File:A States Yacht in a Fresh Breeze Running Towards a Group of Dutch Ships RMG BHC0903.tiff
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Summary
[edit]Willem van de Velde the Younger: A States Yacht in a Fresh Breeze Running Towards a Group of Dutch Ships
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Artist |
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Author |
Willem van de Velde, the Younger |
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Title | |||||||||||||||||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
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Genre |
marine art ![]() |
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Description |
English: A States Yacht in a Fresh Breeze Running Towards a Group of Dutch Ships A large group of Dutch ships are shown gathered under a stormy sky. This may record the assembling of some of the Dutch fleet off the Texel in 1672, the year that the artist and his father came to England to work. Lieutenant-Admiral Michiel de Ruyter put to sea in late April or early May and Cornelis de Witt, the Ruwaard of Putten, joined de Ruyter's ship as the States-General's representative with the fleet. To the left, in port-quarter view, is a fishing pink with a six people on board and her square mainsail lowered. She flies a distinctive pendant at the masthead with red and yellow stripes, which may indicate the region of Vlieland and Terschelling. The prominence given to this pink with the unusual pendant may imply that it was being used to mark a shipping channel. De Ruyter was forced to order such boats to carry out this role because all the normal buoys and marks had been removed to form a hindrance to the English in case of invasion. A bezan yacht can be seen beyond the pink and there is other shipping on the horizon on the left. A man-of-war, shown starboard broadside and flying the Dutch flag, is firing a salute. In the right foreground is a sprit-rigged States yacht, in starboard-quarter view, which is probably the yacht of the States-General. Her foresail is lowered and she has a white ensign bearing a shield with the lion of the United Netherlands. This distinctive motif is repeated on the flag at the masthead, the longer-shaped flag at the peak and on the pendants. On her stern there is a shield bearing the lion of the Holland surrounded by arms and trophies, with naked figures on either side. Below the shield in a ribbon is the motto 'Vigilante Deo Confidentes', 'trusting in a vigilant God', inscribed in gold. The yacht is bathed in light and the brilliance of the sails forms a dramatic contrast to the grey clouds. There are figures on the deck attending to the foresail and a ship's barge lies alongside her port quarter. There are several sailors on board gesturing towards the yacht and a sailor in red is shown holding on to its side. The barge has two crests visible in the stern. The States yacht is shown sailing towards de Ruyter's flagship the 'Zeven Provincien', 80 guns. This large ship is identifiable by the flag and pendant at the main and the arms with lion supporters on the stern. She is taking in sail and her fore and main topsails are lowered, with men on the yards furling her sails. Another States yacht is shown lying alongside to starboard. A principal States yacht, in port-bow view, is passing the 'Zeven Provincien' and both ship and yacht are shown firing guns in salute. The latter has a pendant over the ensign signifying an admiralty yacht. Astern of the 'Zeven Provincien' are two large ships under sail before the wind. The second one has a flag at the fore and pendant at the main, which signifies a flagship of a vice-admiral of the centre squadron, possibly the 'Maagd van Dordrecht'. There are a number of other ships in the distance. The artist was the younger son of Willem van de Velde the Elder. Born in Leiden, he studied under Simon de Vlieger in Weesp and in 1652 moved back to Amsterdam. He worked in his father's studio and developed the skill of carefully drawing ships in tranquil settings. He changed his subject matter, however, when he came with his father to England in 1672-73, by a greater concentration on royal yachts, men-of-war and storm scenes. From this time painting sea battles for Charles II and his brother (and Lord High Admiral) James, Duke of York, and other patrons, became a priority. Unlike his father's works, however, they were not usually eyewitness accounts. After his father's death in 1693 his continuing role as an official marine painter obliged him to be more frequently present at significant maritime events. This painting may be the earliest of several versions of this subject by the artist. It is signed, lower right, 'W.V.Velde'. |
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Date |
1673 date QS:P571,+1673-00-00T00:00:00Z/9 |
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Medium |
oil on canvas ![]() |
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Dimensions | Painting: 800 x 1115 mm; Frame: 1020 x 1340 x 113 mm; Weight: 28.8kg | ||||||||||||||||||||||||||
Collection |
institution QS:P195,Q7374509 |
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Current location | |||||||||||||||||||||||||||
Accession number |
BHC0903 |
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Notes | Signed and dated 1673. Ownership association: lot 66. | ||||||||||||||||||||||||||
References | |||||||||||||||||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/12395 | ||||||||||||||||||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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Identifier InfoField | Acquisition Number: OP1960-16 id number: BHC0903 |
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Collection InfoField | Oil paintings |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Annotations InfoField | This image is annotated: View the annotations at Commons |
Zeven Provincien
Maagd van Dordrecht
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current | 03:07, 18 September 2017 | ![]() | 4,308 × 3,088 (38.06 MB) | Fæ (talk | contribs) | Royal Museums Greenwich Oil paintings (1673), http://collections.rmg.co.uk/collections/objects/12395 #918 |
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