File:NDL2541175 出世隅田川.pdf

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出世隅田川   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author

市川, 団十郎 1世, 1660-1704

鳥居, 清信 1世, 1664-1729
image of artwork listed in title parameter on this page
Title
出世隅田川
Description

角書: 吉野一重桜吾妻二本柳 印記: 石塚文庫, 細木氏蔵書

装丁 : 和装
Language jpn
Publication date

1701

元禄14 [1701]
Place of publication JP
Source

doi:10.11501/2541175

institution QS:P195,Q477675
Creator
InfoField
市川団十郎一世 作 鳥居清信一世 画
Subject
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狂言本
Abstract
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絵入狂言本。1世市川團十郎作。鳥居清信画。刊記が破れているが、同版の東京大学総合図書館霞亭文庫本から、元禄13年(1700)3月江戸堺町かいふやの刊行と知れる。仮名草子や謡曲で知られた梅若伝説にお家騒動を絡めた作品。(第1)吉田少将流罪御赦免の祝いに歌舞伎狂言を行うところ、後室来寿院は実子織姫に家督を継がせようと巧み、劇中で少将と班女の子の梅若を殺そうとするが、山田三郎に諫められ、山岡太夫の取り成しで和解となる。御台園生前は梅若を一子松若同様に育てると約束する。(第2)来寿院は病気と偽って、少将と班女調伏のため不動を勧請するところへ、松井竜存は織姫の間夫となろうと偽不動を送り込む。粟津の六郎は藁人形の不動に扮して来寿院を諫め、来寿院は蛇となって逃げる。蛇は班女に迫るが手飼いの猫が飛びかかり、その猫の首を六郎が斬る。猫の執心が六郎を悩ます。(第3)梅若は人買いに身ぐるみ剥がれたたき殺される。探しに来た六郎は死骸を抱いて橋の上で寝ると、橋の下から班女が現れ、梅若の魂が班女を庵の内に導く。帰宅した山岡太夫が班女を殺そうとするが、居合わせた人々に救われ、人々は梅若の死を嘆く。(第4)竜存一味の悪事が禁中に知れ、一味は東に下る。吉田家を再興した松若が園生の前・班女・梅若を尋ねて東に下り一味に会い戦う。山岡太夫は後悔して、班女に討たれんと思い、熊坂に扮して戦うところ六郎に討たれる。熊坂が山岡と知った六郎は切腹。松若も尋ね来て喜ぶところ、竜存一味に攻め立てられるが、龍神と化した粟津の六郎に平定され、お家繁盛を遂げた。元禄以降の歌舞伎で流行した梅若ものの、狂言本として最も早い作品。趣向もふんだんに取り込まれた作品である。石塚豊芥子(1799-1861)の蔵書印2顆と「細木氏蔵書」の印を捺す。「元禄歌舞伎傑作集」上(高野辰之・黒木勘蔵、大正14、早稲田大学出版部)に翻刻あり。(岡雅彦)(2020.2)
Date Accepted: W3CDTF
InfoField
2011-08-08T14:37:12+09:00
Extent
InfoField
1冊 ; 22.5cm
Material Type
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Book JapaneseClassicalBook
Date Digitized: W3CDTF
InfoField
2011-03-31
Audience
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一般
Title Transcription
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シュッセ スミダガワ
Source Identifier: NDLBibID
InfoField
000007329053
Type: kotenType
InfoField
和漢書
Call Number
InfoField
寄別6-3-1-7
Creator Transcription: NDLNA
InfoField
イチカワ, ダンジュウロウ 1セイ トリイ, キヨノブ
Creator: NDLNAId
InfoField
00270077 00272304

Licensing

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This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.

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