File:The 'Kinfauns Castle' as a troopship RMG BHC2282.tiff

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Summary

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Charles de Lacy: The 'Kinfauns Castle' as a troopship  wikidata:Q50862351 reasonator:Q50862351
Artist
Charles de Lacy  (1856–)  wikidata:Q13471445
 
Charles de Lacy
Alternative names
Charles James De Lacey (DeLacy)
Description British painter
Date of birth/death 1856 Edit this at Wikidata between circa 1930 and circa 1936
date QS:P,+1930-00-00T00:00:00Z/8,P1319,+1930-00-00T00:00:00Z/9,P1326,+1936-00-00T00:00:00Z/9,P1480,Q5727902
 Edit this at Wikidata
Location of birth/death Sunderland Epsom
Work period 1885 Edit this at Wikidata–1918 Edit this at Wikidata
Authority file
creator QS:P170,Q13471445
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Author
Charles John de Lacy
Title
The 'Kinfauns Castle' as a troopship Edit this at Wikidata
title QS:P1476,en:"The 'Kinfauns Castle' as a troopship Edit this at Wikidata"
label QS:Len,"The 'Kinfauns Castle' as a troopship Edit this at Wikidata"
label QS:Lde,"Die 'Kinfauns Castle' als a Truppentransporter"
Object type painting
object_type QS:P31,Q3305213
Genre marine art Edit this at Wikidata
Description
English: The 'Kinfauns Castle' as a troopship

The 'Kinfauns Castle' (9664 tons gross) was built by Fairfield at Govan, on the Clyde, for the Union Castle Line and was launched in May 1899 for their regular South African traffic. She was requisitioned by the Admiralty at the start of the First World War and, as HMS 'Kinfauns Castle', served as an armed merchant cruiser until mid-September 1915 and subsequently as a troopship until July 1918. She then saw the start of conversion to become a minelayer but the end of the war forestalled this. She was handed back to Union Castle in February 1919 and in 1927 did one more trooping voyage, on charter, to Shanghai and back before being sold for breaking up.

Despite this clear First World War history for the ship, the internal evidence of the painting suggests it is more likely to show it making a much earlier voyage to South Africa, probably taking out troops to the Boer War (1899-1902) on a regular run including other passengers, some of whom can be seen amid the crowd further back on deck. The dress shown, especially of the women waving on the quay, is more consistent with that date, as is that of some of the soldiers (including white pith helmets and wide-brimmed hats). Were this a departure in 1915-18, especially of a requisitioned ship, it would almost certainly also have been in dazzle-painted anti-submarine camouflage and probably flying the blue ensign of the auxiliary services rather than the red merchant ensign. More generally, the bright colour and patriotic enthusiasm of those both on board and on the quay suggests this is a world yet to experience the horrors of mechanized war as introduced much closer to home by the 1914-18 conflict. De Lacy here represents the British Empire still unclouded by doubt, let alone by direct European threat to its existence.
Date circa May 1900
date QS:P571,+1900-05-00T00:00:00Z/10,P1480,Q5727902
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 400 mm x 900 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC2282
Notes Signed. Acquisition method: vote.
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/13758
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: OP1958-21
id number: BHC2282
Collection
InfoField
Oil paintings

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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Date/TimeThumbnailDimensionsUserComment
current20:17, 14 September 2017Thumbnail for version as of 20:17, 14 September 20173,800 × 2,071 (22.52 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1900), http://collections.rmg.co.uk/collections/objects/13758 #637

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