File:Flagmen of Lowestoft- George Monck, 1st Duke of Albemarle RMG BHC2508.tiff

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Peter Lely: Flagmen of Lowestoft: George Monck, 1st Duke of Albemarle  wikidata:Q50893266 reasonator:Q50893266
Artist
Peter Lely  (1618–1680)  wikidata:Q161336
 
Peter Lely
Alternative names
Sir Peter Lely, Peter Lelio, Peter Lilley, Peter Lilly, Peter Lylly, Pieter Lelij, Birth name: Pieter van der Faes
Description Dutch painter and art collector
Date of birth/death 14 September 1618 Edit this at Wikidata 30 November 1680 Edit this at Wikidata
Location of birth/death Soest London
Work period between circa 1637 and circa 1680
date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1637-00-00T00:00:00Z/9,P1326,+1680-00-00T00:00:00Z/9,P1480,Q5727902
Work location
Haarlem (6 October 1637), London (1641-1680), Amsterdam (1656)
Authority file
artist QS:P170,Q161336
image of artwork listed in title parameter on this page
Title
Flagmen of Lowestoft: George Monck, 1st Duke of Albemarle Edit this at Wikidata
title QS:P1476,en:"Flagmen of Lowestoft: George Monck, 1st Duke of Albemarle Edit this at Wikidata"
label QS:Len,"Flagmen of Lowestoft: George Monck, 1st Duke of Albemarle Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre portrait Edit this at Wikidata
Description
English: Flagmen of Lowestoft: George Monck, 1st Duke of Albemarle

A three-quarter-length portrait to left in a sleeveless leather jerkin over a buff coat, heavily barred with gold down the length of the sleeves. He wears the ribbon of the Garter, a pink sash around his waist, and a collar and cuffs made of Flemish bobbin lace. He holds a baton in his right hand, his right arm rests on an anchor fluke and his left hand is on his sword belt. The background is of rock on the right and a dramatic sky beyond on the left.

After fighting for Charles I in the Civil War and being captured, in 1650 Monck went with Cromwell in his Scottish campaign, by which time he was an eminent soldier in the Parliamentary service. In 1652 he was one of the three officers appointed as Generals-at-Sea, though he had no previous sea experience. He fought the Dutch at the Battle of Portland the following year, and at the Gabbard he was in sole command for most of the action once Richard Deane had been killed. At Scheveningen, during the last battle of 1653, he again had sole command owing to the illness of Blake. There he inflicted the final defeat on the Dutch, which included the death of Maarten Tromp. In 1660 he was chiefly responsible for the restoration of Charles II. In the Second Dutch War, 1665-67, he was at first deputy Lord High Admiral while the Duke of York was at sea with the fleet, and in 1666 was given joint command with Prince Rupert. During the Four Days' Fight, 1-4 June 1666, he fought the Dutch commander, de Ruyter, alone with only part of the fleet for the first three days but in the St James's Day Fight on 25 and 26 July combined with Prince Rupert to defeat him. Albemarle was in charge of the defence of the Medway and Chatham when the Dutch admiral took his revenge in the celebrated Dutch raid the following year. The painting is inscribed 'Duke of Albemarle' in the bottom left. It is one of the 'flagmen' series commissioned by Charles II's brother James, Duke of York after the Battle of Lowestoft, 3 June 1665. This was the first major action of the Second Dutch War, in which James commanded the fleet. It was among those listed by Pepys as begun or finished when he visited Lely's studio on 18 April 1666.

Lely, a Dutchman who arrived in England in 1641 after the death of Van Dyck, soon became his successor as leading portraitist of the day. He worked for Charles I, continued to flourish under the Commonwealth and Protectorate, and after the Restoration of 1660 was appointed Principal Painter to Charles II. The full 'flagmen' set consists of thirteen individual portraits, of which George IV presented eleven plus a copy of that of Admiral Sir John Lawson (BHC2833) to Greenwich Hospital in 1824. The originals of Lawson and of Prince Rupert were retained in the Royal Collection, although William IV presented an extended full-length copy of the latter (BHC2990) to the Hospital in 1835.

Flagmen of Lowestoft: George Monck (1608-1670), 1st Duke of Albemarle
Date 1665
Medium oil on canvas Edit this at Wikidata
Dimensions Frame: 1435 mm x 1214 mm x 87 mm;Overall: 34.2 kg;Painting: 1270 mm x 1015 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC2508
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/13982
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Greenwich Hospital Collection number: GH13
Loan File Number: Y2000.023
file number: 4G10.031
id number: BHC2508
Collection
InfoField
Oil paintings

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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Date/TimeThumbnailDimensionsUserComment
current16:19, 7 October 2017Thumbnail for version as of 16:19, 7 October 20174,756 × 5,842 (79.49 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1665), http://collections.rmg.co.uk/collections/objects/13982 #2523

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