain 50 years after the death of the creator.

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File history

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Date/TimeThumbnailDimensionsUserComment
current21:42, 22 August 2022Thumbnail for version as of 21:42, 22 August 20222,395 × 1,775, 43 pages (96.77 MB)PencakeBot (talk | contribs)Upload 文物周刊 1947年第四十一期至八十期 (2/2) by 上海博物館研究室 (batch task; nlc:data_404,01JF3122,3335; 民國期刊.10; 文物周刊)

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