File:Dutch Attack on the Medway, 9-14 June 1667 RMG BHC0293.tiff

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Peter van de Velde: Dutch Attack on the Medway, 9-14 June 1667  wikidata:Q50876560 reasonator:Q50876560
Artist
Peter van de Velde  (1634–after 1723
date QS:P,+1723–00–00T00:00:00Z/7,P1319,+1723–00–00T00:00:00Z/9
 wikidata:Q2144697
 
Alternative names
Peter van den Velde
Description Flemish painter and drawer
Date of birth/death 27 February 1634 Edit this at Wikidata after 1723
date QS:P,+1723-00-00T00:00:00Z/7,P1319,+1723-00-00T00:00:00Z/9
Location of birth/death Antwerp Antwerp
Work period from 1653 until 1723
date QS:P,+1500-00-00T00:00:00Z/6,P580,+1653-00-00T00:00:00Z/9,P582,+1723-00-00T00:00:00Z/9
Work location
Antwerp (1654-1687)
Authority file
creator QS:P170,Q2144697
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Author
Pieter van den Velde
Title
Dutch Attack on the Medway, 9-14 June 1667 Edit this at Wikidata
title QS:P1476,en:"Dutch Attack on the Medway, 9-14 June 1667 Edit this at Wikidata"
label QS:Len,"Dutch Attack on the Medway, 9-14 June 1667 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre marine art Edit this at Wikidata
Description
English: Dutch Attack on the Medway, 9-14 June 1667

In May 1667 negotiations were in progress for a peace to end the Second Dutch War, 1665-67, between the English and Dutch. The English erroneously anticipated an early settlement and did not mobilize their fleet for the summer, since they did not believe that the Dutch had done so. They also believed that such restraint would be read as a gesture of peaceful intent. However, peace negotiations did not run smoothly and the Dutch, finding agreement impossible, secretly and swiftly mobilized their fleet. Before the English were even aware of this, the Dutch, under Lieutenant-Admiral Michiel de Ruyter appeared in the Thames, captured Sheerness and, over three weeks, began to take or destroy ships of the English fleet laid up in the Medway. When they sailed for home they took with them the 'Royal Charles', 86 guns, and left three more of the finest ships burning. Others had been sunk to prevent the Dutch penetrating further up the river. This major naval disaster for England resulted in much better terms for the Dutch when the Treaty of Breda was signed some months later.

The painting functions as a celebratory image of victory for the Dutch and is shown from their perspective. A line of Dutch ships is visible in the left background and in the left foreground the stern of a burning ship is visible. To the right of the picture in the foreground is the captured 'Royal Charles', in starboard-quarter view. The royal coat of arms is visible on the stern. The jubilant Dutchmen have just hoisted the Dutch flag at her main and are waving their hats. She still wears her English jack and ensign. Other burning English ships are visible on the right and in the foreground the ensign and tops of masts of a sunken English ship can be seen. Dutch ships boats are shown moving around the large ships. The Flemish artist was born and died in Antwerp, and was best known for his depictions of sea battles.

Dutch Attack on the Medway, 9-14 June 1667
Date circa 1667
date QS:P571,+1667-00-00T00:00:00Z/9,P1480,Q5727902
Medium oil on panel Edit this at Wikidata
Dimensions Frame: 928 mm x 1259 mm x 75 mm;Painting: 787 mm x 1066 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC0293
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/11785
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: 1934-34
Caird Catalogue Number (CCAT): CC V1(S), P8, 58
id number: BHC0293
Collection
InfoField
Oil paintings

Licensing

[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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current13:19, 4 October 2017Thumbnail for version as of 13:19, 4 October 20176,400 × 4,277 (78.31 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1667), http://collections.rmg.co.uk/collections/objects/11785 #2309

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