File:Tempo e História na aesthesis decolonial fílmica Mbyá-Guarani.pdf
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Summary
[edit]DescriptionTempo e História na aesthesis decolonial fílmica Mbyá-Guarani.pdf |
Português: Este artigo analisa parte da produção do Coletivo Mbyá-Guarani de Cinema a partir das noções de tempo e de história expressas em seus filmes (e filmagens) que, por um lado, denunciam um passado violento que se mantém no presente e, por outro, fortalecem suas lutas pelo território, pelo Bem Viver (nhanderekó). O foco da análise documental são os primeiros filmes do Coletivo - Mokoi Tekoá, Petei Jeguatá: Duas aldeias, uma caminhada (2008) e Bicicletas de Nhanderú (2011) -, quando o grupo constrói um fazer fílmico coletivo impulsionado pelos desafios da colonialidade. Para melhor compreender esta linguagem, fazemos uso do conceito de aesthesis decolonial, demonstrando que essa narrativa guarani não apenas combate o discurso eurocentrado, mas cria uma forma singular de filmar e de contar sua história ancorada nas relações entre oralidade, território e ancestralidade. |
Date | |
Source | TOMBINI WITTMANN, L. Tempo e História na aesthesis decolonial fílmica Mbyá-Guarani. História da Historiografia: International Journal of Theory and History of Historiography, Ouro Preto, v. 16, n. 41, p. 1–25, 2023. DOI: 10.15848/hh.v16i41.1998. |
Author | Luisa Tombini Wittmann |
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current | 07:41, 23 July 2024 | 0 × 0 (705 KB) | WikiFer (talk | contribs) | Uploaded a work by Luisa Tombini Wittmann from TOMBINI WITTMANN, L. [https://www.historiadahistoriografia.com.br/revista/article/view/1998 Tempo e História na aesthesis decolonial fílmica Mbyá-Guarani]. '''História da Historiografia: International Journal of Theory and History of Historiography''', Ouro Preto, v. 16, n. 41, p. 1–25, 2023. DOI: 10.15848/hh.v16i41.1998. with UploadWizard |
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