File:A flag officer, previously thought to be Sir Chaloner Ogle (1729-1816), Admiral of the Red RMG BHC2919.tiff

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George Romney: A flag officer, previously thought to be Sir Chaloner Ogle (1729-1816), Admiral of the Red  wikidata:Q50921196 reasonator:Q50921196
Artist
George Romney  (1734–1802)  wikidata:Q371280
 
George Romney
Description British painter and portraitist
Date of birth/death 15 December 1734 (in Julian calendarEdit this at Wikidata 15 November 1802 Edit this at Wikidata
Location of birth/death Dalton-in-Furness Kendal
Work location
Authority file
artist QS:P170,Q371280
image of artwork listed in title parameter on this page
Title
A flag officer, previously thought to be Sir Chaloner Ogle (1729-1816), Admiral of the Red Edit this at Wikidata
title QS:P1476,en:"A flag officer, previously thought to be Sir Chaloner Ogle (1729-1816), Admiral of the Red Edit this at Wikidata"
label QS:Len,"A flag officer, previously thought to be Sir Chaloner Ogle (1729-1816), Admiral of the Red Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre portrait Edit this at Wikidata
Description
English: A flag officer, previously thought to be Sir Chaloner Ogle (1729-1816), Admiral of the Red
Description

A three-quarter-length portrait showing the sitter turned half to viewer's right, in the flag officer's full-dress uniform of 1767-83 and apparently wearing his own hair dressed and powdered. His right hand is on his sword and his left is in a relaxed palm-up conversational gesture lower right against the rather sombre sky background of the canvas. This portrait has been the subject of long confusion, not yet entirely resolved. It was originally acquired in 1935 as an unnamed flag officer and subsequently identified, though on what grounds are not yet clear, as Sir Chaloner Ogle, Admiral of the Red and 1st Baronet of Martyr Worthy. This was later cast into doubt by knowledge of a half-length portrait by Romney (in the Metropolitan Museum, New York since 1953) of another naval officer of the same name and in the same uniform but of very different looks. This conflict may now be resolving through family research by Anne Ammundsen (2011) who has drawn attention to another half-length portrait (30 x 35 in.) clearly of the present sitter which was sold in a 'Masters and Makers' sale at Christie's, South Kensington, London on 29 September 2009, lot 486. This bears identification as Sir Chaloner in an inscription on the lining canvas and was sold as by a 'follower of Joshua Reynolds'. It is not after Reynolds, since there is no evidence Ogle sat to him, but it could be based on the present portrait, although though the pose is a little different, with the left lapel falling loosely over the front, more in Reynolds's occasional manner. The portrait in New York is smaller (30 x 24 ins: 762 X 675 mm) and bears an inscription on the reverse: 'Sir Chaloner Ogle. Brt / Senior Admiral of the Red. / His Royal Hs the Duke of Clarence being made / Admiral of the fleet over his head / died 1816'. It also has a family provenance to 1928 but the portrait itself appears to be at best studio work rather than unquestionably by Romney himself. The possibility that the New York picture might -despite the inscription- be Captain Chaloner Ogle (1725-1814) the present sitter's cousin, seems to be ruled out by the uniform since he did not achieve flag rank. Romney's sitters' book includes sittings for Sir C. or Ch. Ogle, and once for Sir Chevelr Ogle—on May 12, 14, 16, and 18, 1781, and on June 13 and 19, 1782. If all these relate to just one portrait, it is more likely to be the present one in terms of the apparent amount of work involved although it is only slightly larger ('kit-kat' size, 36 x 28 ins) than the New York picture. Both men were younger second cousins to Admiral Sir Chaloner Ogle (1680-1750), see BHC2917.

While commanding the 'Resolution' 74 guns in 1780, Ogle formed part of Rodney's fleet to relieve Gibraltar and was present at the Moonlight Battle off Cape St Vincent against the Spanish fleet which followed shortly afterwards. He returned to England with the prizes but then followed Rodney to the West Indies as Commodore, before becoming rear-admiral later in the year and returned again to England. With the end of the American War in 1783 there was no further employment for him, or when the French wars began in 1793 - by which time he was in his early 60s. At his death he had risen by list promotions to senior Admiral of the Red, but had never flown his flag in a fleet command.
Portrait of a flag officer, circa 1767

Date 1767 uniform
Medium oil on canvas Edit this at Wikidata
Dimensions height: 91.5 cm (36 in); width: 71 cm (27.9 in)
dimensions QS:P2048,91.5U174728
dimensions QS:P2049,71U174728
institution QS:P195,Q7374509
Current location
institution QS:P195,Q1199924
Accession number
BHC2919
Notes Note that Alex Kidson has apparently opined that this is not Romney (TBC): the other possibility - if not 'after' Romney- is that it mighty be a 'manner of J.S. Copley' but of who is mystery [PvdM 3/2015]. See ongoing ARTuk discussion https://www.artuk.org/artdetective/discussions/discussions/who-is-the-royal-naval-officer-depicted-here-is-this-certainly-by-george-romney-or-could-it-be-by-john-singleton-copley
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/14392
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: 1937-11
id number: BHC2919
Collection
InfoField
Oil paintings

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

File history

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Date/TimeThumbnailDimensionsUserComment
current13:38, 1 October 2017Thumbnail for version as of 13:38, 1 October 20174,480 × 5,532 (70.91 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1767), http://collections.rmg.co.uk/collections/objects/14392 #1978

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