User:Lilipond/Klaviernoten/Czerny821-1
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Carl Czerny, Kurze Übungen Op.821, №1
Komplettscore
[edit]\version "2.19.80"
\language "deutsch"
#(set-global-staff-size 18)
\paper {
myStaffSize = #18
% define music font in addition to global font
#(define fonts
(set-global-fonts
#:music "ross"
#:brace "gonville"
#:roman "Minion Pro"
#:factor (/ staff-height pt 20)
))
#(add-music-fonts fonts 'emm "emmentaler" "emmentaler"
feta-design-size-mapping (/ staff-height pt 20))
}
\layout {
\context {
\Staff
\override StaffSymbol.thickness = #0.6 %Standardwert = 1
\override DynamicLineSpanner.staff-padding = #3
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph #"scripts.lvarcomma" }
\consists "Mark_engraver"
\consists "Staff_collecting_engraver"
\override RehearsalMark.self-alignment-X = #LEFT
%\override RehearsalMark.outside-staff-priority = #'()
\override SustainPedal.font-family = #'emm
}
\context {
\Staff
\name BarNumberStaff
%% Staff with Bar Numbers
\alias Staff
\consists "Bar_number_engraver"
\override BarNumber.break-visibility =#end-of-line-invisible
\override BarNumber.color = #grey
\override BarNumber.layer = #-200
%\override BarNumber.break-visibility =#begin-of-line-visible %#end-of-line-invisible
\override BarNumber.outside-staff-priority =#'()
\override BarNumber.padding = #1
\override BarNumber.font-size = #1
\override BarNumber.self-alignment-X = #0
%\override StaffSymbol.thickness = #0.5 %0.3=optimaler wert
\override DynamicLineSpanner.staff-padding = #3
}
\context {
\PianoStaff
\accepts BarNumberStaff
}
\context {
\Dynamics
\override DynamicText.whiteout = ##t
}
\context {
\Score
\accepts BarNumberStaff
\remove "Bar_number_engraver"
\remove "Mark_engraver"
\remove "Staff_collecting_engraver"
\override FootnoteItem.annotation-line = ##f
\override Timing.beamExceptions = #'()
\override BarLine.thick-thickness = 5
%4.5 %% dass die Barlines nicht zu fett werden
\override MetronomeMark.font-size = #1
%\override MetronomeMark.font-series = #'bold
\override MetronomeMark.font-shape = #'caps
\override BreakAlignment.break-align-orders =
##((left-edge ambitus breathing-sign clef staff-bar
key-cancellation key-signature time-signature custos)
(left-edge ambitus breathing-sign clef key-cancellation
staff-bar key-signature time-signature custos)
(left-edge ambitus breathing-sign clef key-cancellation
key-signature staff-bar time-signature custos))
}
}
Dyn= {
s1\p s
s\cresc s s\f
}
Struktur =
{
\override Score.NonMusicalPaperColumn.page-break-permission = ##f
\override Score.NonMusicalPaperColumn.line-break-permission = ##f
s1 * 2 \break s1 * 3 \break
}
RH= \relative c'' {
\time 4/4
\key c \major
\tempo "Allegro"
e16 g f g e f d e c c' h c a h g a
f a g a f g e f d f e f d e c d
h d c d h c a h g h a h g a f g
e g f g e f d e c e d e c d h c
a d cis e d f e g f a gis h a d cis e
d f e g f a gis h
\myottava #1 a d cis e d e f d
a' g! f e \myottava #0 d c h a g f e d c h a h
c d c h c e g c c,8 r r4
\bar "|."
}
RHii= \relative c' {
}
RHs= {
s16-3 s-5 s s s-3 s s-2 s s-1 s-5 s s s-3 s s-2 s
s-1 s-5 s s s-3 s s s s s-5 s s s-3 s s s
s-1 s-5 s s s-3 s s s s-1 s-5 s s s s s s
s-1 s-5 s s s s s s s-1 s-5 s s s s s s
s-1 s-3 s s-4 s-1 s s s-4 s-1 s s s-4 s-1 s-3 s s-4
s-1 s s s-4 s-1 s s s-4
s-1 s s s-4 s-1 s s s
s-5 s s s
s-1 s-3 s s s-4 s s s s-3 s s s
s s s s s-1 s s s s8-.
}
LH = \relative c' {
\clef bass
\key c \major
\set fingeringOrientations = #'(left) %% für Akkorde!
\override Staff.VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 15))
\override Fingering.direction = #UP %% für Einzelnoten!
\override Fingering.padding = #0.2
\override Fingering.staff-padding = #'()
\override Fingering.avoid-slur = #'inside
\clef treble
< c g' >4 r < e g > r
%\override Slur.direction = #UP
< d a' > r \clef bass < f, a > r
< g d' > r < g h, d > r
< g c, > r < g e > r
< f, a d > r r2
< f' a d >4 r r2
< g c e >4 r < g d' f > r
< c e > r r2
}
LHii = \relative c' {
}
\bookpart {
\paper {
print-all-headers = ##f
ragged-bottom = ##f
ragged-last-bottom = ##f
last-bottom-spacing.padding = #15
top-margin = 20\mm
ragged-right = ##f
ragged-last = ##f
ragged-bottom = ##f
ragged-last-bottom = ##f
bottom-margin = 10\mm
indent = 10\mm
line-width = 170\mm
print-all-headers = ##f
print-first-page-number = ##f
#(include-special-characters)
footnote-separator-markup = \markup \null
}
\header {
title = \myTitel
subtitle = \markup \fontsize #2 { "№ 1" }
subsubtitle = \markup \fontsize #2 { "Jede Repetition" \fontsize #-3 \number 16 "mal" }
poet = ##f
composer = "Carl Czerny (1791-1857)"
piece = ##f
opus = ##f
}
\score
{
\new PianoStaff="leadsheet" \with {
instrumentName = ""
shortInstrumentName = ""
}
<<
\new BarNumberStaff="up"
<<
\new Voice \RH
\context Voice \RHs
\new Voice \RHii
>>
\new Dynamics \Dyn
\new Staff="down"
<<
\new Voice \LH
\context Voice \LHs
\new Voice \LHii
>>
>>
}
}
WikiText der Seite User:Lilipond/Klaviernoten/Czerny821-1
{{User:Wirklich/notitle|Carl Czerny, Kurze Übungen Op.821, №1}}
{{User:Wirklich/bearbeiten}} <div style="margin-top:1em> </div> {{User:Wirklich/Bildausschnitt|bild=Czerny Op821Nr1.svg|hoch=320px}} == Komplettscore == <includeonly> <onlyinclude>{{User:Lilipond/Klaviernoten/layout}} {{User:Lilipond/Klaviernoten/{{SUBPAGENAME}}/variable}} {{User:Lilipond/Klaviernoten/{{SUBPAGENAME}}/RH}} {{User:Lilipond/Klaviernoten/{{SUBPAGENAME}}/LH}} {{User:Lilipond/Klaviernoten/bookpart|subtitel=\markup \fontsize #2 { "№ 1" }|subsubtitel=\markup \fontsize #2 { "Jede Repetition" \fontsize #-3 \number 16 "mal" } }}</onlyinclude> </includeonly> {{User:Wirklich/coco|code={{:{{FULLPAGENAME}}}}}} {{User:Wirklich/ShowMe}} == Unterseiten == {{User:Wirklich/ShowSub|nouse=1}} [[Category:LilyPond_SourceCode]]
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