File:The Survey October 1916-March 1917 (1917) (14757442216).jpg

Identifier: surveyoctmar1917surv (find matches)
Title: The Survey October 1916-March 1917
Year: 1917 (1910s)
Authors: Survey Associates Charity Organization Society of the City of New York
Subjects: Charities Social problems
Publisher: (East Stroudsburg, Pa., Survey Associates)
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: Algoma University, Trent University, Lakehead University, Laurentian University, Nipissing University, Ryerson University and University of Toronto Libraries

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out-wardly aggressive convention of the Ameri-can Federation of Labor in Baltimore lastweek. With radicals and conservatives put-ting aside their differences and with the400,000 members of the railway brotherhoodslining up with the federation, the employersnew board seems to have its work cut out.Page 219. FT NCLE SAM, master American, has hisengagement book full up. Hes to beasked to look into the high cost of living(page 246), and perhaps to set a fair pricefor coal (page 247). When Congress meetsnext week his admiring constituents willpress for a program of social legislation(page 249) and the pacifists, particularly onthe Pacific coast, believe he has a goodchance to press for intervention by neutralsPage 258. YVflTHIN the week California dis-patches have told of the death of two young Americans—a man and a woman who summed up the fire, the revolt, theimpetuosity and the idealism which havemarked the spirit of youth in this genera-tion: Jack London and Inez MilhollandBoissevain.
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Portrait of MARGARET DONEGAN By Wm.^Starkweather TfXlllBlTED attheFolsom Gal-J—i lerics in New York city, thisportrait of a studio scrubwomanaroused much interest by its in-troduction of a present-day demo-cratic subject into the traditionallyformal and ecclesiastical visionpicture of early Italian and Span-ish art. In place of a biblicalcharacter or Spanish grandee, Mr.Starkweather substitutes no otherthan Margaret Donegan, studioscrubwoman, mother of a boy whohas been killed in a mill. Inno-ticed by the artist or his model,she stands before us, arrested ather mop and pail by a vision ofher son being received into heaven.The central color is the fadedblue of the vjork-a-day dress andapron. The smock of the unper-eeiving artist is ochre, balanced hythe gold-and-yellovj robe of hismodel on the other side. Thesecolors art reflected in the visionabove the clouds, while the tearof the studio is a red-brown,deepening into /lack. VOLUME XXXVII, No. 9

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