File:NDL1145817 能の再生 part2.pdf

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Original file(5,700 × 3,950 pixels, file size: 69.3 MB, MIME type: application/pdf, 98 pages)

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能の再生   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
野上, 豊一郎, 1883-1950
image of artwork listed in title parameter on this page
Title
能の再生
Publisher
岩波書店
Language jpn
Publication date

1935

昭和10
Place of publication JP
Source

doi:10.11501/1145817

institution QS:P195,Q477675
Creator
InfoField
野上豊一郎 著
Publication Place
InfoField
東京
Subject: NDC
InfoField
773
Extent
InfoField
338p ; 23cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
47016715
Date Digitized: W3CDTF
InfoField
2010-03-31
Audience
InfoField
一般
Title Transcription
InfoField
ノウ ノ サイセイ
Publisher Transcription
InfoField
イワナミ ショテン
Source Identifier: NDLBibID
InfoField
000000770257
Call Number
InfoField
773-N93-4ウ
Creator Transcription: NDLNA
InfoField
ノガミ, トヨイチロウ
Creator: NDLNAId
InfoField
00056111
Contents
InfoField
三、 局面の變化を制約する役者の位置。獨白。名乘。傍白。局面區分法の基準としての演戲。

能と狂言の接合/177p

一、 能の戲曲的展開の助成者としての狂言の進出。

二、 アヒの各種。能の演戲の中へ入りきれぬ純粹のアヒ。カタリアヒ。タチシャベリ。末社アヒ。

三、 特殊演出の純粹のアヒ。特殊のカタリアヒ。末社アヒの變形としての特殊アヒの演戲。

四、 能の演戲の中へ入り込むまでの中間的のアヒ。早打アヒ。間劇的のアヒ。

五、 能の演戲の中へ入り込んだアヒ。能との局部的合同。アシラヒアヒ。クチアケアヒ。能との全部的合同。太刀持・從者・能力・強力・船頭・等。

六、 アヒの合同を必要とする現在物の能。アヒの喜劇的情緒。現在物の完全に戲曲化し得なかつた理由。

謠曲「車屋本」考/213p

一、 車屋道悦と堺の能。

二、 「車屋本」作製の年代の問題。「車屋本」の裝潢樣式。

三、 「車屋本」百番の曲目。「嵯峨本(光悦本)」との比較。

謠曲原典批判の一例/233p

一、 「車屋本」を中心としての主として金春流諸本の比較研究。

二、 各流派の謠曲詞章の異同。合唱歌と對話の異同の對照。

三、 「車屋本」の詞章の特長。金春流現行本の改變。模傚的改變と排他的改變。

四、 「車屋本」の詞章の素樸と現行金春流謠曲の詞章の觀世化。現在物の對話の辭句の異同。

五、 對話に現はれた作意の異同。對話の簡略主義。

謠曲「三藐院本」/290p

一、 「車屋本」と「三藐院本」。「三藐院本」の裝潢樣式。「三藐院本」百二番の曲目。

二、 「車屋本」との比較。

謠曲の飜譯/305p

一、 飜譯の忠實。原物の調子に對する忠實。原物の精神に對する忠實。

二、 英譯された謠曲の種別と譯者。本格的作品の無視。日本人奮起の必要。

三、 對照されたフェノロサ イーズラ・パウンドとウェーリ。役者の分擔に依る掛合の詞章。直接話法と敘述文の混同。表現の論理的統一のための自由變更法。

四、 日本文の非論理的表現。主語の省略。日本文の非論理性を補足する流動性的表現。語學的・文法的正確と感性的正確。

Licensing

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This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.

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