File:Emma, Lady Hamilton, in a classical pose, dancing and poised on her right foot RMG PU3221.tiff
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Captions
Captions
Summary
[edit]Author |
Thomas Piroli; after Frederick Rehberg |
Description |
English: Emma, Lady Hamilton, in a classical pose, dancing and poised on her right foot This is plate VI of a set of twelve engravings by Piroli after the German artist Rehberg, published in 1794. All are of the ‘attitudes’ for which Emma Hamilton was celebrated throughout Europe. In her performances of these, which she first began about 1786, Emma adopted poses taken from classical sculpture or Renaissance painting: at one point Sir William Hamilton even constructed a special box with a black border for her to pose in, to imitate more closely the appearance of a framed painting. She was certainly encouraged by her husband’s love of the antique, and performed the ‘attitudes’ not just in Naples, where Rehberg made his drawings for these plates, but throughout the courts of Europe. Numerous contemporary descriptions praise both her skill at adopting poses that would have been easily recognizable to connoisseurs steeped in a classical education and her own naturally ‘classical’ beauty.This image appears to show her as Terpsichore, the Muse of Dance. An observant early owner of the set has written in pencil on the bottom of the print: 'Beautifully copied from the fig[ure] on Vase. Plate V. ante' (i.e. the previous plate, PAD3220). Rehberg’s publication was highly popular, running to several editions: so much so that it was lampooned in 1807 by (probably) James Gillray, who substituted for the graceful, classically proportioned body of Rehberg’s prints a ‘considerably enlarged’ figure, truer to the by then excessively fat Lady Hamilton, in what was termed a ‘new edition … humbly dedicated to all admirers of the grand and sublime’. |
Date |
1794 date QS:P571,+1794-00-00T00:00:00Z/9 |
Notes | Box Title: Lady Hamilton Portraits 1815. |
Source/Photographer | http://collections.rmg.co.uk/collections/objects/107372 |
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
Identifier InfoField | id number: PAD3221 |
Collection InfoField | Fine art |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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current | 23:51, 19 September 2017 | ![]() | 3,901 × 4,800 (53.57 MB) | Fæ (talk | contribs) | Royal Museums Greenwich Fine art (1794), http://collections.rmg.co.uk/collections/objects/107372 #2204 |
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Width | 3,901 px |
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Height | 4,800 px |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 140 |
Number of components | 3 |
Number of rows per strip | 4,800 |
Bytes per compressed strip | 56,174,400 |
Data arrangement | chunky format |