File:Ships, Galleys and Other Vessels off an Italian Port RMG BHC0935.jpg
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Captions
Summary
[edit]Jacob Knijff: Ships, Galleys and Other Vessels off an Italian Port | |||||||||||||||||||||||||
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Artist |
artist QS:P170,Q3271574 |
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Title | |||||||||||||||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
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Genre | marine art | ||||||||||||||||||||||||
Description |
English: Ships, Galleys and Other Vessels off an Italian Port The artist Jacob Knyff (1638-1681) specialized in topographical landscapes. In 1670 he had a studio in Paris, but he moved to England in 1672, when Charles II invited Dutch artists to work in Britain, and lived there until 1681. He has been identified as the painter of this large view of an Italian port, which is a so-called capriccio. To the right, set in a mountainous landscape and under a loosely clouded evening sky, the fortified town stretches out towards the spectator with a busy quayside in the foreground. Some of its buildings seem identifiable. For example, the façade of the church on the extreme right might be Trinità dei Monti in Rome. The domed church in the centre could be one of the two churches near the Forum of Trajan. On the other hand some of the civic architecture appears to have Dutch gables. Certainly, the cityscape cannot be connected, as has been suggested in the past, to Lisbon or Tangier for the sake of identifying an historic event, which would usually justify the exceptionally grand format. In the harbour to the left the shipping might also serve, in this particular case, to illustrate different types of interest rather than to illustrate a particular event, such as the formerly suggested embarkation of Catherine of Braganza for England to marry Charles II. The ships include an English three-decker, a French and a Papal galley, as well as a Dutch ship and other vessels. The staffage figures in the meeting and greeting scene on the quayside in the foreground are both Ottoman and European. Such a mixture of ‘exotic’ costumes is typical for 17th-century harbour scenes. The painting was perhaps originally executed or at least purchased for Weald Hall, from where it eventually entered the NMM collection. Weald Hall was purchased by Erasmus Smith in 1683, and his son Hugh Smith was responsible for alterations including the building of its Great Hall where he employed Italians for its plasterwork frames. This was done circa 1690. The picture apparently hung on the west wall of the Great Hall. |
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Date | Mid - Late 17th century | ||||||||||||||||||||||||
Medium | oil on canvas | ||||||||||||||||||||||||
Dimensions | Painting: 2840 mm x 4835 mm x 35 mm | ||||||||||||||||||||||||
Collection |
institution QS:P195,Q7374509 |
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Current location | |||||||||||||||||||||||||
Accession number |
BHC0935 |
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Notes | Production: attributed to. | ||||||||||||||||||||||||
References | |||||||||||||||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/12427 | ||||||||||||||||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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Identifier InfoField | id number: BHC0935 | ||||||||||||||||||||||||
Collection InfoField | Oil paintings |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 20:22, 18 September 2017 | 1,280 × 752 (988 KB) | Fæ (talk | contribs) | Royal Museums Greenwich Oil paintings, http://collections.rmg.co.uk/collections/objects/12427 #987 |
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Metadata
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Orientation | Normal |
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Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop CS2 Windows |
File change date and time | 11:37, 23 February 2009 |
Color space | Uncalibrated |
Image width | 1,280 px |
Image height | 752 px |
Date and time of digitizing | 11:37, 23 February 2009 |
Date metadata was last modified | 11:37, 23 February 2009 |