User:Lilipond/Klaviernoten/Bertini29-20

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Henri Bertini, Etüde F-Moll, Op.29, №20
 

Komplettscore

[edit]
\version "2.19.80"

\language "deutsch"
#(set-global-staff-size 18)

\paper {
  myStaffSize = #18
  % define music font in addition to global font
  #(define fonts
     (set-global-fonts
      #:music "ross"
      #:brace "gonville"
      #:roman "Minion Pro"
      #:factor (/ staff-height pt 20)
      ))
  #(add-music-fonts fonts 'emm "emmentaler" "emmentaler"
     feta-design-size-mapping (/ staff-height pt 20))
}

\layout {

  \context {
    \Staff
    \override StaffSymbol.thickness = #0.6 %Standardwert = 1
    \override DynamicLineSpanner.staff-padding = #3
    beamExceptions = #'()
    \override BreathingSign.text =
    \markup { \musicglyph #"scripts.lvarcomma" }
    \consists "Mark_engraver"
    \consists "Staff_collecting_engraver"
    \override RehearsalMark.self-alignment-X = #LEFT
    %\override RehearsalMark.outside-staff-priority = #'()
    \override SustainPedal.font-family = #'emm
  }

  \context {
    \Staff
    \name BarNumberStaff
    %% Staff with Bar Numbers
    \alias Staff
    \consists "Bar_number_engraver"
    \override BarNumber.break-visibility =#end-of-line-invisible
    \override BarNumber.color = #grey
    \override BarNumber.layer = #-200
    %\override BarNumber.break-visibility =#begin-of-line-visible  %#end-of-line-invisible
    \override BarNumber.outside-staff-priority =#'()
    \override BarNumber.padding = #1
    \override BarNumber.font-size = #1
    \override BarNumber.self-alignment-X = #0
    %\override StaffSymbol.thickness = #0.5 %0.3=optimaler wert
    \override DynamicLineSpanner.staff-padding = #3
  }

  \context {
    \PianoStaff
    \accepts BarNumberStaff
  }

  \context {
    \Dynamics
    \override DynamicText.whiteout = ##t
  }

  \context {
    \Score
    \accepts BarNumberStaff
    \remove "Bar_number_engraver"
    \remove "Mark_engraver"
    \remove "Staff_collecting_engraver"
    \override FootnoteItem.annotation-line = ##f
    \override Timing.beamExceptions = #'()
    \override BarLine.thick-thickness = 5
    %4.5 %% dass die Barlines nicht zu fett werden
    \override MetronomeMark.font-size = #1
    %\override MetronomeMark.font-series = #'bold
    \override MetronomeMark.font-shape = #'caps
    \override BreakAlignment.break-align-orders =
    ##((left-edge ambitus breathing-sign clef staff-bar
         key-cancellation key-signature time-signature custos)
       (left-edge ambitus breathing-sign clef key-cancellation
         staff-bar key-signature time-signature custos)
       (left-edge ambitus breathing-sign clef key-cancellation
         key-signature staff-bar time-signature custos))
  }
}
myTitel = "Etüde F-Moll"

Dyn= {
  \override DynamicText.self-alignment-X = #-0.6
  s2\dynamictext \markup { \dynamic p \italic snd. \dynamic mf }
  s1 * 7
  s2 s\f
  s1 s s s2 s\ff
  s1 s2 s4 s8 s\<
  s1 s2\! s\ff
  s1 s s s2 s\ff
  s1 s s s2 s\sf
  s1\p s s s2 s\f
}

RH= \relative c'' {
  \time 2/2
  \key as \major
  \tempo "Presto" 2=126
  \partial 2
  \set Timing.beamExceptions = #'()
  \set Timing.baseMoment = #(ly:make-moment 1/4)
  \set Timing.beatStructure = #'(2 2)  %% abhängig vom Takt
  c4-5-. c-.
  c,8-1 ( f-2 as-3 c-1 f-2 as-4 g e
  \slashedGrace g8 f-2 e f as-4 c,-1 des-4 b-2 c-4
  as-2 b g-1 as-4 f-2 as-4 g f
  e-1 g-3 c,-1 c' c,4-._\soft ) c-._\soft
  c8-1 ( f-2 as-3 c-1 f-2 as-4 g e
  \slashedGrace g8 f-2 e f as-4 c,-1 des-4 b-2 c-4
  as-2 b g-1 as-4 f-2 g-4 e c f4-. ) r
  \bar ":|."
  r2
  as,8-2 ( b c-1 des d-3 es f-1 g
  as b c-1 des! d-3 es f-1 g
  as b c e,-1 f-2 c' b a
  g-2 b e,4-1-. ) r2
  as,,8-2 ( b c-1 des d-3 es f-1 g
  as b c-1 des! d-3 es f-1 g
  as b c-1 des!
  \myottava #1
  d-3 es f-1 g
  as4-. ) \ottava #0 r4 r2
  r2 c,,4-5-. c-.
  \voiceOne
  r4 b-4 ( as-3 g-4 f e f as-5 g-4-. )
  \oneVoice
  r4 \bar "" c-5-. c-.
  c,8-.-> r h'-4 ( c-5 b-4 c a-3 c
  as-3 c g-2 c ges-2 c f,-1 c'
  e,-1 c' es,-1 c' d,-1 c' des,-1 c'
  c,4-. ) r f'-5-. f-.
  c,8-1 ( f-2 as-3 c-1 f-2 as-4 g e
  \slashedGrace g8 f-2 e f as-4 c,-1 des-4 b-2 c-4
  as-2 b g-1 as-4 f-2 as-4 g f
  e-1 g-3 c,-1 c' ) r2
  c,8-1 ( f-2 as-3 c-1 f-2 as-4 g e
  \slashedGrace g8 f-2 e f as-4 c,-1 des-4 b-2 c-4
  as-2 b g-1 as-4 f-2 g-4 e c f4-. ) r
  \bar "|."
}

