File:NLC404-01J001354-44231 藝風 1936年4卷7–09期.pdf

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Original file ‎(2,054 × 3,000 pixels, file size: 7.63 MB, MIME type: application/pdf, 186 pages)

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藝風   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
藝風雜誌社
image of artwork listed in title parameter on this page
Title
藝風
Volume 1936年4卷7–09期
Publisher
嚶嚶書屋
Description

第4卷7至9期合刊：現代藝術專號 本刊編輯部原在杭州，第4卷7期遷上海.

封面設計
自寫像（彩色圖一）
jacob與ange爭鬥（彩色圖二）
海濱（彩色圖三）
魚缸前的女子（彩色圖四）
圖5劃分巴黎城市之賽納河
圖6montmartre夜景
圖7montparnasse咖啡館
圖8巴黎美術學校
圖9巴黎大宮院
圖10德國表現派藝術之中心明興城
圖11表現派大家kokoschka自畫像
圖12義大利未來主義首倡者marinetti
圖13現年五十四歲之立體派領袖picasso
圖14達達主義之出生地瑞士zurich城
圖15巴黎『超獨立沙龍』出品
一，風景
二，油畫
歐洲現代藝術
圖16巴黎藝術區域
圖17歐洲現代藝術三位先導者
圖18現年六十六歲之野獸派領袖馬蒂斯
圖19chagall作肖像
圖20現代藝術出生地及其發展之方向
圖21達達派領袖picabia
圖22立體派及立體派以後各種主觀繪畫表現法比喻圖
法國的立體派繪畫
圖23馬蒂斯自寫像
最近藝術之趨勢
圖24風景
圖25室內
現代俄國畫
法國的立體派繪畫
圖26亞維農小姐
圖27獨腳圖桌
圖28靜物
圖29藍衣婦
圖30浴女
圖31亞維農風景
圖32風景
圖33詩人apollinaire及其友
圖34靜物（一九二五）
意大利未來派繪畫
圖35菜市
圖36海濱的馬
圖37孤獨（一九一七）
圖38盲人（一九二二）
圖39跳舞場
義大利與未來主義
唯一的教師
未來派後的意大利繪畫
圖40裸女
野獸派繪畫
圖41速寫
圖42一九一五年的modigliani,picasso與salmon
圖43一九○五年秋季沙龍的野獸派繪畫
圖44速寫
西班牙和南美的繪畫
藝術家與大眾的距離
西班牙繪畫
圖45畫家barres在tolede
圖46流氓
野獸繪畫文插圖
圖47尊尚塞尚
圖48包廂觀客
圖49丑角
圖50那不耳港
圖51飯後果品
圖52rouen大教堂
俄國繪畫插圖
圖53田上女工人
圖54荷蘭風景
圖55我與鄉村
現代波蘭藝術
圖56母親與孩
圖57女
現代波蘭藝術概況
尊尚塞尚
本體寫實主義
圖58拳手
圖59靜物
圖60酒徒
名畫家故事
現代德國繪畫
圖61自畫像
圖62孤兒院
圖63花
圖64面具
圖65尼羅河
講法國話和講德國話的瑞士的畫
圖66都兒湖
現代瑞士藝術緒論
圖67女像
pompon的熊
現代女子繪畫
圖68胸像
圖69魚
圖70人頭
圖71頭
圖72巴爾扎克像
圖73弓手
圖74ef女士
圖75飲馬
圖76裸女
圖77女身
圖78放馬
圖79戰死紀念碑一部
圖80加萊義民之一
圖81勞工胸像
現代那威與丹麥繪畫
圖82病兒
圖83酒廳
現在瑞典繪畫
圖84速寫
表現主義在比利時
圖85管燈人
圖86十字架
圖87布爾喬亞之夜
圖88小販
圖89死
現代芬蘭繪畫
圖91男像
圖92芬蘭的鄉下女子
畫論
圖93印象
現代藝術理論
圖9495色環圖
圖96起色之吸收圖
編後
畫家人名簡表
文藝消息

Language Chinese
Publication date 1933~1936
Source
institution QS:P195,Q732353
(民國時期文獻 民國期刊)
館藏信息
InfoField
810.5

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Public domain
This image is now in the public domain in China because its term of copyright has expired.

According to copyright laws of the People's Republic of China (with legal jurisdiction in the mainland only, excluding Hong Kong and Macao), amended November 11, 2020, Works of legal persons or organizations without legal personality, or service works, or audiovisual works, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation. For photography works of natural persons whose copyright protection period expires before June 1, 2021 belong to the public domain. All other works of natural persons enter the public domain 50 years after the death of the creator.
According to copyright laws of Republic of China (currently with jurisdiction in Taiwan, Penghu, Kinmen, Matsu, etc.), all photographs and cinematographic works, and all works whose copyright holder is a juristic person, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation, and all other applicable works enter the public domain 50 years after the death of the creator.

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current07:31, 19 August 2022Thumbnail for version as of 07:31, 19 August 20222,054 × 3,000, 186 pages (7.63 MB)PencakeBot (talk | contribs)Upload 藝風 1936年4卷7–09期 (40/40) by 藝風雜誌社 (batch task; nlc:data_404,01J001354,44231; 民國期刊.5; 藝風)

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