File:The cutting out of HMS Hermione, 24 October 1799 RMG BHC0519.tiff

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Nicholas Pocock: The cutting out of HMS Hermione, 24 October 1799  wikidata:Q50868716 reasonator:Q50868716
Artist
Nicholas Pocock  (1740–1821)  wikidata:Q1859751
 
Nicholas Pocock
Alternative names
Nicholas Pococke; Pococke; Pocock; N. Pocock
Description British painter
Noted for detailed paintings of naval battles during the Age of Sail
Date of birth/death 2 March 1740 Edit this at Wikidata 9 March 1821 Edit this at Wikidata
Location of birth/death Bristol, England, UK Raymead, Cookham, Berkshire, England, UK
Work location
Authority file
creator QS:P170,Q1859751
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
The cutting out of HMS Hermione, 24 October 1799 Edit this at Wikidata
title QS:P1476,en:"The cutting out of HMS Hermione, 24 October 1799 Edit this at Wikidata"
label QS:Len,"The cutting out of HMS Hermione, 24 October 1799 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Description
English: The cutting out of HMS Hermione, 24 October 1799

A scene involving the ex British frigate ‘Hermione’ which, two years earlier, was the scene of a terrible mutiny. This took place on the night of 22 Sept 1799 off Puerto Rico, when part of the crew rose and murdered their captain, Hugh Pigot - a rare example of a naval officer who was psychopathically brutal rather than just a disciplinarian. They then murdered two lieutenants, the purser, surgeon, captain’s clerk, a midshipman, a lieutenant of marines and the boatswain: a few warrant officers were spared including the master who was needed to navigate the ship and a master's mate or midshipman, the Irish Catholic, David Brian O'Casey, whom Pigot had also attempted to humiliate and then disrated and flogged when he resisted. (Casey was later commissioned and ended his days as one of the Lieutenants of Greenwich Hospital.) After this they surrendered the ship to the Spaniards at La Guayra, Venezuela. She was then commissioned into Spanish service and became the most sought after prize for the British in the West Indies.

By October she was at Puerto Cabello in Venezuela when British Captain Edward Hamilton in the ‘Surprise’ found her. She was not an easy target because she was anchored under a battery of 200 guns. Hamilton did not achieve surprise either, because as he led his boats for the attack he was spotted by two Spanish gun-vessels. They gave the alarm so the crew of the ‘Hermione’ were ready for the British boats as they got along side her. Nevertheless she was boarded and after a desperate fight her cable was cut, her sails loosed, and in spite of the fire from the batteries she was carried out. Astonishingly this almost reckless initiative resulted in not one Briton killed, though twelve including the captain were wounded. Captain Hamilton was knighted for this fearless exploit and demonstration of intense patriotism.

The ‘Hermione’ is shown on the left of the picture and under her bows are the four British boats. On deck and silhouetted against the smoke and flash of battle a number of figures are shown fighting. Sailors are loosing her fore topsail and jib. Two figures can be seen falling from her stern and there are others already in the water. The hulk of the ‘Hermione’ is silhouetted against the fire of the shore batteries of Puerto Cabello and the hills beyond are visible against the moonlit sky. In the right background is the ‘Surprise’. The painting was exhibited at the Royal Academy in 1800 with the title ‘The capture of the ‘Hermione’ Spanish frigate of 44 guns, 392 men by Captain E. Hamilton of His Majesty’s ship ‘Surprise’ of 24 guns’.

The cutting out of HMS 'Hermione', 24 October 1799
Date early 19th century
date QS:P571,+1850-00-00T00:00:00Z/7,P4241,Q40719727
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 455 mm x 610 mm; Frame: 650 mm x 770 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC0519
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/12011
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Greenwich Hospital Collection number: GH156.a
Loan File Number: Y2000.023
file number: 4G10.031
id number: BHC0519
Collection
InfoField
Oil paintings

Licensing

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current09:00, 28 September 2017Thumbnail for version as of 09:00, 28 September 20177,278 × 5,475 (114 MB) (talk | contribs)Royal Museums Greenwich Oil paintings, http://collections.rmg.co.uk/collections/objects/12011 #1564

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