File:NDL943930 信仰に至るの道 part1.pdf

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Original file(6,031 × 4,189 pixels, file size: 77.44 MB, MIME type: application/pdf, 100 pages)

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Summary

[edit]
信仰に至るの道   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
権田, 雷斧, 1846-1934
image of artwork listed in title parameter on this page
Title
信仰に至るの道
Publisher
実業之日本社
Language jpn
Publication date

1918

大正7
Place of publication JP
Source

doi:10.11501/943930

institution QS:P195,Q477675
Creator
InfoField
権田雷斧 著
Publication Place
InfoField
東京
Subject: NDC
InfoField
188.5
Extent
InfoField
187p 肖像 ; 20cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
43012711
Date Digitized: W3CDTF
InfoField
2007-03-30
Audience
InfoField
一般
Title Transcription
InfoField
シンコウ ニ イタル ノ ミチ
Publisher Transcription
InfoField
ジツギョウ ノ ニホンシャ
Source Identifier: NDLBibID
InfoField
000000560255
Call Number
InfoField
325-272
Creator Transcription: NDLNA
InfoField
ゴンダ, ライフ
Creator: NDLNAId
InfoField
00005893
Contents
InfoField
標題

目次

物質的文明と精神的文明/2

文明開化の開化は怪化也

歸朝せる人の失策

動物の虐待

佛教家の當然の責務

誠は不妄語也

大和魂は誠也

人の口/17

天と地と人と

偽リ無き言は即ち聖人の言也

象の安産

口罪の區別

妄語

惡口

兩舌

綺語

父母の恩/36

袈裟に換へたる米

釋尊父君の棺を舁く

母の肖像畫

國王の恩/44

酬ゆる能はざる高恩

暗涙滂沱

相互の恩/49

孔雀來り鶴來る

徳を以て仇馨に報ゆ

平和とは融和也

道の實體は正直也

三寶/59

三寶の廣義

同體の三寶

別體の三寶

住持の三寶

住持三寶の實證

國體を知らぬ愚論

西洋かぶれ

支那かぶれ

同化する力

數種の實例

佛教は道徳の根據

忠孝は理窟にあらず

忍の養成/77

生忍と法忍と

富樓那尊者の忍

空也上人の忍

忍は法性也

西行法師の忍

疑はしき仁術/85

一は進歩、一は退歩

精神界の一大敵國

醫者と和尚

千金方の至言

富者の萬燈、貧者の一燈/94

守錢奴に人情なし

四海同胞

吝嗇は無意義なり

忠なれば孝/100

佛教の渡來

銘打たざるも國教なり

忠孝即日本魂

一大孝經

忠孝は一體なり

太陽の恩と父母の恩

道と信/125

信の姿

練膽も技巧に止まるべし

國務大臣及び衆議員

田夫村娘にも信無かるべがらず

重大なる宗教家の責任

金甌無缺の國/133

萬世不易の國

不忠の儒

君臣倫と父子倫

天照太神の大麻

佛教と耶蘇教/140

國家の法律と眞正なる宗教

耶蘇教徒の盲言

私の耶蘇教觀

横暴の手/150

強制的還俗

薩長土の暴戻

壁畫と十三重の塔

行基菩薩の阿彌陀佛

滑稽牽強附會

寺領の沒收

墮落の淵に導く

説教の關渉

佛教不可亡の一大原因

浅草觀音の靈體

明治天皇と佛教/171

明治天皇の信仰

薩長土に御遠慮

中山寺觀音の「鉦の緒」

孝明天皇の御信仰上の事蹟

明治天皇信仰上の御事蹟/179

高野山に御助願の御綸旨

聖徳太子の像に御衣を賜ふ

般若心經の勅封

高野山に御祈祷御許可

Licensing

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Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

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