User:Lilipond/Klaviernoten/Czerny840-48/RH
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RH= \relative c' {
\time 4/4
\key f \major
\tempo "Allegro vivace."
\repeat volta 2 {
r16 d[ r f r e r g]
r f[ r a r a, r cis]
r d[ r f r e r g]
r f[ r a r a, r cis]
r d[ r f r a r d]
r gis,[ r f' r e r d]
r cis[ r a r cis r e]
r16 a gis a gis a gis a
g! a b! a g f e f g f e d cis b a g
f a d f a8 r
e,16 g b e g8 r
d,16 f a d f8 r
cis,16 e a cis e8 r8
d16 a f' a, d a f' a, d8 r8 r4
}
\repeat volta 2 {
\voiceOne
r16 < cis e > r q r q r q r < d f > r q r q r q
r16 < e g > r q r < d f > r q r < cis e > r q r q r q
\oneVoice
r
< cis e a >
r q r q r q
r < d f a > r q r q r q
r < e g a > r q r < d f a > r q
r16
< cis e a > gis' a g e g e
a16 gis a f d8 r
d'16 cis d a f8 r
es16 g b es g8 r
\ottava #1
g,16 b es g b8 r
a16 g f e! d c! b! a \ottava #0
g f e d cis d e cis
d a d f a f a f d8 r
\set Staff.explicitKeySignatureVisibility = #end-of-line-invisible
\override Staff.KeyCancellation.break-visibility = #begin-of-line-visible
%\set Staff.printKeyCancellation = ##f
\override Staff.RehearsalMark.direction = #UP
\mark \markup \italic "Fine."
r4
}
\repeat volta 2 {
\key d \major
\mark \markup \fontsize #-1.5 { \bold "D Dur." \italic "(Ré majeur.)" }
fis8-5-. r fis-. r fis-. r h,16-4 ( a-3 gis-2 a-1
fis'8 ) r fis r fis r h,16-4 ( a gis a-1
d8.-2 fis16-4 a8.-1 d16-2 ) \myottava #1 fis4-3 ( g16-4 fis e d
cis4.-2 e8 g ) \ottava #0 r r4
g,8-5-. r g-. r g-. r
cis,16-2 ( a-1 e'-3 cis-2
g'8-5-. ) r g-. r g-. r
\myottava #1
cis16-2\< ( a e' cis
%Beam Positions falls ohne ottava #1
%\once \override Beam.positions = #'(0 . -0.5)
a'8-5\> g16 fis\!
%\once \override Beam.positions = #'(-0.5 . -1)
e d-1 cis-4 h \ottava #0
%\once \override Beam.positions = #'(-1.5 . -2)
a g fis-3 e d-1 cis-3 h cis
d8-. ) r < a fis' >-. r < fis d' >-. r r4
\bar ":..:"
fis'8-3-. r fis-. r fis-. r g16-4 ( fis e d-1
cis4.-3 ais8_2 fis4_1 ) r
fis'8-3-. r fis-. r fis ( eis16 fis
g-4 fis e d )
cis2-2 cis4-3 (
\override Fingering.direction = #DOWN
h16-2 a-1 gis-2 a-1
\override Fingering.direction = #UP
fis'8-. ) r fis-. r fis-. r e16-4 ( d-3 cis-2 d-1
d'8-. ) r d-. r d4.-> ( gis,8
a-3 ) a,16[-1 ( h] cis d-1 e fis g!-4 fis e fis g a h cis
d8-. ) r < fis,, a d >-. r q-. r r4
}
}
RHii= {
}
RHs= {
\set Voice.beatStructure = #'(1 1 1 1)
\override Fingering.avoid-slur = #'inside
s16 s-.-1 s s-.-3 s s-.-2 s s-.-4 s s-.-3 s s-.-5 s s-.-1 s s-2
s s-. s s-. s s-. s s-. s2
s16 s-1 s s-2 s s-3 s s-5 s s-1 s s-5 s s-4 s s-3
s s-2 s s-1 s s-2 s s-3 s s-3 ( s-2 s s4
s16-1 s s-3 s s-1 s-3 s8 s16-3 s s s-1 s-4 s s s)
\repeat unfold 4 { s16-2 ( s-1 s s s8-. ) s }
s1
s16 s-2-4[ s s s s s s] s16 s-1-3[ s s s s s s]
s16 s-4[ s s s-3 s s s] s16 s-4[ s s s s s s]
\override Fingering.extra-offset = #'(-2.5 . -4)
s16 s-1-2-5[ s s] s16 s[ s s]
\override Fingering.extra-offset = #'(-1.8 . -4)
s16 s-1-3-5[ s s] s16 s[ s s]
s16 s[ s s] s16 s[ s s]
\override Fingering.extra-offset = #'(-2.5 . -4)
s s-1-2-5 ( \revert Fingering.extra-offset s-4 s-5 s-4 s s s )
\repeat unfold 2 { s-5 ( s s s s8-. ) s }
s16-2 s-1 s8 s4 s16-1 s-2 s-4 s-1 s8-3 s
s16-5 s s s s-1 s-4 s s
s-1 s-3 s s s-2 s s s
s-3 s-1 s-2 s-4 s4 s2
}