File:NLC404-01J001483-19823 中國電影 1941年1卷2期.pdf

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Original file(1,535 × 1,918 pixels, file size: 4.72 MB, MIME type: application/pdf, 82 pages)

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中國電影   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
中國電影出版社
image of artwork listed in title parameter on this page
Title
中國電影
Volume 1941年1卷2期
Publisher
中國電影出版社
Description

目錄
編劇者的煩惱(漫畫)
漫畫圖照
在敵人轟炸中成長的中國電影
「東亞之光」(六幀)
「勝利進行曲」(五幀)
「火的洗禮」(三幀)
「塞上風雲」(一幀)
「日本間諜」(一幀)
「青年中國」(一幀)
「民族萬歲」(一幀)
沈西苓先生遺作
「大時代的小人物原稿」(一幀)
沈西苓先生遺墨
致鄭廠長的最後一封信(一幀)
「大時代的小人物」初審結論(一幀)
沈西苓先生遺影(一幀)
電影工業芻議
哀悼沈西苓先生
哭西苓
懷西苓
哀悼西苓
憶西苓
戰時電影編劇論
一個日本演員給他日本友人的一封信
中國電影與廣東精神
每月筆談
電影從業員的進修問題
農村電影與文藝電影
電影從業員的政治訓練
電影與教育
今日上海電影界分析
三萬一千零一里
銀色小笑料
電影的極限
短鏡頭(六則)
銀花滿樹(十二則)
軍事教育電影之重要性
銀本位
怎樣做一個新中國的演員
演員的基本條件
各司其事
進步的電影
從敵人後方來(銀翼飛郵)
第一次世界大戰的電影
美國的電影法規
蘇聯的兒童電影
華爾特·狄思尼之研究
電影界小史料
好萊塢的來歷
明星與電話的起源
各國的禁映片
法蘭西電影檢查插話
史丹尼表演方法在電影上的適用
塞北散記
阿克旺——偉大的抗戰活佛
貢尼召——沙漠裡的廟堂
電影技術工程淺釋(技術講座)
影壇動靜
國際之部
選舉狂熱的英國電影界
競攝時事影片的美國好萊塢
三屆五年計劃中的蘇聯電影
設計突破封鎖線的德國電影
被征服了的比利時,荷蘭影壇
巧妙排外的西班牙電影政策
窮途末路的日本電影界
國內之部
淪陷區的漢奸電影
五花八門的上海電影
生意興隆的香港電影
朝氣蓬勃的大後方電影
「中電」是怎樣成長的?(報告)
電影聊齋志異
銀幕外史
電影技術工程手冊(科學知識)
紅墨水(編後)

Language Chinese
Publication date 1941~[?]
Source
institution QS:P195,Q732353
(民國時期文獻 民國期刊)
館藏信息
InfoField
992.705

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Public domain
This image is now in the public domain in China because its term of copyright has expired.

According to copyright laws of the People's Republic of China (with legal jurisdiction in the mainland only, excluding Hong Kong and Macao), amended November 11, 2020, Works of legal persons or organizations without legal personality, or service works, or audiovisual works, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation. For photography works of natural persons whose copyright protection period expires before June 1, 2021 belong to the public domain. All other works of natural persons enter the public domain 50 years after the death of the creator.
According to copyright laws of Republic of China (currently with jurisdiction in Taiwan, Penghu, Kinmen, Matsu, etc.), all photographs and cinematographic works, and all works whose copyright holder is a juristic person, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation, and all other applicable works enter the public domain 50 years after the death of the creator.

Important note: Works of foreign (non-U.S.) origin must be out of copyright or freely licensed in both their home country and the United States in order to be accepted on Commons. Works of Chinese origin that have entered the public domain in the U.S. due to certain circumstances (such as publication in noncompliance with U.S. copyright formalities) may have had their U.S. copyright restored under the Uruguay Round Agreements Act (URAA) if the work was under copyright in its country of origin on the date that the URAA took effect in that country. (For the People's Republic of China, the URAA took effect on January 1, 1996. For the Republic of China (ROC), the URAA took effect on January 1, 2002.[1])
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Date/TimeThumbnailDimensionsUserComment
current14:45, 19 August 2022Thumbnail for version as of 14:45, 19 August 20221,535 × 1,918, 82 pages (4.72 MB)PencakeBot (talk | contribs)Upload 中國電影 1941年1卷2期 (2/3) by 中國電影出版社 (batch task; nlc:data_404,01J001483,19823; 民國期刊.6; 中國電影)

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