File:'Deir Kadige noon - 1 P.M. Jany. 2. 1867 (28)' RMG PU9103.tiff
Original file (4,034 × 4,950 pixels, file size: 57.13 MB, MIME type: image/tiff)
Captions
Summary[edit]
Author |
creator QS:P170,Q309759 |
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Description |
English: 'Deir Kadige noon - 1 P.M. Jany. 2. 1867 (28)' The page is covered with studies of various Egyptian craft, including dahabeeyahs and gyassis. Some vessels are portrayed individually on a stretch of calm, reflecting water. At the bottom of the sheet is a view of the river with a mosque on the far bank. Edward Lear appears to have taken the scenes from aboard ship while travelling along the Nile between noon and 1pm on 2 January 1867. During his third visit to Egypt, Lear continued to employ his individual style, which, despite its sense of detailed observation, mostly emphasizes sensitive colouring and rather swooping pencil lines. Lear tended to scribble notes onto the image clearly marking them as sketches, including descriptive comments on staffage figures or vegetation, but also on colour hues. Here, he is also precise on the time the sketch was taken, treating it like the entry in a travel journal. Although Lear worked in the tradition of British topographical art, his drawings leave behind its documentary attitude, which recorded landscape and geographical features for the benefit of their antiquarian and natural historical associations. If, as in the case of his Egyptian images, the past is alluded to, Lear conveys it with a mysterious and exotic character, rather than attempting to re-establish the historical and particularly biblical topography which had drawn other travellers to the Near and Middle East. It is mostly the luminous colours in their own right which are intended to trigger poetical sentiment in the beholder and characterize the scene as picturesque. In the watercolour the vessel signifies present life and activity, but with the beginnings of modern tourism in the region the artist’s emphasis on its traditional build also conveys the romanticized impression of timelessness, equating the ‘exotic’ and ‘oriental’ present with the distant past. |
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Date |
2 January 1867 date QS:P571,+1867-01-02T00:00:00Z/11 |
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Dimensions | Mount: 154 mm x 124 mm | ||||||||||||||||||||
Notes | Box Title: D.117 M1445-1455. | ||||||||||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/113254 | ||||||||||||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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Identifier InfoField | Picture Department Petrel Project Number: M1451 id number: PAD9103 |
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Collection InfoField | Fine art |
Licensing[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 02:56, 14 September 2017 | 4,034 × 4,950 (57.13 MB) | Fæ (talk | contribs) | Royal Museums Greenwich Fine art (1867), http://collections.rmg.co.uk/collections/objects/113254 #1043 |
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Height | 4,950 px |
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Pixel composition | RGB |
Image data location | 140 |
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Data arrangement | chunky format |