File:Robert Peake the Elder Elizabeth D'Olyley.jpg

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Robert Peake the elder: Elizabeth D'Oyley, Aged 16  wikidata:Q118878400 reasonator:Q118878400
Artist
Robert Peake the elder  (1551–1619)  wikidata:Q737726
 
Alternative names
Robert I Peake; Robert, I Peak; Robert Peake I; Robert, I Peake; Robert, the elder Peake; Robert Peake
Description British painter
Date of birth/death circa 1551
date QS:P,+1551-00-00T00:00:00Z/9,P1480,Q5727902
1619 Edit this at Wikidata
Location of birth/death Lincolnshire (England) London
Work period 1580s-1616
Work location
Authority file
creator QS:P170,Q737726
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
Elizabeth D'Oyley, Aged 16 Edit this at Wikidata
title QS:P1476,en:"Elizabeth D'Oyley, Aged 16 Edit this at Wikidata"
label QS:Len,"Elizabeth D'Oyley, Aged 16 Edit this at Wikidata"
Object type painting Edit this at Wikidata
Description
description
English: Portrait dated 1608 said to be of "Elizabeth D'Oyley (born 1592), aged 16, a daughter of Edmund d'Oyley of Shottisham in Norfolk by his wife Catherine Neville". in about 1608, the date of the portrait, she married her first husband, Robert Buxton (d.1610/11) of Channons Manor in Tibenham in Norfolk, by whom she had a son John Buxton (1609-1660), who married his step-sister Margaret Perte (1610-1686). She survived her first husband and remarried (as his second wife) to William Perte of Mountnessing in Essex, who by his first wife Isabel Conyers, had a daughter Margaret Perte (1610-1686), who married her step-brother John Buxton (1609-1660) of Channons, Tibenham, whose monument in Tibenham is inscribed in Latin: (Source: Francis Blomefield, 'Hundred of Depwade: Tibenham', in An Essay Towards A Topographical History of the County of Norfolk: Volume 5 (London, 1806), pp. 275-284 [1])
Johannes Buxton de Channonz apud Tybenham Armiger, Charitate plenus, Claritate refulgens, obijt 29° Die Mensis Aprilis, Ao Dni. 1660, Ætatis suæ 51, cujus Reliquiæ sub hoc marmore requiescunt. Exemplar Virtutis, et Pietatis insigne; Margareta Uxor, Filia Gulielmi Pert de Montnessing Comitatu Essex' Armigeri, una ex Heredibus Thomæ Conyers de East Barnett Comitatu Hartford' Armigeri, Filios Robertum, Johannem, Conyers, (improviso ereptum) Gulielmum, Henricum; Filiasq(ue) tres, Isabellam, Margaretam, (in Infantiâ Mortuam enixa) Hic juxta posita, obiit 1° Die Mensis Maii A(nn)o D(omi)ni. 1687, æt. suæ curren' 76. In Pietatis Memoriam debitæque observantiæ Testimonium, Johannes Filius, Flens, Mærensque, posuit. Deo Gloria.

Which may be translated:

"John Buxton of Channons in Tibenham, Esquire, full of charity, shining with brilliancy, died on the 29th day of the month of April, in the year of our Lord 1660, of his age 51, of whom the remains rest under this marble. An exemplar of virtue and notable for his piety. Margaret his wife, a daughter of William Pert, Esquire, of Mountnessing in the County of Essex (and) one of the heiresses of Thomas Conyers, Esquire, of East Barnet in Hertfordshire (Sons Robert, John, Conyers (snatched away unforseen) William, Henry, and three daughters: Isabel, Margaret (died in infancy)) she was placed here nearby, she died on the first day of the montyh of May in the year of our Lord 1687 of her age 76,. In memory of her piety and as testimony of observant duty, John her son placed this, weeping and mounnful. Glory to God."

With arms: Argent, a lion rampant sable tail elevated and raised over the head (Buxton) (Burke, Sir Bernard, The General Armory, London, 1884, p.156 "Buxton of Shadwell Court, Norfolk, baronet") impaling Argent, a bend gules between two mascles or (Perte, per Blomefield) (Perte per Burke, General Armory, p.794: Gules, on a bend argent three mascles of the first and Argent, on a bend gules three mascles or ("Pert of Essex") - as seen in this portrait) with inescutcheon of pretence Azure, a maunch gules.

Identity of sitter

The coat of arms is Argent, on a bend gules three mascles or (Pert) impaling Azure, a maunch or (Conyers), which identifies the sitter as born of the Conyers family and married to a husband of the Perte family. This indicates Isabel Conyers, the first wife of William Perte, and the mother of Margaret Perte (1610-1686), who married John Buxton (1609-1660). The inscription states "Pert co-heiress of Conyers, mother of (Mrs) Marg. Buxton", which is consistent with the coat of arms.
Date circa  Edit this at Wikidata
Medium oil on panel Edit this at Wikidata
Dimensions height: 88.9 cm (35 in) Edit this at Wikidata; width: 69.9 cm (27.5 in) Edit this at Wikidata
dimensions QS:P2048,+88.9U174728
dimensions QS:P2049,+69.9U174728
institution QS:P195,Q55361621
Accession number
NWHCM : 1963.268.4 : F (Norfolk Museums Collections) Edit this at Wikidata
References Art UK artwork ID: elizabeth-doyley-aged-16-897 Edit this at Wikidata
Source/Photographer

Norfolk Museums, Norfolk UK. Provenance: In 1949 Norfolk Museum Service was bequeathed a remarkable series of portraits by Mrs Maud Buxton, the majority featuring various members of Norfolk branches of the Buxton family and dating back to the 16th century. The paintings arrived in the museum in two groups – one in 1949, and the other in 1963. Maud Buxton herself is also featured in a portrait in the same collection by Ralph Peacock ( NWHCM : 268.31 :F).

https://www.gogmsite.net/the_late_farthingale_era_fr/1608_elizabeth_doyley_aged_.html

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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