File:Prince Rupert, 1619-82, 1st Duke of Cumberland and Count Palatine of the Rhine RMG BHC2989.tiff

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file(5,078 × 6,200 pixels, file size: 90.08 MB, MIME type: image/tiff)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
Peter Lely: Prince Rupert, 1619-82, 1st Duke of Cumberland and Count Palatine of the Rhine  wikidata:Q50879148 reasonator:Q50879148
Artist
Peter Lely  (1618–1680)  wikidata:Q161336
 
Peter Lely
Alternative names
Sir Peter Lely, Peter Lelio, Peter Lilley, Peter Lilly, Peter Lylly, Pieter Lelij, Birth name: Pieter van der Faes
Description Dutch painter and art collector
Date of birth/death 14 September 1618 Edit this at Wikidata 30 November 1680 Edit this at Wikidata
Location of birth/death Soest London
Work period between circa 1637 and circa 1680
date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1637-00-00T00:00:00Z/9,P1326,+1680-00-00T00:00:00Z/9,P1480,Q5727902
Work location
Haarlem (6 October 1637), London (1641-1680), Amsterdam (1656)
Authority file
artist QS:P170,Q161336
image of artwork listed in title parameter on this page
Title
Prince Rupert, 1619-82, 1st Duke of Cumberland and Count Palatine of the Rhine Edit this at Wikidata
title QS:P1476,en:"Prince Rupert, 1619-82, 1st Duke of Cumberland and Count Palatine of the Rhine Edit this at Wikidata"
label QS:Len,"Prince Rupert, 1619-82, 1st Duke of Cumberland and Count Palatine of the Rhine Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre portrait Edit this at Wikidata
Description
English: Prince Rupert, 1619-82, 1st Duke of Cumberland and Count Palatine of the Rhine

A three-quarter-length portrait standing to left facing forwards. His left hand is on his hip, his head turned towards the viewer wearing a long dark brown wig. He wears a white lace-edged collar and the robes of a Knight of the Garter (dark blue lined with white) with the chain and George round his shoulders. His sword is visible hanging from his left side. A fluted column is behind.

A son of Elizabeth, the 'Winter' Queen of Bohemia, and a nephew of King Charles I, he fought on land for his uncle throughout the Civil War (1642-49) principally as a cavalry commander, and became commander-in-chief of the Royalist land forces in 1644. At the end of the war he took command of the loyalist remnants of the fleet and despite defeat by Blake in 1650, carried on the conflict for several years. Under Charles II, he held commands in the regular navy, fighting in the Second and Third Dutch Wars and becoming Lord High Admiral on the Duke of York's enforced retirement in 1673. He was a man of some artistic talent and intellectual curiosity, and (like his cousin Charles II) a patron of science, often conducting experiments himself.

Lely, a Dutchman who arrived in England in 1641 after the death of Van Dyck, soon became his successor as leading portraitist of the day. He worked for Charles I, continued to flourish under the Commonwealth and Protectorate, and after the Restoration of 1660 was appointed Principal Painter to Charles II. The portrait, inscribed 'Prince Rupert', was the one he gave to his secretary at the end of his life, Thomas Bennett.

Prince Rupert, 1619-82, First Duke of Cumberland and Count Palatine of the Rhine
Date circa 1665
date QS:P571,+1665-00-00T00:00:00Z/9,P1480,Q5727902
Medium oil on canvas Edit this at Wikidata
Dimensions Frame: 1440 mm x 1200 mm x 100 mm; Painting: 1230 x 990 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC2989
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/14462
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: OP1971-12
id number: BHC2989
Collection
InfoField
Oil paintings

Licensing

[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current07:28, 26 September 2017Thumbnail for version as of 07:28, 26 September 20175,078 × 6,200 (90.08 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1665), http://collections.rmg.co.uk/collections/objects/14462 #1419

Metadata