Catalogue of Wilhelm von Gloeden's pictures

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Catalogues of Wilhelm von Gloeden's pictures

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This is a list of the images created by Gloeden by catalogue number. This is not an inventory of auctions sales of Gloeden's physical prints. A faded, small, watermarked, damaged, censored scan will be replaced in this catalogue anytime a better one surfaced, even if it comes from a source different than the one originally uploaded. Please consult an art expert if you need an expertise.
  • English: Images are arranged by number of catalogue. A short paper dealing with the cataloguing of Gloeden's images (in Italian) is here. All numbers may appear twice or thrice, for each of the 3 sizes sold by Gloeden: the smallest ones (cm 11 x 16), that have been marked below with a letter "P" before the number, the middle-sized ones (cm 18 x 24), that have been marked with a letter "M" before the number, and eventually the largest ones, (cm 30 x 40), that being less than 300, were listed in a separate catalogue, and marked with a "G" before the number. To further complicate the issue, some numbers also appear as duplicates by adding a "B" and a "C" (often passing unnoticed to cataloguers!) after the number. Further confusion yet was created by silver reprints printed in the 1930s-1970s, bearing the original numbering but not necessarily the original size. These ones and those published without size indication, were entered the catalogue marking them with a "?" before the number, waiting to find out the original size.

Trademark / Marchio

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Campionari / Contact sheets

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The largest size catalogue is here (cm 30x40).

Smallest and medium-size catalogue / Catalogo generale (cm. 13x18 & 18x24)

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Numbers 1-24

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25-49

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50-74

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75-99

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100-124

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125-149

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150-174

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175-199

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200-224

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225-249

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250-274

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275-299

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300-324

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325-349

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350-374

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375-399

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400-425

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426-449

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450-474

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475-499

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500-524

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525-549

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550-574

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575-599

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600-624

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625-649

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650-674

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675-699

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700-724

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725-749

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750-774

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775-799

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800-824

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825-849

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850-874

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875-899

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900-924

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925-949

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950-974

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975-999

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1000-1024

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1025-1049

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1050-1074

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1075-1099

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1100-1124

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1125-1149

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1150-1174

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1175-1199

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1200-1224

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1225-1249

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1250-1274

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1275-1299

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1300-1324

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1325-1349

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1350-1374

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1375-1399

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1400-1424

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1425-1449

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1450-1474

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1475-1499

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1500-1524

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1525-1549

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1550-1574

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1575-1599

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1600-1624

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1625-1649

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1650-1674

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1675-1699

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1700-1724

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1725-1749

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1750-1774

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1775-1799

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1800-1824

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1825-1849

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1850-1874

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1875-1899

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1900-1924

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1925-1949

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1950-1974

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1975-1999

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2000-2024

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2025-2049

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2050-2074

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2075-2099

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2100-2124

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2125-2149

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2150-2174

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2175-2199

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2200-2224

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2225-2249

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2250-2274

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2275-2299

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2300-2349

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2350-2399

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2400-2424

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2425-2449

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2450-2474

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2475-2499

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2500-2524

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2525-2549

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2550-2574

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2575-2599

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2600-2624

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2625-2649

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2650-2674

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2675-2699

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2700-2724

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2725-2749

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2750-2774

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2775-2799

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2800-2824

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2825-2849

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2850-2874

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2875-2899

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2900-2999

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3000-3024

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Most of the pictures by Gloeden that were signed and numbered by him (or his assistants) do not exceed number 3,200. Numbers exceeding 3,200 are therefore, normally, reprints.

3025-3049

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3050-3110

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4000-5999

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No # / Numero di catalogo non ancora rintracciato

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Portraits and Selfportraits

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Unnumbered portraits taken in Abruzzo

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Italiano: Queste immagini furono scattate all'inizio della carriera di Gloeden, nei primi anni 1880, quando egli era ospite del cenacolo artistico di Francesco Paolo Michetti a Francavilla a Mare (Chieti). Significativamente, Michetti sperimentò col nudo maschile (Abbiamo una sua celebre foto di Gabriele D'Annunzio nudo al mare) ed aveva il curioso gusto di usare maschi adolescenti travestiti da donna per le figure femminili dei suoi quadri, un gusto che trasmise a Gloeden. Gloeden nello stesso periodo sperimentava il nudo a Napoli con Plueschow.
English: These images were taken at the very beginning of Gloeden's carreer, in the early 1880s, while he was a guest at Francesco Paolo Michetti "art factory" in Francavilla a Mare. Curiosuly, Michetti experimented with the male nude himself (we have a nude picture of Gabriele D'Annunzio on the sea shore taken by him), and he had the curious taste of using teenage boys as models for his female figures in his paintings, a taste he taught to Gloeden.

Portraits

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Edifici / Buildings

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Gloeden's house / La casa di Gloeden

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Giardino di Gloeden / Gloeden's Garden

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Miscellaneous

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San Domenico

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Napoli / Naples

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Unstrip size limit exceeded (5,000,000)

Monte Ziretto / Mount Ziretto

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Unstrip size limit exceeded (5,000,000)