File:NDL930960 樗牛全集 第3巻 (文芸及史伝 下) part1.pdf

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Original file (6,356 × 4,056 pixels, file size: 52.17 MB, MIME type: application/pdf, 100 pages)

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Summary

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樗牛全集   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author

高山, 樗牛, 1871-1902 斎藤, 信策, 1878-1909

姉崎, 正治, 1873-1949
image of artwork listed in title parameter on this page
Title
樗牛全集
Volume 第3巻 (文芸及史伝 下)
Edition 18版
Publisher
博文館
Language jpn
Publication date

1913

大正2
Place of publication JP
Source

doi:10.11501/930960

institution QS:P195,Q477675
Part Title
InfoField
釈迦.平相国.菅公伝.南欧美術譚.ナポレオン三世.古事記神代巻の神話及歴史.ジャンヌ・ダルク.ハイ子が事.東北物語.世界の四聖.冠鐺日親.豪傑の半面 清正 秀吉 日蓮 予の好める人物 聖徳太子 聖武天皇 藤原道長 鎮西八郎為朝 清盛入道 平時忠 文覚 西行法師 日蓮上人 日興、日持か事 戯曲に於ける悲哀の快感を論ず.日本民族の特性と文学美術.「青年小説」を読む.喜ぶべき文壇の一傾向.吾が文学界に於ける道義的傾向.古寺院の宝物.新聞雑誌の時代.人才と我文学界.美術に対する購買力.一刀両断の制裁、曲学阿正.今の論文家.西郷西洲の銅像を評す.新建築と美術.「天地有情」を読みて.詩歌の所縁と其対象に関して難者に答ふ.再び宙外に答ふ.博物館論.古社寺及古美術の保存に就て.美術と富豪.大仏露仏説.芸術の鑑査を論ず.美術の保護者.美術に於ける人物の理想的表現.将来美術界の一大問題.消息.漫評.雑談.無題録.芸苑瑣談.装飾と日本美術.藤原時代以後の日本美術史概観
Creator
InfoField
高山林次郎 著 斎藤信策, 姉崎正治 編
Publication Place
InfoField
東京
Subject: NDC
InfoField
918
Extent
InfoField
756p 肖像 ; 22cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
43002016
Date Digitized: W3CDTF
InfoField
2006-03-31
Audience
InfoField
一般
Title Transcription
InfoField
チョギュウ ゼンシュウ
Volume Transcription
InfoField
3 (ブンゲイ オヨビ シデン 3)
Publisher Transcription
InfoField
ハクブンカン
Source Identifier: NDLBibID
InfoField
000000549698
Call Number
InfoField
45-316ヘ
Creator Transcription: NDLNA
InfoField
タカヤマ, チョギュウ

サイトウ, シンサク

アネザキ, マサハル
Creator: NDLNAId
InfoField
00079368

00065260

00001991
Contents
InfoField
標題

目次

釋迦/1

第一章 緖言/5

第二章 佛陀の誕生/9

第三章 宮中の生活/15

第四章 三苦/20

第五章 佛陀の决心/28

第六章 佛陀の出城/34

第七章 車匿槪び乾陟/40

第八章 佛陀の學道/42

第九章 阿羅邏仙人/48

第十章 成道/52

第十一章 佛陀の布敎/59

第十二章 王舎城に於ける佛陀/66

第十三章 父子の再會/71

第十四章 佛陀の入滅/77

第十五章 附言/81

平相國/83

一 平家興隆の由來/87

二 平盛の前半生/91

三 一門の榮華/100

四 鹿ケ谷の會合/105

五 重盛の諫言/111

六 重盛の最後/121

七 重盛論/127

八 法印問答/134

九 法皇の幽屛/142

一〇 源氏の勃興/150

一一 入道の最後/156

一二 淸盛論/165

平家雜感/175

Licensing

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This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

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current20:08, 25 November 2023Thumbnail for version as of 20:08, 25 November 20236,356 × 4,056, 100 pages (52.17 MB)Wmr-bot (talk | contribs)上載《930960_1.pdf》

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