File:NDL1149221 算術の心理学 part2.pdf

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Original file(5,381 × 3,997 pixels, file size: 41.81 MB, MIME type: application/pdf, 100 pages)

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算術の心理学   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author

Thorndike, Edward Lee, 1874-1949

永野, 芳夫, 1894-1967
image of artwork listed in title parameter on this page
Title
算術の心理学
Edition
Publisher
モナス
Language jpn
Publication date

1935

昭和10
Place of publication JP
Source

doi:10.11501/1149221

institution QS:P195,Q477675
Creator
InfoField
ソーンダイク 著 永野芳夫 訳編
Publication Place
InfoField
東京
Subject: NDC
InfoField
375.4
Extent
InfoField
441p ; 23cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
47030353
Date Digitized: W3CDTF
InfoField
2010-03-31
Audience
InfoField
一般
Title Transcription
InfoField
サンジュツ ノ シンリガク
Publisher Transcription
InfoField
モナス
Source Identifier: NDLBibID
InfoField
000000783724
Call Number
InfoField
263.4-252
Creator Transcription: NDLNA
InfoField
ナガノ, ヨシオ
Creator: NDLNAId
InfoField
00526751 00049920
Available: internet
InfoField
2018-07-02
Contents
InfoField
第六章 算術に於ける訓練の心理學=練習の量と諸能力の組織

練習の量/173

學習不足と學習過多/188

諸能力の組織/193

第七章 諸題材の系列=規式設立の順序

習俗の順序と效果ある順序/197

妨害の減少と容易の増加/201

興味/209

一般原理/211

第八章 練習の分配

問題/217

見本的分配/219

可能な改善/234

第九章 思考の心理學=算術に於ける抽象的觀念や一般的觀念

諸要素と諸種類への諸反應/236

諸要素の分析を容易にすること/239

分析への組織的及び機會的諸刺戟/252

小學校の生徒への適用/253

第十章 思考の心理學=算術に於ける推理

算術的推理の諸本質/262

組織された諸習慣の協働としての推理/269

第十一章 始源的諸傾向と入學前の知能

本能的諸興味の利用/275

始源的諸傾向の發達の順序/279

算術的知識と技能との目録/282

數と量との知覺/285

初期に於ける數の意識/289

第十二章 算術に於ける興味

生徒等の興味の調査/294

眼を疲れさせぬこと/299

關係諸活動の意義/307

算術の學習に於ける本質的興味/315

第十三章 學習の諸條件

外的諸條件/319

算術に於ける眼の衞生/328

算術に於ける具體的諸客觀物の使用/358

口述の算術と心的算術と書く算術/369

Licensing

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Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

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