File:NDL1078037 世界音楽全集 第44巻 part1.pdf

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Original file(5,612 × 3,825 pixels, file size: 98.22 MB, MIME type: application/pdf, 100 pages)

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Summary

[edit]
世界音楽全集   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
門馬, 直衛, 1897-1961
image of artwork listed in title parameter on this page
Title
世界音楽全集
Volume 第44巻
Publisher
春秋社
Language jpn
Publication date

1933

昭和8
Place of publication JP
Source

doi:10.11501/1078037

institution QS:P195,Q477675
Alternative Title
InfoField
劇音楽集
Part Title
InfoField
劇音楽集
Part Creator
InfoField
門馬直衛 編
Publication Place
InfoField
東京
Subject: NDC
InfoField
760
Extent
InfoField
239p ; 28cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
47023802
Date Digitized: W3CDTF
InfoField
2010-03-31
Audience
InfoField
一般
Title Transcription
InfoField
セカイ オンガク ゼンシュウ
Alternative Transcription
InfoField
ゲキオンガクシュウ
Volume Transcription
InfoField
44
Publisher Transcription
InfoField
シュンジュウシャ
Source Identifier: NDLBibID
InfoField
000000777272
Call Number
InfoField
83-441
Creator Transcription: NDLNA
InfoField
モンマ, ナオエ
Creator: NDLNAId
InfoField
00199059
Contents
InfoField
標題

目次

1. (ベートーウエン) (“エグモント”),(序曲)/1

2. (ベートーウエン) (“エグモント”),(“太鼓響き”)/8

3. (ベートーウエン) (“エグモント”),(間奏曲,I)/11

4. (ベートーウエン) (“エグモント”),(間奏曲,II)/14

5. (ベートーウエン) (“エグモント”),(“嬉しさと惱ましさ”)/17

6. (ベートーウエン) (“エグモント”),(間奏曲III)/19

7. (ベートーウエン) (“エグモント”),(勝利の交響曲)/23

8. (ベートーウエン) Fidelio/25

9. (ビゼエ) (“アルルの女,”I),(前奏曲)/32

10. (ビゼエ) (“アルルの女,”I),(ミヌユツト)/41

11. (ビゼエ) (“アルルの女,”I),(アダジエツト)/46

12. (ビゼエ) (“アルルの女,”I),(カリヨン鐘)/47

13. (ビゼエ) (“アルルの女,”II),(牧歌)/52

14. (ビゼエ) (“アルルの女,”II),(間奏曲)/59

15. (ビゼエ) (“アルルの女,”II),(メヌエツト)/62

16. (ビゼエ) (“アルルの女,”II),(フアランドール)/67

17. (ビゼエ) (オペラ:“カルメン”),(前奏曲)/75

18. (ビゼエ) (オペラ:“カルメン”),(間奏曲,I)/79

19. (ビゼエ) (オペラ:“カルメン”),(間奏曲,II)/82

20. (ビゼエ) (オペラ:“カルメン”),(間奏曲,III)/84

21. (グリイク) (“ペール ギユント,”I),(“朝の気分”)/88

22. (グリイク) (“ペール ギユント,”I),(“オーゼの死”)/93

23. (グリイク) (“ペール ギユント,”I),(“アニトラの舞踏”)/95

24. (グリイク) (“ペール ギユント,”I),(“山王の殿堂にて”)/99

25. (グリイク) (“ペール ギユント,”II),(“花嫁強掠.イングリイドの悲嘆”)/104

26. (グリイク) (“ペール ギユント,”II),(“アラビア舞踏”)/108

27. (グリイク) (“ペール ギユント,”II),(“ペール ギユントの歸郷”)/116

28. (グリイク) (“ペール ギユント,”II),(“ソルフエイジの歌”)/123

29. (グリイク) (ソルフエイジの子守歌)/126

30. (サン・サエンス) (オペラ:サムソンとダリラ”),(“わが心は”)/129

31. (シウバアト) (“ロザムンデ”),(序曲)/138

32. (シウバアト) (“ロザムンデ”),(間奏曲,I)/151

33. (シウバアト) (“ロザムンデ”),(間奏曲,II)/159

34. (シウバアト) (“ロザムンデ”),(バレエ音樂,I)/161

35. (シウバアト) (“ロザムンデ”),(バレエ音樂,II)/165

36. (トーマー) (オペラ:“ミニヨン”),(序曲)/170

37. (トーマー) (オペラ:“ミニヨン”),(間奏曲)/179

38. (トーマー) (オペラ:“ミニヨン”),(ステイリアンヌ)/181

39. (トーマー) (オペラ:“ミニヨン”),(ポロネエズ)/188

Licensing

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Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

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