File:NDL1125939 競馬新読本.pdf

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Original file(5,337 × 3,825 pixels, file size: 44.5 MB, MIME type: application/pdf, 87 pages)

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Summary

[edit]
競馬新読本   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
日刊スポーツ社
image of artwork listed in title parameter on this page
Title
競馬新読本
Publisher
日刊スポーツ社
Language jpn
Publication date

1947

昭和22
Place of publication JP
Source

doi:10.11501/1125939

institution QS:P195,Q477675
Creator
InfoField
日刊スポーツ社 編
Publication Place
InfoField
東京
Subject: NDC
InfoField
788 788.5
Extent
InfoField
160p 図版 ; 18cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
46023891
Date Digitized: W3CDTF
InfoField
2010-03-31
Audience
InfoField
一般
Title Transcription
InfoField
ケイバ シンドクホン
Publisher Transcription
InfoField
ニッカン スポーツシャ
Source Identifier: NDLBibID
InfoField
000000685213
Call Number
InfoField
788.5-N73ウ
Creator: NDLNAId
InfoField
00328863
Contents
InfoField
標題

目次

一、 勝馬を選ぶ祕訣/9

一、 競馬はスポーツ/9

二、 競馬は儲かるか/12

三、 調教師と騎手は儲かるか/15

四、 フアンは儲かるか/18

五、 競馬の用語解説/21

六、 血統の研究/24

七、 父系と母系/27

八、 父系の研究/29

九、 無事是名馬/32

十、 調教の苦心/34

十一、 呼馬の標準タイム/37

十二、 一〇三秒の檢討/40

十三、 調教を見る祕訣/43

十四、 枠順の有利不利/50

十五、 レース距離の適否/53

十六、 雨に強い馬、弱い馬/55

十七、 負擔重量の問題/60

十八、 牝馬牡馬の何れが強いか/63

十九、 馬券を買ふ條件/66

二十、 馬券必勝の三原則/69

廿一、 ダテヤマト事件/72

廿二、 大穴發見の興味/74

廿三、 穴は何故出來る?/77

廿四、 人氣に左右されるな/83

廿五、 騎手の優劣の觀察/86

二、 競馬禁止後二年間/91

三、 名馬物語/98

一、 現在の種牡馬/98

二、 どんな種馬がよいか/100

三、 ダービーの勝馬とタイム/102

四、 誘導馬タツクモ/105

五、 クモハタと惜しむべき加藤氏の死/108

六、 幸運のトキノチカラ/111

七、 フアインモア號/114

八、 血統馬ダツシング/115

九、 母系と優秀な産駒/117

十、 何れ劣らぬアラブの五頭/120

十一、 無名のカイソウ/123

十二、 三冠馬セントライト號/125

十三、 長距離に強いクレタケ/129

十四、 名馬ハクコウ、アカイシダケ/132

十五、 連戰連勝の大記録/134

十六、 惜敗をつづけたタエヤマ/137

十七、 最高馬イサオーバル/140

十八、 名馬の賞金獲得高/143

十九、 トクマサ快勝の因/146

二十、 快速馬ハクリユウ/149

廿一、 獲得賞金最高のヒサトモ/151

廿二、 苦戰したマルタケ/153

廿三、 草競馬に出たカンロ/156

廿四、 女王クレオパトラトマス/158

Licensing

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This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.

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