File:'Nelson Boarding the 'San Nicolas' in the Victory off Cape St Vincent - 14th February 1797 - ' RMG PY7917.tiff
Original file (3,800 × 3,261 pixels, file size: 35.45 MB, MIME type: image/tiff)
Captions
Summary
[edit]Author |
A. W. Reeve; W. R. Thomas |
Description |
English: 'Nelson Boarding the 'San Nicolas' in the Victory off Cape St Vincent... 14th February 1797....' This is at present a slightly mysterious image of Nelson boarding the 'San Nicolas' at the Battle of Cape St Vincent, 14 February 1797. It is presumably from a painting of some sort and when issued as a print also had an identifying key to those shown, of which (in 2010) the British Museum acquired a copy (BM ref. 2010,7081.7442). Nelson is the figure with a sword in his right hand leading the attacking group under the bowsprit of his own ship, the 'Captain'. From the 'San Nicolas' he also captured the 120-gun ‘San Josef’, which had become entangled alongside – an event that caught the naval and public imagination as ‘Nelson’s patent bridge for boarding first-rates’. Although many paintings commemorated the feat, aquatints and etchings like this brought the action to a wider audience. Both ships were taken into the Royal Navy. The ‘San Nicolas’ became a prison ship in 1800 and the ‘San Josef’ lasted until 1849. Who the artist was is uncertain but it has the look of a mid-19th-century item, especially the letterpress, and it may be William Rudolph Thomas (1822-80) who was born in India, son of English infantry officer, and went to Australia (Adelaide) in 1848-49. He later moved to Ballarat where he worked as a law clerk but was also a watercolourist. It seems an unusual subject for an artist who did not live in England but he is also recorded as doing a view of 'The 30th and 73rd Regiments in a Square, Beating the French at Waterloo'. This identity remains for confirmation. [PvdM 9/15] |
Date |
19th century date QS:P571,+1850-00-00T00:00:00Z/7 |
Dimensions | Sheet: 444 x 510 mm; Mount: 605 mm x 835 mm |
Notes | Box Title: Actions. St Vincent 1797. |
Source/Photographer | http://collections.rmg.co.uk/collections/objects/147864 |
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
Other versions |
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Identifier InfoField | Unidentified Prints & Drawings Number: 7462 id number: PAH7917 |
Collection InfoField | Fine art |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 22:44, 29 September 2017 | 3,800 × 3,261 (35.45 MB) | Fæ (talk | contribs) | Royal Museums Greenwich Fine art, http://collections.rmg.co.uk/collections/objects/147864 #6975-1 |
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Width | 3,800 px |
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Height | 3,261 px |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 140 |
Number of components | 3 |
Number of rows per strip | 3,261 |
Bytes per compressed strip | 37,175,400 |
Data arrangement | chunky format |