File:Capturing Damiate.jpg
Original file (1,458 × 614 pixels, file size: 155 KB, MIME type: image/jpeg)
Captions
Summary
[edit]Cornelis Claesz van Wieringen: The capture of Damietta | |||||||||||||||||||||||||||||
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Artist |
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Title |
label QS:Lnl,"De verovering van Damiate" |
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Object type | painting | ||||||||||||||||||||||||||||
Genre | history painting | ||||||||||||||||||||||||||||
Description |
Nederlands: De verovering van Damiate. Dit schilderij werd gemaakt voor boven de schoorsteenmantel van de krijgsraadkamer in het gebouw van de Haarlemse Cluveniers (schutters).
English: The Conquest of Damiate. This painting was made for above the mantelpiece of the court-martial room in the building of the Haarlem Cluveniers (gunmen). |
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Date | circa | ||||||||||||||||||||||||||||
Medium | oil on canvas | ||||||||||||||||||||||||||||
Dimensions |
height: 101 cm (39.7 in) ; width: 230 cm (90.5 in) dimensions QS:P2048,+101U174728 dimensions QS:P2049,+230U174728 |
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Collection |
institution QS:P195,Q574961 |
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Accession number |
os I-355 (Frans Hals Museum) |
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Exhibition history | |||||||||||||||||||||||||||||
References | |||||||||||||||||||||||||||||
Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/w/wieringe/damiate.html" |
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Other versions |
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Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 15:23, 11 July 2008 | 1,458 × 614 (155 KB) | Mcke (talk | contribs) | version with higher resolution | |
11:54, 21 November 2006 | 800 × 337 (60 KB) | Aleichem (talk | contribs) | Cornelis Claesz van Wieringen {{PD-art}} Source: Web Gallery of Art http://www.wga.hu/art/w/wieringe/damiate.jpg |
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- الدولة الأيوبية
- نور الدين زنكي
- الحملة الصليبية الخامسة
- دمياط
- تاريخ مصر الإسلامية
- مملكة بيت المقدس
- صلاح الدين الأيوبي
- الصالح أيوب
- حصار دمياط (1218)
- الدولة الفاطمية
- مستخدم:ASammour/بحاجة لصور/مسيحية
- مستخدم:ASammour/بحاجة لصور/تاريخ
- قائمة القلاع والحصون والتحصينات والأسوار المصرية
- دامياتيس
- طابية عرابي (دمياط)
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Metadata
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JPEG file comment | WIERINGEN, Cornelis Claesz van
(b. ca. 1580, Haarlem, d. 1633, Haarlem) Capture of Damiate c. 1625 Oil on canvas, 101 x 230 cm Frans Halsmuseum, Haarlem Wieringen was probably the pupil of Hendrick Cornelisz Vroom (the founder of European marine painting); he ranks as his best and closest follower. Wieringen's multicoloured paintings are more ornamental, his waves and whitecaps more schematic than Vroom's, and his skies (apart from those in his graphics) are little more than decorative backdrops. The Capture of Damiate was commissioned by Haarlem's St Hadrian Civic Guard, and it was originally mounted as an overmantel in the company's headquarters (a few years afterwards officers of the company commissioned Frans Hals to paint their group portrait). The painting represent a pseudo-historical event. According to tradition late twelfth-century crusaders en route to the Holy Land tried to capture Damiate, a port city at the mouth of the Nile which had its harbour protected by a heavy chain stretched across it from two moles. The chain was cut, according to the legend, when a ship from Haarlem ingeniously fitted with a specially designed saw-toothed prow and keel sailed across it. After this feat and a fierce battle the port fell to the crusaders. The tale exemplified the audacity and courage of early Haarlemmers, and by association, redounded to the glory of citizens of the city. By the sixteenth century the fable had acquired a mythic dimension for Haarlem's patriots. The appetite for it was satisfied by later printmakers and painters. Vroom and other artists also made drawings to stain glass windows of the subject, and Wieringen designed a huge tapestry depicting the legendary event for Haarlem's Town Hall which is still mounted there.
Author: WIERINGEN, Cornelis Claesz van Title: Capture of Damiate Time-line: 1601-1650 School: Dutch Form: painting Type: historical |
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Structured data
Items portrayed in this file
depicts
image/jpeg
cec169af29b1c23e2897a15c8650f6089ce959cb
158,448 byte
614 pixel
1,458 pixel
- Cornelis Claesz. van Wieringen
- Siege of Damietta (1218-19)
- Fifth Crusade
- Dutch Golden Age paintings in the Frans Hals Museum
- Oil paintings of lighthouses
- 17th-century sailing ships in paintings
- Oil paintings of ports and harbours
- People at ports and harbours in paintings
- 1625 paintings
- Zaagschip
- 1620s paintings in the Netherlands
- 17th-century oil on canvas paintings in the Netherlands
- Damietta fortifications
- Feluccas in Damietta
- Historical images of Damietta
- Feluccas in art
- Paintings of the Order of Saint John of Jerusalem
- Ezbet al-Borg
- Defensive booms
- 17th-century paintings of ports and harbours
- Haarlemse verovering van Damiate
- The capture of Damietta (Wieringen)
- Pages with complex technique templates
- Images from Web Gallery of Art
- Artworks with Wikidata item
- Artworks with accession number from Wikidata
- Artworks with known accession number
- Artworks digital representation of 2D work
- PD-old missing SDC copyright status
- CC-PD-Mark
- PD-Art (PD-old-100)
- PD-Art missing SDC copyright status
- WGA form: painting
- WGA type: historical
- WGA School: Dutch
- WGA time period: 1601-1650