File:NLC416-16jh004441-90627 新美學.pdf

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新美學   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
蔡儀著
image of artwork listed in title parameter on this page
Title
新美學
Publisher
群益出版社[刊行者]
Description

從方法論入手論述美學的領域，美，美感，以及美的本質，藝術的本質等問題。全書分美學方法論，美論，美感論，美的種類等6章

目錄
第一章 美學方法論
第一節 美學的途徑
怎樣去把握美的本質
形而上學的美學的途徑
心理學的美學的途徑
客觀的美學的途徑
新美學的途徑
第二節 美學的領域
美學的途徑與其領域
美的客觀存在與美學的領域
美的認識與美學的領域
藝術與美學的領域
美學的全領域及其相互關係
第三節 美學的性格
美學的途徑、領域及其性格
藝術學與美學的關係
心理學與美學的關係
一般哲學和美學的關係
第二章 美論
第一節 舊美學「主觀的美」論的矛盾
「主觀的美」論與觀念論
茀徐納里蒲士的矛盾
康德克羅齋的矛盾
朱光潛的矛盾
客觀觀念論的美學者的矛盾
美是客觀的非主觀的
第二節 舊美學的美論的錯誤
舊美學多為美感論
心理學的美學者的美論
形而上學的美學者的美論
實驗美學者的美論
變化的統一或秩序不是美的特性
比例和調和不是美的特性
均衡或對稱不是美的特性
明確和圓滿性與美無關
舊美論與形式主義的美學
第三節 美的本質
美的本質是什麼
亞里士多德「詩學」的暗示
康德美論的一面
黑格爾美論的背面
美的本質與美的條件
美是客觀事物顯現其本質真理的典型
第四節 美與事的個別及種類
事物的個別與種類
事物的本然的種類範疇
美與種類範疇的關係
兩大系列的種類範疇與美
典型的種類與高級的美
值得注意的兩點
第三章 美感論
第一節 美感諸舊說批判
舊美學的美感論
形象的直覺說的源流
邦格騰康德的錯誤
克羅齊的錯誤
心理距離說與美感態度說
美感態度說的錯誤
心理距離說的錯誤
感情移入說的源流
感情移入說的錯誤
內模仿說與其他生理學的美學
生理學的美學的錯誤
盧納卡爾斯基的錯誤
補說的一點
第二節 美的認識
什麼是美的認識
認識活動各過程略說
概念的認識的特性
概念的特性與美的認識
美的觀念與理想
美的觀念與丑的現實
美的觀念與藝術創作的方法
美的認識的主觀性
第三節 美感的性質與根源
美感是什麼
美感是精神欲求滿足的愉快
鑑賞問題中的兩要點
美感與快感的關係
兩個可能的問題
美感的相對的斷續性
第四章 美的種類論
第一節 單象美·個體美和綜合美
個別事物及屬性條件的關係和美
個體部分的美即個體美的部分
單象的種類與單象的美
單象美的特徵
個體美與單象美
個體美的特徵
綜合體的種類和美
綜合美的特徵
三者的比較
第二節 自然美、社會美和藝術美
第二種美的分類法
什麼是自然美
自然美的主要決定條件
自然美的特性
什麼是社會美
社會美的主要決定條件
社會美就是善
社會美的特性
藝術與自然美及社會美
現實丑的轉化為藝術美
藝術美的主要的決定條件
藝術美的特性
第五章 美感的種類論
第一節 雄偉的美感和秀婉的美感
舊美學所論的錯誤
雄偉和秀婉是美感的種類
雄偉和秀婉的特性
現實美和藝術美美感上的差異
第二節 悲劇的美感和笑劇的美感
藝術美擴充了美感形式
悲劇的美感的特性
笑劇的美感
第六章 藝術的種類
舊美學家分類的錯誤
第一節 單象美的藝術
客觀的單象美與藝術
(音樂)音響美的藝術
(建築)靜的形體美的藝術
(跳舞)動的形體美的藝術
(圖案)顏色或形體的美的藝術
單象美的藝術與單象美的規律
第二節 個體美的藝術
(繪畫雕刻)個體美的藝術
個體美及繪雕畫刻的特性
附帶說及的一點
第三節 綜合美的藝術
(文學)綜合美的藝術
(抒情詩)調和綜合美的藝術
(戲劇)衝突綜合美的藝術
(悲劇)難題然的衝突
(喜劇)偶然的衝突
(敘事詩和小說)
文學與綜合美的特性

Language Chinese
Publication date 民國三十五年[1946]
Source
institution QS:P195,Q732353
(民國時期文獻 民國圖書)
館藏信息
InfoField
MG/901.1/564
主題
InfoField
美學理論
中圖分類
InfoField
B83-0
載體形態
InfoField
15,285頁

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