File:NDL1455642 経済倶楽部講演 107.pdf

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Original file(9,064 × 6,716 pixels, file size: 61.91 MB, MIME type: application/pdf, 47 pages)

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Summary

[edit]
経済倶楽部講演   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
経済倶楽部
image of artwork listed in title parameter on this page
Title
経済倶楽部講演
Volume 107
Publisher
東洋経済出版部
Language jpn
Publication date

1935

昭和10
Place of publication JP
Source

doi:10.11501/1455642

institution QS:P195,Q477675
Alternative Title
InfoField
現時の世相に対する雑感
Part Title
InfoField
現時の世相に対する雑感
Part Creator
InfoField
大川平三郎 [述]
Publication Place
InfoField
東京
Subject: NDC
InfoField
304
Extent
InfoField
73p ; 19cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
44026999
Date Digitized: W3CDTF
InfoField
2010-09-30
Audience
InfoField
一般
Title Transcription
InfoField
ケイザイ クラブ コウエン
Publisher Transcription
InfoField
トウヨウ ケイザイ シュッパンブ
Source Identifier: NDLBibID
InfoField
000000627277
Call Number
InfoField
特247-949
Creator: NDLNAId
InfoField
00256860
Contents
InfoField
標題

目次

現時の世相に對する雜感 大川平三郞君

金解禁の樂屋話/1

私の反對論/3

郷・井上・團三氏の說服/4

反對論者は半可通/5

黃色人種をどうする/6

文明の盛衰/8

日本の外國崇拜/9

日本の自卑と支那の自尊/11

支那とは提携が必要/12

勢力を得れば跋扈する/14

政黨政治の缺陷/15

政黨跋扈の結果/16

壓迫された薩州と長州/17

非常時の効果/20

人の發明を眞似るの辯/21

アダム・スミスも大したものぢやない/22

亞米利加の保護論/23

治外法權の撤廢/24

紡績と製紙/26

昔は生產今は消費が問題/27

政府が統制するのは間違/28

不滿足な日露の媾和條約/29

ハリマンの滿鐵買收交涉/31

京仁鐵道の買收/32

私の宗敎觀/34

人智の及ばざるもの/35

洪大なる神の營み/36

宇宙の支配所/39

神を恐れ敬ふ/40

機械力の濫用/41

日本は最も好景氣/43

圓の下落/45

爲替の下落は變な譯だ/47

石油はなくともよい/49

五ケ條の御誓文/52

神祕的に偉い日本人/53

西洋文明衰へ東洋文明興る/54

三國干涉の回顧/55

神の御加護/56

君の爲めに命を捧ぐ/58

日本の憲法/59

非常時ではない/61

必要な事業には補助を/62

軍事費は惜まぬ/64

仕事をする爲のインフレは惡くない/65

良いインフレ、惡いインフレ/67

金を後楯にしない通貨制度/69

金で苦勞するのは愚だ/70

無駄は文明の進步だ/72

Licensing

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Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

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