File:WILD SEPTEMBER SNOW Produced by the National Film Unit (1969).jpg
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DescriptionWILD SEPTEMBER SNOW Produced by the National Film Unit (1969).jpg |
English: WILD SEPTEMBER SNOW Produced by the National Film Unit (1969). Black & white motion picture dupe negative 35mm acetate film strip, approximately 12 frames. Preservation Master.
Film stills and promotional production stills produced by the National Film Unit. This series primarily consists of cellulose acetate negatives, but also includes transparencies, slides, a small number of photographic positives and some glass plate negatives. Archives New Zealand reference: AAPG 24449 W3939 28 / [2] |
Date | |
Source | https://ndhadeliver.natlib.govt.nz/delivery/DeliveryManagerServlet?dps_pid=IE23863706 |
Author | Archives New Zealand |
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current | 07:46, 8 September 2021 | 900 × 5,678 (821 KB) | Dellerka (talk | contribs) | Uploaded a work by Archives New Zealand from https://ndhadeliver.natlib.govt.nz/delivery/DeliveryManagerServlet?dps_pid=IE23863706 with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
JPEG file comment | Original item is a cellulose acetate photographic negative.
Digitization equipment - Lightbox: Kaiser Fototechnik prolite scan SC 2493, colour temperature 5400K. Camera sensor: Phase One IQ180 Camera body: Phase One 645 DF Lens: Mamiya 645 MF 120mm macro. Capture software: Capture One DB 7.2.1 (64 bit) Digitization notes - Negative was sandwiched between two pieces of anti-Newton glass. Unless otherwise stated, negs were shot emulsion-up. Captured in RAW and output as TIFF in Capture One. No sharpening was applied to the PM at either the lens correction stage, in output, or in post-production. A Film Standard gamma curve was applied to the RAW image before TIFF output. Capture was flat-fielded to correct for light falloff, colour cast, and any irregularities in the light intensity/colour temperature of the lightbox. RAW file was white-balanced off the lightbox. The Preservation Master is a 16-bit Adobe RGB (1998) image of the negative; the Modified Master is an 8-bit positive image which has been tonally corrected and for which sharpening was enabled before output. |
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