Category:Wu Zhen

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<nowiki>Wu Zhen; Wu Zhen; Wu Zhen; У Чжэнь; Wu Zhen; Wu Zhen; У Чжэнь; Wu Zhen; 吴镇; Wu Zhen; Wu Zhen; 吳鎮; Wu Zhen; Wu Zhen; Wu Zhen (pelukis); Wu Zhen; У Чжень; Wu Zhen; 吳鎮; 오진; 吳鎮; وو ژێن; Wu Zhen; 呉鎮; 吴镇; Wu Zhen; pittore cinese; চীনা চিত্রশিল্পী; peintre chinois; Hiina maalikunstnik; pintor xinès; chinesischer Maler; Chinese painter; نقاش چینی; pictor chinez; 1280-1354, 元の文人画家; צייר סיני; Chinees kunstschilder (1280-1354); Chinese painter (1280-1354); pintor chino; رسام صيني; pintor chinés; Chinese painter; 元代画家; piktor kinez; 梅花道人; 仲圭; Zhen Wu; Wu Chen; Zhen Wu; zi Zhonggui; Zhonggui; Meihua daoren; hao Meihua daoren; 吳鎮; 仲圭; 梅花道人; 梅花道人; 仲圭</nowiki>
Wu Zhen 
Chinese painter (1280-1354)
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Name in native language
  • 吴镇
Date of birth1280 (statement with Gregorian date earlier than 1584)
Jiashan County
Date of death1354 (statement with Gregorian date earlier than 1584)
Place of burial
Country of citizenship
Occupation
Ancestral home
  • Jiaxing Xian
Authority file
Wikidata Q704735
ISNI: 000000010774115X
VIAF ID: 60474357
GND ID: 1023715775
Library of Congress authority ID: n84018820
Bibliothèque nationale de France ID: 177124751
IdRef ID: 171455436
NDL Authority ID: 00531564
Libraries Australia ID: 36625249
Nationale Thesaurus voor Auteursnamen ID: 185590861
J9U ID: 987007375624105171
NACSIS-CAT author ID: DA09636638
Open Library ID: OL5283549A
Union List of Artist Names ID: 500328316
Europeana entity: agent/base/154541
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English: Wu Zhen (1280-1354 C.E.) was a painter during the Yuan dynasty of China. He followed the Dong Yuan school of painting. Following along with trends of the time, Wu's works tended less toward naturalism (i.e. painting exactly what the eye sees) and more toward abstraction, focusing on dynamic balance of elements, and personifying nature. His painting The Central Mountain, dated 1336, is perhaps his greatest work and shows his style very clearly. It is a symmetrical image, with one large mountain in its center and others to each side. The mountains have rounded tops, and in fact all of Wu's lines in this painting are smooth, curved and flowing. The painting is a reinterpretation of traditional landscape paintings as it brings abstract style and brushwork to landscape, primarily to create a work focused on balance. (→en:Wu Zhen)
Français : Wu Zhen peintre, poète, calligraphe chinois du siècle est considéré comme l'un des "Quatre Grands Maîtres de la dynastie Yuan". Wu Zhen ou WouTchen ou Wu Chên, surnom : Zhong-gui, nom de pinceau : Meihua Daoren né en 1280, originaire de Jiaxing, province du Zhejiang, mort en 1354 s'est rendu célèbre par ses peintures de paysages, paysages de montagne et eau (sanshui), et surtout ses peintures de bambous. (→fr:Wu Zhen)
日本語: 呉鎮(ごちん、Wu Zhen、 1280年(至元17年) - 1354年(至正14年))は、時代の文人画家。字は仲圭、号を梅花道人(梅道人)、梅花和尚。浙江省嘉興の魏塘鎮出身。黄公望倪瓚王蒙と並ぶ元末四大家の一人で、元の山水画様式を確立した。 (→呉鎮)
한국어: 오진(吳鎭, 1280년 ~ 1354년)은 중국 원나라화가이다. (→오진 (원나라))
Norsk bokmål: Wu Zhen ( forenklet kinesisk: 吴镇, tradisjonell kinesisk: 吳鎮, pinyin: Wú Zhèn, født ) var en maler under Yuan-dynastiet i Kina. Han fulgte Dong Yuan-skolen innen maleri. I pakt med trendene på den tiden tenderte Wus verk mindre mot naturalisme (det vil si å male akkurat hva øye ser) og mer mot abstraksjon, fokusert på dynamisk balanse av elementene, og personifisering av naturen. Maleriet hans Det sentrale fjellet, datert 1336, er kanskje hans beste verk og viser veldig klart hans stil. Det er et symmetrisk bilde, med et stort fjell i sentrum og to andre på hver side. Fjellene har avrundete topper, og faktisk er alle Wus linjer i dette maleriet glatte, kurvede og flytende. Maleriet er en omtolkning av det tradisjonelle landskapsmaleriet da det bringer en abstrakt stil og penselføring til landskapet, primært for å skape et verk som fokuserer på balanse. (→no:Wu Zhen)
Русский: У Чжэнь (кит. 烏鎮 ; род. 1280 – ум. 1354) – выдающийся китайский художник эпохи Юань. (→У Чжэнь)
Українська: У Чжень (* 1280 — †1354) — відомий китайський художник часів династії Юань. (→У Чжень)
中文:吴镇性孤介,一生清贫,曾在村塾教书、并卖 于武林等地。但他博学多识,工书法,善草书,能诗文绘画水墨山水画,师法巨然,用长披麻皴,兼以斧劈,笔力劲爽,墨气淋漓,写出山川林木峥嵘郁茂之景,改变了巨然“淡墨轻岚”的风格。也画松竹,亦挺拔有致。尤其重视画面题咏书法与绘画风格的协调统一。他的画善用老笔湿墨,笔力雄劲,墨气沉厚,题咏诗文较多。画墨竹笔意豪宕,生意满纸;画古木、怪石挺劲有力。两代书画家均受他很大影响。 (→吴镇)

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