File:NDL1899458 和歌入門 part1.pdf

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Original file(7,166 × 5,039 pixels, file size: 113.49 MB, MIME type: application/pdf, 100 pages)

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Summary

[edit]
和歌入門   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
窪田, 空穂, 1877-1967
image of artwork listed in title parameter on this page
Title
和歌入門
Publisher
荻原星文館
Language jpn
Publication date

1937

1937.2
Place of publication JP
Source

doi:10.11501/1899458

institution QS:P195,Q477675
Creator
InfoField
窪田空穗 著
Publication Place
InfoField
東京
Subject: NDC9
InfoField
911.107
Subject: NDLC
InfoField
KG336
Subject: NDLSH
InfoField
和歌--作法
Extent
InfoField
252p ; 20cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
20682966
Date Digitized: W3CDTF
InfoField
2011-03-31
Audience
InfoField
一般
Title Transcription
InfoField
ワカ ニュウモン
Publisher Transcription
InfoField
オギワラ セイブンカン
Source Identifier: NDLBibID
InfoField
000007469737
Call Number
InfoField
KG336-H12
Creator Transcription: NDLNA
InfoField
クボタ, ウツボ
Creator: NDLNAId
InfoField
00036853
Subject: NDLSHId
InfoField
00574128
Available: internet
InfoField
2018-05-07
Contents
InfoField
標題

目次

第一篇 歌の作りやう

第一章 歌の槪念とその精神/1

一 歌とは何ういふものか/1

二 歌の精神/3

第二章 歌の傳統とその發達/6

一 歌の傳統/6

二 歌の變遷/7

第三章 作歌の大綱/14

一 歌道とは何ぞ/14

二 作歌の歡喜/17

三 作歌の實際/21

四 歌道の極所/25

五 實地の修行/27

第四章 歌の形式/29

一 言葉の明瞭/29

二 言葉の雅俗/31

三 五七と七五/33

四 一首の姿/36

第五章 歌の趣向/39

一 感動を與へた一切の事物/39

二 如何なる材料より初むべきか/42

三 趣向を立てる上の階段/44

四 單純にと志せ/47

五 詠み難い趣向/49

第六章 歌の調子/52

一 調子は歌の生命/52

二 調子は精神の現はれ/54

三 調子は緊張せる心より出づ/58

第七章 秀歌の解剖/62

一 古名家の踏んだ道程/62

二 大隈言道の自然の歌/66

三 橘曙覽の抒情の歌/77

第二篇 作歌上の諸問題

一 大隈言道が添削のあと/86

二 統一した味ひといふ事に就て/92

三 歌に於ける主觀の現はし方/99

四 戀歌の詠み難いといふ人に/110

五 歌の立脚地/118

六 散文俳句と歌との立場の相違/121

七 「古今集」を排する所以/127

八 田安宗武の歌論/131

九 秀歌を生み得る心境/135

十 拙劣歌と秀歌との區別/139

十一 物の觀方の兩面/140

十二 自然を詠める歌/142

第三篇 作歌問答

一 歌は作つてみる値のあるものか/166

二 作歌の上の自信がもてないが、何うすればもてるか/170

三 作らうと思ひつつ歌が作れないが、何ういふ譯か。何うすれば作れるか/179

Licensing

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This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.

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