File:NDL1227415 リップス美学大系 第5分冊.pdf

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search
Go to page
next page →
next page →
next page →

Original file(7,918 × 6,012 pixels, file size: 79.21 MB, MIME type: application/pdf, 63 pages)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
リップス美学大系   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author

Lipps, Theodor, 1851-1914

稲垣, 末松
image of artwork listed in title parameter on this page
Title
リップス美学大系
Volume 第5分冊
Publisher
同文館
Language jpn
Publication date

1928

昭和3
Place of publication JP
Source

doi:10.11501/1227415

institution QS:P195,Q477675
Creator
InfoField
稲垣末松 訳
Publication Place
InfoField
東京
Subject: NDC
InfoField
701
Extent
InfoField
12冊 ; 23cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
47033517
Date Digitized: W3CDTF
InfoField
2010-09-30
Audience
InfoField
一般
Title Transcription
InfoField
リップス ビガク タイケイ
Volume Transcription
InfoField
00050
Publisher Transcription
InfoField
ドウブンカン
Source Identifier: NDLBibID
InfoField
000000786846
Call Number
InfoField
563-81イ
Creator Transcription: NDLNA
InfoField
イナガキ, スエマツ
Creator: NDLNAId
InfoField
00523878 00221865
Type: summaryPartition
InfoField
1
Contents
InfoField
標題

目次

第一章 色及び色の結合/571

一 單一なる色の快感性/571

二 大なる對象の快感性、之に關し排斥すべき說明/575

三 對照に於ける統一性/577

四 中等の間隔、三個一群/580

五 小なる間隔/582

六 不快感的の小なる間隔/583

七 大なる間隔と小なる間隔との異なりたる效果/584

八 諸種の統一化的因素―異なりたる光度の結合/586

九 相互的移行をなす所の色/587

一〇 被覆の原理/589

第二章 色の中への感情移入/592

一 色の有する「力」/592

二 色と氣分/595

三 氣分の感じ込み/598

四 氣分及び色の對照/600

五 色と事物/603

第三章 協和音と不協和音/605

一 協和音と振動關係/605

二 振動繼起と音體驗との韻律上の類似/607

三 協和せる音感覺の韻律上の類似/610

四 右に對するより精密なる說明/611

五 音韻律の理論/614

六 「音韻律」の系統としての調音/616

七 種々の調音/619

第四章 音樂美學の發端的根據/621

一 兩數の原理/621

二 音樂の根本法則/623

三 長音階の三音と短音階の三音/624

四 旋律の根本法則/625

五 統配音と主調音との反對/626

六 旋律の本質/629

七 全音階より

成立する旋律/630

八 主調音と第四音との反對/632

九 統配的第七音の媒介的任務/635

一〇 旋律の分員、補說/637

一一 音列の高低/640

一二 音韻律と大規模の韻律/641

一三 發表としての音樂/642

一四 内部的運動と氣分/644

第五章 言語の象徵法、聽覺的元素と形式的元素/646

一 情緖上の音聲/646

二 言語上の音聲/648

三 感情移入としての言語理解/651

四 言語的象徵法の元素/653

五 音元素/655

六 韻律的元素/657

七 談話或は作品中の自我/660

八 形式的の發表元素/662

九 知力的の發表元素/664

一〇 情緖上の發表元素/666

第六章 右の續き、言語的表現の物象的方面/668

一 表白と客觀的報告/668

二 表白と客觀的報告をなす所の陳述/670

三 間接的表現としての客觀的報告/673

四 客觀的報告をなす所の藝術に於ける感情移入作用/675

Licensing

[edit]
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.

Use {{PD-Japan-oldphoto}} for photos published before December 31, 1956, and {{PD-Japan-film}} for films produced prior to 1953. Public domain works must be out of copyright in both the United States and in the source country of the work in order to be hosted on the Commons. The file must have an additional copyright tag indicating the copyright status in the United States. See also Copyright rules by territory.

العربية  Deutsch  English  español  français  Bahasa Indonesia  italiano  日本語  한국어  македонски  português  русский  українська  中文(简体)  中文(繁體)  +/−

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that this work might not be in the public domain in countries that do not apply the rule of the shorter term and have copyright terms longer than life of the author plus 50 years. In particular, Mexico is 100 years, Jamaica is 95 years, Colombia is 80 years, Guatemala and Samoa are 75 years, Switzerland and the United States are 70 years, and Venezuela is 60 years.


This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.


Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current10:10, 3 December 2023Thumbnail for version as of 10:10, 3 December 20237,918 × 6,012, 63 pages (79.21 MB)Wmr-bot (talk | contribs)上載《1227415.pdf》

The following page uses this file:

Metadata