File:Study of a Model (Pietschmann).jpg
Original file (1,346 × 1,754 pixels, file size: 1.03 MB, MIME type: image/jpeg)
Captions
Summary
[edit]Max Pietschmann: Study of a model ( ) | ||||||||||||||||||||||||
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Artist |
artist QS:P170,Q1794296 |
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Title |
Study of a model label QS:Len,"Study of a model" |
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Object type |
painting object_type QS:P31,Q3305213 |
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Date |
1885 date QS:P571,+1885-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 101.5 cm (39.9 in); width: 80 cm (31.4 in) dimensions QS:P2048,101.5U174728 dimensions QS:P2049,80U174728 |
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Collection |
institution QS:P195,Q325712 |
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Object history | purchased c. 2020 from Jack Kilgore | |||||||||||||||||||||||
Inscriptions | signed and dated lower left, incised into the wet paint “M. Pietschmann Novbr.85” | |||||||||||||||||||||||
Notes |
English: “Max Pietschmann was a young student at the Art Academy of Dresden when he painted this sensitive study, in 1885, during an especially fraught historical period for Germany. Indeed, just the year before, Germany had established its first colonies in Africa, and visitors to Germany from Africa not only increased but also were regarded with great curiosity by German citizens. Although we do not know his identity, the model for this painting was likely an African performer from a circus that passed through Dresden in November, the month Pietschmann completed this painting. The artist's study offers a window into a complex social moment, creating an image of a Black man that foregrounds his dignity and self-possession at a time when such a portrayal was far from common in German art.” -- note at the Milwaukee Art Museum
Deutsch: “Max Pietschmann war ein junger Student an der Kunstakademie in Dresden, als er diese sensible Studie 1885 malte, in einer für Deutschland besonders bewegten historischen Zeit. Gerade im Jahr zuvor hatte Deutschland seine ersten Kolonien in Afrika gegründet, und die Besucher aus Afrika in Deutschland nahmen nicht nur zu, sondern wurden von den deutschen Bürgern auch mit großer Neugierde betrachtet. Obwohl wir seine Identität nicht kennen, war das Modell für dieses Gemälde wahrscheinlich ein afrikanischer Artist aus einem Zirkus, der im November, dem Monat, in dem Pietschmann dieses Gemälde fertigstellte, in Dresden gastierte. Die Studie des Künstlers bietet einen Einblick in eine komplexe soziale Gemengelage, indem sie ein Bild eines Schwarzen schafft, das seine Würde und Selbstbeherrschung zu einer Zeit in den Vordergrund stellt, in der eine solche Darstellung in der deutschen Kunst alles andere als üblich war." -- Anmerkung des Milwaukee Art Museum |
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Source/Photographer | Jack Kilgore |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 20:43, 21 November 2022 | 1,346 × 1,754 (1.03 MB) | Jdsteakley (talk | contribs) | Uploaded a work by I forget from museum with UploadWizard |
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File usage on Commons
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Metadata
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Camera manufacturer | samsung |
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Camera model | SM-G960U1 |
Exposure time | 1/30 sec (0.033333333333333) |
F-number | f/1.5 |
ISO speed rating | 250 |
Date and time of data generation | 15:25, 20 November 2022 |
Lens focal length | 4.3 mm |
Width | 4,032 px |
Height | 1,960 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop CS5.1 Windows |
File change date and time | 14:29, 21 November 2022 |
Y and C positioning | Centered |
Exposure Program | Normal program |
Exif version | 2.2 |
Date and time of digitizing | 15:25, 20 November 2022 |
Meaning of each component |
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APEX shutter speed | 4.906 |
APEX aperture | 1.16 |
APEX brightness | −0.58 |
APEX exposure bias | 0 |
Maximum land aperture | 1.16 APEX (f/1.49) |
Metering mode | Center weighted average |
Flash | Flash did not fire |
DateTime subseconds | 439287 |
DateTimeOriginal subseconds | 439287 |
DateTimeDigitized subseconds | 439287 |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | Undefined |
Scene type | A directly photographed image |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Focal length in 35 mm film | 26 mm |
Scene capture type | Standard |
Unique image ID | H12QSKF00SM H12QSKL01VA |
Date metadata was last modified | 08:29, 21 November 2022 |
Unique ID of original document | 2374BBBD80D2E27D48BA2D563708A28B |
IIM version | 172 |
Structured data
Items portrayed in this file
depicts
0.03333333333333333333 second
1.5
4.3 millimetre
250
image/jpeg
- Paintings by Max Pietschmann
- 1885 paintings in Germany
- Portrait paintings in the Milwaukee Art Museum
- 19th-century oil paintings of standing men at half length
- 19th-century oil paintings of standing men at three-quarter length
- Topless standing men in art
- 19th-century oil portraits of men at half length in traditional clothing
- Africans in 19th-century art
- Portrait paintings of Africans
- Men of Africa