File:A Street in Fréjus (Axel Lindman) - Nationalmuseum - 18791.tif
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Captions
Captions
Axel Lindman: A Street in Fréjus
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Artist | |||||||||||||||||||||||||||
Title |
English: A Street in Fréjus Svenska: Gata i Fréjus |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre |
landscape painting ![]() |
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Description |
English: Axel Lindman went to France to study landscape painting. On the outskirts of Paris in the 1870s, he discovered the new plein air painting that was developing near Barbizon. However, although Lindman was influenced by the Barbizon school, he nevertheless created his own imagery. Critics at the time praised his pale colours – even if his motifs were French, the paintings were considered to have a distinct Nordic character. Svenska: Axel Lindman sökte sig till Frankrike för att ägna sig åt landskapsmåleri. Utanför Paris kom han på 1870-talet i kontakt med det nya friluftsmåleri som utvecklades i trakten av Barbizon. Men även om Lindman tog intryck av den så kallade Barbizonskolan, skapade han samtidigt en självständig bildvärld. Tidens kritiker framhöll den ljusa tonen i hans bilder – även om motiven var franska hade målningarna i kritikernas ögon en tydlig nordisk prägel. |
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Original caption InfoField | English: Axel Lindman went to France to study landscape painting. On the outskirts of Paris in the 1870s, he discovered the new plein air painting that was developing near Barbizon. However, although Lindman was influenced by the Barbizon school, he nevertheless created his own imagery. Critics at the time praised his pale colours – even if his motifs were French, the paintings were considered to have a distinct Nordic character. Svenska: Axel Lindman sökte sig till Frankrike för att ägna sig åt landskapsmåleri. Utanför Paris kom han på 1870-talet i kontakt med det nya friluftsmåleri som utvecklades i trakten av Barbizon. Men även om Lindman tog intryck av den så kallade Barbizonskolan, skapade han samtidigt en självständig bildvärld. Tidens kritiker framhöll den ljusa tonen i hans bilder – även om motiven var franska hade målningarna i kritikernas ögon en tydlig nordisk prägel. |
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Date |
1878 date QS:P571,+1878-00-00T00:00:00Z/9 |
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Medium |
Svenska: Olja på trä |
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Dimensions |
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Collection |
institution QS:P195,Q842858 |
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Accession number |
NM 1787 |
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Exhibition history |
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Inscriptions |
Svenska: Signerad: Fréjus [...] 78 A. Lindman. |
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References |
Nationalmuseum Sweden artwork ID: 18791 ![]() |
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Source/Photographer | Erik Cornelius / Nationalmuseum | ||||||||||||||||||||||||||
Permission (Reusing this file) |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 13:56, 7 October 2016 | ![]() | 4,476 × 2,973 (38.1 MB) | AndreCostaWMSE-bot (talk | contribs) | {{Artwork |other_fields_1 = |artist = Axel Lindman |title = {{en|A Street in Fréjus}} {{sv|Gata i Fréjus}} |wikidata = Q18573945 |object_type = painting |description... |
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Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D2X |
Author | Nationalmuseum / The National Museum of Fine Arts |
Exposure time | 1/100 sec (0.01) |
F-number | f/9 |
ISO speed rating | 100 |
Date and time of data generation | 09:48, 5 June 2008 |
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Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
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File change date and time | 14:33, 15 July 2008 |
Exposure Program | Manual |
Exif version | 2.21 |
Date and time of digitizing | 09:48, 5 June 2008 |
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Scene type | A directly photographed image |
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Focal length in 35 mm film | 90 mm |
Scene capture type | Standard |
Scene control | None |
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