File:NDL1227428 リップス美学大系 第8分冊 part1.pdf

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Original file(8,425 × 6,089 pixels, file size: 141.83 MB, MIME type: application/pdf, 100 pages)

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Summary

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リップス美学大系   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author

Lipps, Theodor, 1851-1914

稲垣, 末松
image of artwork listed in title parameter on this page
Title
リップス美学大系
Volume 第8分冊
Publisher
同文館
Language jpn
Publication date

1928

昭和3
Place of publication JP
Source

doi:10.11501/1227428

institution QS:P195,Q477675
Creator
InfoField
稲垣末松 訳
Publication Place
InfoField
東京
Subject: NDC
InfoField
701
Extent
InfoField
12冊 ; 23cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
47033517
Date Digitized: W3CDTF
InfoField
2010-09-30
Audience
InfoField
一般
Title Transcription
InfoField
リップス ビガク タイケイ
Volume Transcription
InfoField
00080
Publisher Transcription
InfoField
ドウブンカン
Source Identifier: NDLBibID
InfoField
000000786846
Call Number
InfoField
563-81イ
Creator Transcription: NDLNA
InfoField
イナガキ, スエマツ
Creator: NDLNAId
InfoField
00523878 00221865
Type: summaryPartition
InfoField
1
Contents
InfoField
標題

目次

第一章 描寫藝術一般、圓形彫塑/943

一 總說、「有價なる要素」/943

二 描寫藝術品の離隔/952

三 美的否定の原則/957

四 各個の藝術に關する美學上の一般的理論/965

五 圓形彫塑と繪畫との一般的反對/970

六 彫塑に於ける描出の材料の性質と對象/973

七 各個の精確なる形に對する無頓着、偶然のものゝ意義/980

八 尺度に關する特殊の注意/988

九 半身像/989

一〇 彫塑に於ける色/991

第二章 彫塑を支配する特殊の法則/998

一 統一的限畫の法則/998

二 描出手段の統一の法則/1004

三 可觀的なる集塊連續性の法則/1013

第三章 平面描寫藝術/1021

一 繪畫の側面的限界、繪畫上の中途截斷の原則/1021

二 漸移的描出の原則、繪畫の前面の限界/1022

三 觀照の位置/1027

四 繪畫中の形と色と光線/1030

五 繪畫に於ける美的否定の種類/1033

六 美的否定と被描寫物/1039

七 精神的內客の形式と表出/1044

八 個體精神と、謂ふ所の「空間精神」/1050

九 空間中に於ける綜織の特殊の方法/1053

一〇 空間精神と個體精神との關係/1061

第四章 繪畫の種類/1071

一 水彩畫/1071

二 有色線引用の藝術/1080

三 刀筆藝術/1082

四 刀筆藝術の種類/1084

第五章 浮彫藝術/1095

一 「彫塑的」浮彫と「繪畫的」浮彫/1095

二 浮彫の發端限界とその發生/1101

三 浮彫の構成、その深さ/1104

四 裝飾的浮彫と繪畫的浮彫/1110

五 修裝的浮彫と繪畫的浮彫との場所と對象、形と色/1120

六 浮彫の隆起性/1124

Licensing

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Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

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