File:NDL964692 新油絵画法と批評の仕方 part1.pdf

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Original file(6,350 × 4,512 pixels, file size: 51.05 MB, MIME type: application/pdf, 100 pages)

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Summary

[edit]
新油絵画法と批評の仕方   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author

窪田, 重太郎

越元, 辰雄
image of artwork listed in title parameter on this page
Title
新油絵画法と批評の仕方
Publisher
教文書院
Language jpn
Publication date

1921

大正10
Place of publication JP
Source

doi:10.11501/964692

institution QS:P195,Q477675
Creator
InfoField
窪田重太郎 編 越元辰雄 画
Publication Place
InfoField
東京
Subject: NDC
InfoField
724
Extent
InfoField
180p 図版 ; 19cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
43032343
Date Digitized: W3CDTF
InfoField
2008-03-31
Audience
InfoField
一般
Title Transcription
InfoField
シン アブラエ ガホウ ト ヒヒョウ ノ シカタ
Publisher Transcription
InfoField
キョウブン ショイン
Source Identifier: NDLBibID
InfoField
000000579745
Call Number
InfoField
395-183
Creator Transcription: NDLNA
InfoField
クボタ, ジュウタロウ コシモト, タツオ
Creator: NDLNAId
InfoField
00548344 00548329
Note
InfoField
国立国会図書館内では、一部分のみ印刷できます。
Contents
InfoField
標題

目次

第一章 性格は芸術を生むか芸術が性格を創るか/1

第二章 油絵を描くに就いての準備/3

第一節 如何なる油絵具を求むべきか/4

第二節 油の種類と其説明/23

第三節 カンヴアスの精粗と作品/32

第四節 木炭筆とコンテクレイオン/34

第五節 毛筆とその撰択/35

第六節 油壺とその撰択/37

第七節 調色板即ちパレツト/38

第八節 パレツトナイフとピイツテイングナイフ/39

第九節 スケツチ箱と画架代用/40

第一〇節 画架とその大小/41

第一一節 スケツチ板携帯箱とカンヴアス画板/43

第一二節 三脚床几とその特長/44

第一三節 日除傘と必要の価値/46

第三章 絵具の説明/49

1 紅色類/49

2 朱色類/50

3 藍色類/52

4 緑色類/53

5 黄色類/54

6 暗赤色及褐色類/57

7 紫色類/58

8 鼠色及黒色類/59

9 白色類/59

第四章 絵具の使ひ方/60

第五章 素描の必要の理由/68

第六章 素描に要すべき準備/73

第七章 素描の描き方/76

第八章 製作に先だつて注意すべき事項/78

第九章 静物の描き方/97

第一〇章 風景の描き方/105

第一一章 人物の描き方/111

第一二章 仕上つた作品の処置/114

第一三章 光と色との関係/117

第一四章 色とコントラスの関係/135

第一五章 色と光線の強弱との関係/141

第一六章 色と色との感情との関係/144

第一七章 暖色冷色及凸色凹色/146

第一八章 ヴリユーと色の配合の良、不良/147

第一九章 如何なる絵具が永い耐久を持つか/161

Licensing

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Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

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著作権法第67条第1項により文化庁長官裁定を受けて公開(裁定年月日: 2019/07/09)

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