RHii =\relative c' {
  s2
  s1 * 17
  \voiceTwo
  c1 ~ 2. ( h4 c-1 )
}

RHs= {

}

LH = \relative c {
  \clef bass
  \key as \major
  \partial 2
  \set fingeringOrientations = #'(down)
  r2
  < f f,>4-.-> r \clef treble < c' f as >-. < c g' b >-.
  < f as >-.->-3-2 r \clef bass <as,-2 c-1>-. <e-4 c'-1>-.
  < f-3 c'>-. <es-4 c'>-. < d c'>-. <des-4 h'>-.
  < c c'>-.-> r r2
  < f f,>4-.-> r \clef treble < c' f as >-.-2 < c g' b >-.
  < f as >-.->-3-2 r \clef bass <as,-2 c-1>-. <e c'>-._5
  < f c'>-._4 <b-3 d-2>-. < as c c, >-. <g b c,>-.
  < f-3 as-2>-.-> r as-1-. as-.
  \override Fingering.direction = #DOWN
  as,2-.-^ < es' b'>4-.-2-5 < es b' des! >-.
  < as c>-.-1-3 r \clef treble < es' b'>-. < es b' des>-.
  < as c>-. < c, e>-. < des f >-. <d b'>-.
  < es b'>-. r \clef bass as,4-.-1 as-.
  as,2-.-^ < es' b'>4-.-2-5 < es b' des>-.
  < as c >-.-1-3 r \clef treble < es'-5 b'-2>-. < es b' des! >-.
  < as c>-.-1-3 r \clef bass < es, b' des! >-. < es b' des>-.
  < as c>-. r c,-1-. c-.
  c,8-.-^ r h'-4 ( c-3 des-2 c-3 d-2 c-3
  es-2 c-4 e-2 c-5 f-2 c g'-1 c,
  as' c, g' c, as'-1 c, f-2 c
  e4-3-. ) r r2
  r c'4-1-. c-.
  \voiceOne
  r2 b4-2 ( a-1 as-2 g-1 fis-2 f-1 e-. )
  \oneVoice
  r4 r2
  < f f,>4-.-> r \clef treble < c' f as >-. < c g' b >-.
  < f-2 as-3>-.-> r \clef bass <as,-2 c-1>-. <e-4 c'-1>-.
  < f-3 c'>-. <es-4 c'>-. < d c'>-. <des-4 h'>-.
  < c c'>-.-> r c-2-. c-.
  < f f,>4-.-> r \clef treble < c' f as >-. < c g' b >-.
  < f-2 as-3>-.-> r \clef bass <as,-2 c-1>-. <e-4 c'-1>-.
  < f-3 c'>-. <b-3 d-2>-. < as c c, >-. <g b c,>-.
  < f-3 as-2>-.-> r
}

LHii = \relative c {
  s2
  s1 * 21
  \voiceTwo
  c1-.-> ~ 1 ~ 4
}

LHs= {
}

\bookpart {
  \paper {
    print-all-headers = ##f
    ragged-bottom = ##f
    ragged-last-bottom = ##f
    last-bottom-spacing.padding = #15
    top-margin = 20\mm
    ragged-right = ##f
    ragged-last = ##f
    ragged-bottom = ##f
    ragged-last-bottom = ##f
    bottom-margin = 10\mm
    indent = 10\mm
    line-width = 170\mm
    print-all-headers = ##f
    print-first-page-number = ##f
    #(include-special-characters)
    footnote-separator-markup = \markup \null
  }
  \header {
    title = \myTitel
    subtitle = \markup \fontsize #2 { "№20"
    subsubtitle = ""
    poet = ##f
    composer = "Henri Bertini (1798-1876)"
    piece = ##f
    opus = ##f
  }

  \score
  {
    \new PianoStaff="leadsheet" \with {
      instrumentName = ""
      shortInstrumentName = ""
    }
    <<
      \new BarNumberStaff="up"
      <<
        \new Voice \RH
        \context Voice \RHs
        \new Voice \RHii
      >>
      \new Dynamics \Dyn
      \new Staff="down"
      <<
        \new Voice \LH
        \context Voice \LHs
        \new Voice \LHii
      >>
    >>
  }
}}

Unterseiten

[edit]
Unterseiten von User:Lilipond/Klaviernoten/Bertini29-20
WikiText der Seite User:Lilipond/Klaviernoten/Bertini29-20
{{User:Wirklich/notitle|Henri Bertini, Etüde F-Moll, Op.29, &#8470;20}}

{{User:Wirklich/bearbeiten}} <div style="margin-top:1em>&nbsp;</div> {{User:Wirklich/Bildausschnitt|bild=Bertini_29-20.svg|hoch=410px}} == Komplettscore == <includeonly> <onlyinclude>{{User:Lilipond/Klaviernoten/layout}} {{User:Lilipond/Klaviernoten/{{SUBPAGENAME}}/variable}} {{User:Lilipond/Klaviernoten/{{SUBPAGENAME}}/RH}} {{User:Lilipond/Klaviernoten/{{SUBPAGENAME}}/LH}} {{User:Lilipond/Klaviernoten/bookpart|subtitel=\markup \fontsize #2 { "№20"|komp="Henri Bertini (1798-1876)"}}}</onlyinclude> </includeonly> {{User:Wirklich/coco|code={{:{{FULLPAGENAME}}}}}} == Unterseiten == {{User:Wirklich/ShowSub|nouse=1}} [[Category:LilyPond_SourceCode]] {{User:Wirklich/ShowMe}}