File:Taj M.jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file(1,032 × 774 pixels, file size: 73 KB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary[edit]

Description
English: "A white marble tomb built in 1631 - 48 in Agra, seat of the Mughal Empire, by Shah Jehan for his wife, Arjuman Banu Begum, the monument sums up many of the formal themes that have played through Islamic architecture. Its refined elegance is a conspicuous contrast both to the Hindu architecture of pre-Islamic India, with its thick walls, corbelled arches and heavy lintels, and to the Indo-Islamic styles, in which Hindu elements are combined with an eclecticassortment of motifs from Persian and Turkish sources."______ Marvin Trachtenberg and Isabelle Hyman Architecture: from Prehistory to Post-Modernism. p223

The Taj Mahal is considered the finest example of Mughal architecture, a style that combines elements from Persian, Indian, and Islamic architectural styles. In 1983, the Taj Mahal became a UNESCO World Heritage Site and was cited as "the jewel of Muslim art in India and one of the universally admired masterpieces of the world's heritage." The Taj! An awe-inspiring poetry in marble stands high and serene by the banks of the River Yamuna is an inspiring result of the application of architectural and scientific research. The tomb laid out in rectangular shape can be approached through an immense gateway with huge arch and alcoves strewn on either side that stands tall and erect, as though guarding something precious. Three other smaller gateways follow the red sandstone towers topped with domes in white marble together make a pretty picture. The Taj is an experience of its own kind, while on the one hand its magnanimity is so sublime, so on the other the exquisite inlay work and detailed craftsmanship together with the calligraphy is simply amazing. The combination simply leaves one absolutely mesmerized. The sheer splendour of the mausoleum is consummate, and the vastness is simply monumental.The tomb is at the northern end with an expanse of greenery and fountains between it and the gateways. The ceiling is adorned with floral patterns and the décor of floors with geometric designs. The inner of the main structure is in lakhauri [a kind of earthen brick], which have been carefully covered with marble, whereas the adjoining structures are covered with red sandstone.Majestic and sensuous, glistening brightly in the afternoon sun, the bulbous dome and minarets with a slight inward tilt, have all been inscribed meticulously with the Holy Verses bringingforth the arabesque ornamentation. The white marble from Makrana in Rajasthan has added its own natural beauty to this mausoleum that attracts tourists from all over the world.As one goes around, the most breathtaking part remains the exquisite inlay work that looks up from every nook and corner of the façade. The blooms are worked out in immense detail and every dot and alphabet of the Holy Quran is neatly etched, cut and inlaid to perfection. The flowers, chiefly lilies mirror the Mughal love for gardens. One particular flower on the tomb of Mumtaz Mahal is said to have been inlaid with 35 different precious stones. Thecentral hall is surrounded by eight rooms that have a corridor running through them. The aura of serenity is all pervading, while translucent glass separates them to let-in the dim sunlight, making the interiors look solemn and intriguing. Indeed a masterpiece that none would ever be able to replicate including the orginal craftsmen, artisans and designers themselves. While a visitor is still managing to grasp the symmetry of the structures set across the length and breadth of the complex, the Taj Mahal appears deep in the distance, indeed a spectacular sight to behold, forever! However, it is the dome that leaves one gasping in awe. While the outer dome rises to 44.4 metres in height, the inner is 24.35 metres an architectural and technical feat. Ismail Afandi from Turkey, who also worked for the Ottomans is said to have been its designer. Marking an amalgam of Hindu and Islamic architecture are the typically Hindu Chhatris [An umbrella like structure] at the dome base from the corners. Shah Jahan has similarly left his individual imprint in several other aspects of the architecture as well. I visited this place in the month of April this year with my mother and would definitely visit again.The fun fact is this,

the four sides of the Taj Mahal are perfectly identical creating an astonishingly mirrored image on each side.
Date
Source Own work
Author NainikaK

Licensing[edit]

I, the copyright holder of this work, hereby publish it under the following license:
w:en:Creative Commons
attribution share alike
This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license.
You are free:
  • to share – to copy, distribute and transmit the work
  • to remix – to adapt the work
Under the following conditions:
  • attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
  • share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.


File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current07:25, 22 September 2018Thumbnail for version as of 07:25, 22 September 20181,032 × 774 (73 KB)NainikaK (talk | contribs)User created page with UploadWizard

There are no pages that use this file.

Metadata