File:Het Collectief - Oxalys (programmaboekje).pdf
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[edit]DescriptionHet Collectief - Oxalys (programmaboekje).pdf |
Oxalys & Het Collectief Nederlands: dubbelconcert Igor Stravinsky maakte kennis met 'Pierrot Lunaire' van Arnold Schönberg in Berlijn in 1912. Gefascineerd door de geïndividualiseerde instrumentatie van het werk en de beknoptheid van zijn onderdelen schreef Stravinsky 'Trois Poèmes de lyrique japonaise'. Maurice Ravel werd op zijn beurt geïnspireerd door Stravinsky's beschrijving van 'Pierrot Lunaire' en componeerde 'Trois Poèmes de Mallarmé'. Zowel Ravel als Stravinsky bleven daarbij trouw aan hun eigen esthetiek: hedonisme en kleurenvermenging begeleiden Mallarmé's hermetische poëzie terwijl Stravinsky's uiterst rake en economische schriftuur de gedroomde vertaling is van de Japanse haiku's. Schönbergs baanbrekende partituur, geschreven voor de diseuse Albertine Zehme, is gebaseerd op poëzie van de Belgische auteur Albert Guiraud. Aan de hand van de tragische clown Pierrot wordt afgerekend met romantisch sentiment. De sarcastisch-bijtende toon van dit atonale meesterwerk contrasteert met de laatromantische werken van Korngold uit dezelfde periode. Een programma rond symbolisme, l'art pour l'art en opmerkelijke kruisbestuivingen dat ons tevens laat kennismaken met de geraffineerde liedkunst van Ravels pupil Maurice Delage. Français : Concert double Igor Stravinsky a fait connaissance avec le 'Pierrot Lunaire' d'Arnold Schönberg à Berlin en 1912. Fasciné par l'instrumentation individualisée de l'œuvre et la concision de ses parties, Stravinsky a écrit 'Trois Poèmes de lyrique japonaise'. Maurice Ravel s'est inspiré à son tour de la description de Stravinsky du 'Pierrot Lunaire' pour composer 'Trois Poèmes de Mallarmé'. Ravel et Stravinsky sont tous deux restés fidèles à leur esthétique personnelle: l'hédonisme et le mélange des couleurs accompagnent la poésie hermétique de Mallarmé, tandis que l'écriture extrêmement juste et économique de Stravinsky est la traduction rêvée des haïkus japonais. La partition innovatrice de Schönberg, écrite pour la diseuse Albertine Zehme, se base sur la poésie de l'auteur belge Albert Guiraud. A l'aide du clown tragique Pierrot, il règle son compte au sentiment romantique. Le ton sarcastique et mordant de ce chef-d'oeuvre contraste avec les oeuvres romantiques tardives de Korngold de la même période. Un programme autour du symbolisme, de l'art pour l'art et de pollinisations croisées remarquables qui nous fait aussi découvrir l'art raffiné des lieder de l'élève de Ravel Maurice Delage. English: Double concert Igor Stravinsky first heard Arnold Schoenberg's 'Pierrot Lunaire' in Berlijn in 1912. His fascination with the work's individualised instrumentation and the conciseness of its individual parts led Stravinsky to write his 'Trois Poèmes de lyrique japonaise'. Maurice Ravel was in his turn inspired by Stravinsky's description of 'Pierrot Lunaire' and composed 'Trois Poèmes de Mallarmé'. Both Ravel and Stravinsky thereby remained true to their own aesthetics: hedonism and a mixture of timbres accompany Mallarmé's hermetic poetry while Stravinsky's highly apt and economic writing provides the perfect translation of the Japanese haikus. Schoenberg's pioneering score, written for the spoken-word performer Albertine Zehme, is based on poetry by the Belgian author Albert Guiraud. The tragic clown Pierrot is the instrument through which romantic sentiment is finished with. The sarcastic and caustic tone of this atonal masterpiece contrasts with Korngold's late Romantic works from the same period. This is a programme on symbolism, l'art pour l'art and notable cross-fertilisation which at the same time introduces us to the refined song-writing of Ravel's pupil Maurice Delage. |
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Production Details InfoField | Pierrot Lunaire, opus 21 (1912) (Arnold Schönberg); Trois Poèmes de Mallarmé (1913) (Maurice Ravel); 'Tanzlied des Pierrot', vrij naar Rodenbachs 'Das Trugbild' (Erich Korngold); Quatre poèmes Hindous (1913) (Maurice Delage); Sechs kleine Klavierstücke, opus 19 (Arnold Schönberg); Three Japanese Lyrics voor stem, piano en kamerorkest (Igor Stravinsky) Nederlands: Oxalys (muzikale uitvoering); Laure Delcampe (sopraan); Xenia Meijer (mezzosopraan); Het Collectief (muzikale uitvoering); Robin Engelen (muzikale leiding); Jacqueline Janssen (stem) Nederlands: muziek Français : musique English: music |
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Short title | Programmaboekje : Het Collectief - Oxalys |
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Image title | brochures (http://vocab.getty.edu/aat/300248280), deSingel (https://www.wikidata.org/wiki/Q775025) |
Author | deSingel |
Encrypted | no |
Page size | 552 x 720 pts |
Version of PDF format | 1.4 |